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Sir Thomas More and the art of dialogueLakowski, Romauld I. 11 1900 (has links)
In this study I present an analysis of the structures of four works by Sir Thomas More: The History of Richard III, the 'Dialogue of Counsel' in Book I of Utopia, The Dialogue Concerning Heresies, and The Dialogue of Comfort in Tribulation. My basic thesis is that Thomas More was a superb literary artist and a master of the art of literary dialogue, and that beneath the often apparently rambling and digressive surface of each of these literary works, there is a 'deep structure' that is highly coherent and even tightly organised. I also show that More's use of dialogue in each of the three dialogues is genuinely dialectical—that the individual speakers in the three literary dialogues make a genuine contribution to thedevelopment of the argument—and that the movement from speaker to speaker in the History of Richard III is also genuinely dialectical— anticipating the art of the three later dialogues. To this end I have provided an interpretive reading/analysis of each of the works, focussing on More's "art of dialogue" in the passages of direct and indirect speech in Richard III, and in the dialogues between Hythloday and Persona More in Book I of Utopia, between Chancellor More and the Messenger in the Dialogue Concerning Heresies, and between Vincent and Anthony in the Dialogue of Comfort. The thesis also includes a major bibliographical appendix, consisting of about two thousand items of More scholarship organised according to topic. (The Bibliography is quite comprehensive covering all of More's works and also background studies and biographies.) The appendix is provided both as part of my argument and as a tool for further research.
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Sir Thomas More and the art of dialogueLakowski, Romauld I. 11 1900 (has links)
In this study I present an analysis of the structures of four works by Sir Thomas More: The History of Richard III, the 'Dialogue of Counsel' in Book I of Utopia, The Dialogue Concerning Heresies, and The Dialogue of Comfort in Tribulation. My basic thesis is that Thomas More was a superb literary artist and a master of the art of literary dialogue, and that beneath the often apparently rambling and digressive surface of each of these literary works, there is a 'deep structure' that is highly coherent and even tightly organised. I also show that More's use of dialogue in each of the three dialogues is genuinely dialectical—that the individual speakers in the three literary dialogues make a genuine contribution to thedevelopment of the argument—and that the movement from speaker to speaker in the History of Richard III is also genuinely dialectical— anticipating the art of the three later dialogues. To this end I have provided an interpretive reading/analysis of each of the works, focussing on More's "art of dialogue" in the passages of direct and indirect speech in Richard III, and in the dialogues between Hythloday and Persona More in Book I of Utopia, between Chancellor More and the Messenger in the Dialogue Concerning Heresies, and between Vincent and Anthony in the Dialogue of Comfort. The thesis also includes a major bibliographical appendix, consisting of about two thousand items of More scholarship organised according to topic. (The Bibliography is quite comprehensive covering all of More's works and also background studies and biographies.) The appendix is provided both as part of my argument and as a tool for further research. / Arts, Faculty of / English, Department of / Graduate
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Irony, rhetoric, and the portrayal of "no place": Construing the elaborate discourse of Thomas More's UtopiaPadgett, Davina Sun 01 January 2006 (has links)
While traditional readings of Thomas More's Utopia have largely relied upon literal interpretations, and accordingly have emphasized the significance of Utopia as a model of the ideal society, this thesis endeavors to explore beyond the conventional or literal appearance of More's language to consider the possible meanings, intentions, and strategies underlying Utopia's elaborate discourse, concentrating specifically on the significance of More's use of humor and irony and his familiarity with the conventions of satiric fiction.
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Les voix imprimées de l'humanisme : un dialogue entre L'Utopie et le Cymbalum MundiVallée, Jean-François January 2001 (has links)
Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.
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Religion et socialisme dans "l'Utopie" de Thomas More et dans les écrits du premier TillichGalibois, Roland 06 September 2021 (has links)
Dénonciation passionnée d'un capitalisme naissant, L'Utopie est aussi une critique radicale du communisme d'État, qui, si religieux qu'il se veuille, n'y subsiste que par la répression, au-dedans, et le cynisme, au dehors. L'Utopie regorge de tout ce que « socialisme » put jamais connoter de militantisme valable : d'un côté, de sages réformes; de l'autre, pour en grandir l'urgence, la menace brandie de l'inquiétante alternative: le communisme, remède pire que le mal. Dénonciation passionnée d'un capitalisme adulte, le socialisme de Tillich est également une critique radicale d'un socialisme a-religieux. Théologien de la culture, qui discerne le fonds religieux latent sous des formes anti-religieuses, Tillich trouve chez Marx des valeurs qu'il intègre à son socialisme religieux : à la lutte anti-capitaliste menée par le prolétaire, ce “combattant du royaume de Dieu”, il donne un but religieux, auquel s'adapteront les moyens. Théologien avant tout, Tillich motive en profondeur la phronêsis qu'un More versé en politique exerce en plénitude.
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Sir Thomas More and holy orders : More's views of the English clergy, both secular and regularHouse, Seymour Baker January 1987 (has links)
The purpose of this thesis is to present Sir Thomas More's views on the sacrament of Holy Orders with particular reference to the English clergy using as evidence More's own writings and relevant manuscript material as well as various other contemporary sources. The discussion of More's activity as ecclesiastical patron, based on manuscript sources, will illuminate this previously undocumented aspect of his involvement in clerical affairs. It will indicate how far his views on the English clergy are corroborated by those priests he presented to benefices in addition to providing us with a detailed look at the problems associated with early 16th Century patronage. More's activity as a royal councillor, seen through his own eyes and revealed in his writings and other sources, will be discussed as it touches on the English spirituality. Particular attention will be paid to the development of More's criticisms of the clergy and his emerging understanding of the sacrament of Orders as it took shape in his polemical career. His duties as Lord Chancellor, particularly his campaign against heretics in England and heretical writings abroad, will be presented as well as his opposition to secular statutory reforms of the clerical estate. More's activity as secular judge of clerical litigants in the courts of Star Chamber and Chancery will be analysed on the basis of manuscript evidence of those courts and his own comments found in his published and private writings. Finally, More's concluding remarks on both controversial doctrinal issues and the part played by the English clergy in the Henrician Reformation (to 1535) will be discussed as it is found in the works written from the Tower.
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Der Abbatiat Ademars von Saint-Martial de Limoges (1063-1114) : ein Beitrag zur Geschichte des cluniacensischen Klösterverbandes : Bestandteil des Quellenwerkes "Societas et fraternitas /Sohn, Andreas. January 1989 (has links)
Diss.--Philosophische Fakultät--Westfälische Wilhelms-Universität Münster, 1988.
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Hypocrisy and heresy : language and concepts in early modern EnglandStewart, Patricia Weightman 11 1900 (has links)
The two concepts of hypocrisy and heresy are completely
disparate in modern use, and yet they were related in two ways
during the early modern period. Firstly, both terms were
prominent charges in the polemical exchanges of the English
Reformation. Consequently, in this thesis they provide useful
tools for studying the effects of controversy on language.
The meaning of hypocrisy and of heresy was of considerable
concern to many controversialists, and yet the resulting
attempts at defining these terms contributed to their
destabilization and incoherence.
These terms were also related in a second respect
throughout the early modern period. Given the universal
conviction at that time that there was only one “true” church,
and given the consequent pressures imposed by churches (both
Catholic and Protestant) to enforce conformity to their own
religions, it was inevitable that judgements had to be made
concerning the convictions and internal beliefs of others.
Such judgements were central in charges of heresy and
hypocrisy; hence in this thesis the concepts of hypocrisy and
heresy provide useful tools for studying early modern
understandings of intentionality and judgement. The writings
of Sir John Cheke, William Perkins, Bishop Joseph Hall and Sir
Francis Bacon are shown to display concern combined with
confusion and incoherence over these topics. However, Sir
Thomas More’s Dialogue Concerning Heresies is shown to contain an intricate and coherent analysis of intentionality and
judgement vis a vis heresy. But, More’s foundation for
judgement and knowledge was the consensus fidelium, a
foundation which simply was not available to the later
Protestant writers.
Lastly, Thomas Hobbes’s treatments of hypocrisy and
heresy are examined. In effect, Hobbes negated the judgement
of intentions where both concepts were concerned. He
acknowledged and accepted the separation of internal belief
from external profession. Likewise he accepted the
impenetrable nature of the human mind and heart in a way his
forebears had not. By examining Hobbes’s treatment of these
concepts in light of the polemical confusion and conceptual
incoherence of the preceeding century, a better understanding
of Hobbes’s philosophy is obtained and the relevance of early
modern theology for intellectual history is demonstrated.
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Hypocrisy and heresy : language and concepts in early modern EnglandStewart, Patricia Weightman 11 1900 (has links)
The two concepts of hypocrisy and heresy are completely
disparate in modern use, and yet they were related in two ways
during the early modern period. Firstly, both terms were
prominent charges in the polemical exchanges of the English
Reformation. Consequently, in this thesis they provide useful
tools for studying the effects of controversy on language.
The meaning of hypocrisy and of heresy was of considerable
concern to many controversialists, and yet the resulting
attempts at defining these terms contributed to their
destabilization and incoherence.
These terms were also related in a second respect
throughout the early modern period. Given the universal
conviction at that time that there was only one “true” church,
and given the consequent pressures imposed by churches (both
Catholic and Protestant) to enforce conformity to their own
religions, it was inevitable that judgements had to be made
concerning the convictions and internal beliefs of others.
Such judgements were central in charges of heresy and
hypocrisy; hence in this thesis the concepts of hypocrisy and
heresy provide useful tools for studying early modern
understandings of intentionality and judgement. The writings
of Sir John Cheke, William Perkins, Bishop Joseph Hall and Sir
Francis Bacon are shown to display concern combined with
confusion and incoherence over these topics. However, Sir
Thomas More’s Dialogue Concerning Heresies is shown to contain an intricate and coherent analysis of intentionality and
judgement vis a vis heresy. But, More’s foundation for
judgement and knowledge was the consensus fidelium, a
foundation which simply was not available to the later
Protestant writers.
Lastly, Thomas Hobbes’s treatments of hypocrisy and
heresy are examined. In effect, Hobbes negated the judgement
of intentions where both concepts were concerned. He
acknowledged and accepted the separation of internal belief
from external profession. Likewise he accepted the
impenetrable nature of the human mind and heart in a way his
forebears had not. By examining Hobbes’s treatment of these
concepts in light of the polemical confusion and conceptual
incoherence of the preceeding century, a better understanding
of Hobbes’s philosophy is obtained and the relevance of early
modern theology for intellectual history is demonstrated. / Arts, Faculty of / History, Department of / Graduate
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El poder temporal frente al poder espiritual : disputas y controversias por la doctrina de indios del Cercado de Lima (1590-1596)Llaury Bernal, Jorge Andrés 13 November 2013 (has links)
En medio de los acuerdos entre la Iglesia y el Estado, los fueros jurisdiccionales van chocando, generando, muchas veces, conflictos fuertes entre las autoridades eclesiásticas y las seculares –tal como en el caso del enfrentamiento entre el Virrey García Hurtado de Mendoza y el Arzobispo Santo Toribio Alfonso de Mogrovejo–. En ese sentido, lo que esta investigación buscó fue realizar un análisis de manera que podamos ver hasta qué punto este patronato Regio fue efectivo en el funcionamiento del virreinato en el Perú. Este problema es importante, porque en este contexto se comenzaba a forjar el virreinato peruano y junto con él la Iglesia en el Perú. Por tal motivo es de vital importancia esclarecer este proceso, ya que de esta forma podremos acercarnos mejor al estudio y conocimiento del funcionamiento del virreinato peruano. Se verá, en el caso estudiado que la labor de organización e institucionalización de la Iglesia Católica, dirigida por Toribio Alfonso de Mogrovejo (1582–1590), permitió que el entonces Arzobispo de Lima pudiera enfrentarse y ganarle la disputa, por la doctrina del Cercado, al Virrey García Hurtado de Mendoza y a la Compañía de Jesús, entre 1590 y 1596. / Tesis
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