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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 11 to 20 of 44 (0.141 seconds)Spelling suggestions: "subject:"156461616 criticism anda interpretation"" "subject:"156461616 criticism ando interpretation""
| 11 |
Shakespeare and freedom of conscienceEarnshaw, Felicity. January 1998 (has links)
No description available.
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| 12 |
The moral architecture of the household in Shakespeare's comedies /Slights, Jessica. January 1998 (has links)
No description available.
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| 13 |
The history of Johnson’s Preface to Shakespeare: 1765-1934Klein, Jenny January 1936 (has links)
No description available.
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| 14 |
"The dark house and the detested wife" : sex, marriage and the dissolution of comedy in Shakespeare's problem playsFagan, Dianne. January 1997 (has links)
No description available.
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| 15 |
Infinite gesture : an approach to Shakespearean characterTravis, Keira. January 2006 (has links)
No description available.
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| 16 |
"Present fears" and "Horrible Imaginings" : Gothic elements in Shakespearean TragedyAppel, Ian S. 11 November 2003 (has links)
Gothic literary works are characterized as such by their ability to represent
and evoke terror. The form this representation takes is varied; often terror
originates in the atmospheric effects of settings, in the appearance of mysterious,
supposedly supernatural phenomena, and, perhaps most significantly, in the
behavior of villainous characters. Shakespearean tragedy participates in just such
an exploration of the origins and effects of terror. This thesis will examine three
aspects of the Shakespearean Gothic in three of his most frightening and
disturbing tragedies: Macbeth, King Lear and Titus Andronicus. All three of
these texts represent terror in ways that are significant not only for genre studies
but for historicist cultural studies as well. Shakespeare's particular vision of the
terrible tends to represent unruly women and ethnic minorities as demonized
others who threaten normalized social and moral order, and also evokes a
religious dread--a fear of the cruelty or, more radically, the nonexistence of
God--that would have proved particularly disturbing for Early Modem Christian
culture. This reading of Shakespeare demonstrates both the influence of his
vision on later writers and the trans-historic applicability of the Gothic aesthetic. / Graduation date: 2004
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| 17 |
Absent fathers in Shakespeare's middle comediesDobranski, Shannon Prosser 20 April 2011 (has links)
Not available / text
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| 18 |
The repentance theme in Shakespeare's comediesBaroody, Wilson George, 1931- January 1955 (has links)
No description available.
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| 19 |
The application of Bradley's theory of reconciliation to certain of Shakespeare's playsWood, Theresa Whelan, 1898- January 1935 (has links)
No description available.
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| 20 |
Measure for measure and Shakespeare's "Dark period"Fisher, William J., 1919- January 1945 (has links)
No description available.
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