Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Inaug.-Diss.--Berlin. / Forms chapter 1 of author's complete work pub. in 1911. Vita.

Thesis (M.A.)--University of Wisconsin--Madison. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [208]-219).

Since nothing remains in situ of the Capuan gateway-except the bases of the towers, and since the surviving sculptural pieces are now in the local museum, it is exceedingly difficult to visualize this key monument as it seems to have appeared to those who passed through it centuries ago and referred to it in chronicles which have come down to us. Chapter I deals with the history of the period and Italy's place in it, the artistic creativity of the area concerned, and relevant details regarding the life of Frederick II and his times. Chapter II lists and describes the few extant documents relating to the archway. In connection with these are the surviving drawings or sketches which are described and compared, as well as the hypothetical reconstructions which have appeared over the past some 40 years. Chapter III describes the surviving pieces of sculpture and notes the opinions of various authorities. Putative heads of the emperor are referred to and examples of classical prototypes given with respect to the most important pieces. Examples of comparable iconography as seen in the minor arts are mentioned. To my mind, these aspects have not been sufficiently stressed heretofore. Chapter IV investigates the possible influences of earlier gateways in Italy as well as the influence brought to bear on the design of subsequent archways. Because of Frederick's philosophy and contemporary politico-religious affairs, there is a discussion of the symbolism of the gate in general, as well as of the imperial role as sun-king and the iconography of the lion-throne. In the literature of the Capuan Gate, none of these elements have been referred to, as far as I know, although allusions are to be seen in related readings. / Arts, Faculty of / Art History, Visual Art and Theory, Department of / Graduate

Thesis (Ph. D.)--Columbia University, 1930. / At head of title: Peter M. Riccio. Biographical list of contributors to La Voce: p. [201]-253. "The development of present-day Italy is due ... to the youth of the country. It is the fruit of the efforts of small groups of young men who ... carried on their campaign of activities generally through the medium of literary reviews like Il Leonardo, La Critica, Il Regno, La Voce, Lacerba, La Ronda, etc. ... In the course of this study the development of La Voce has been emphasized."-Pref.

Thesis (Ph. D.)--University of Washington, 2004. / Vita. Includes bibliographical references (leaves 272-295).

Thesis--Berlin. / Vita. Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1966. / Typescript. Vita. Description based on print version record. Includes bibliographical references.

Undergraduate honors paper--Mount Holyoke College, 2005. Dept. of History. / Includes bibliographical references (leaves 96-100).

Thesis (Ph. D.)--University of Nebraska--Lincoln 1980. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 404-423).