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81	Monologue, soliloquy, and aside in the pre-Restoration drama Joseph, Bertram Leon January 1946 (has links) No description available.
82	A comparison of the use of the sententia, considered as a typical rhetorical ornament, in the tragedies of Seneca, and in those of Gascoigne, Kyd, Heywood, Jonson, Marston, Dekker, Webster and Greville Hunter, G. K. January 1950 (has links) No description available.
83	Carnivalization and subversion of order in comic plays, with referenceto Shakespeare's Twelfth night and Herry IV Chow, Po-fun, Wendy., 周寶芬. January 1987 (has links) published_or_final_version / Literary Studies / Master / Master of Arts Carnival plays.
84	Carnival, carnivalisation and the subversion of order, with reference to Shakespeare's Henry IV and Henry VI Jayawickrama, Sarojini. January 1991 (has links) published_or_final_version / Literary Studies / Master / Master of Arts Carnival plays.
85	Richard Peters (c. 1704-1776): Provincial Secretary of Pennsylvania Fairbanks, Joseph Harrison, 1931- January 1972 (has links) No description available. Peters, Richard, 1704-1776.
86	Dissent and identity in seventeenth-century New England Carrington, Charlotte Victoria January 2011 (has links) No description available. 900
87	A study in regicide; an analysis of the backgrounds and opinions of the twenty-two survivors of the High court of Justice Kalish, Edward Melvyn, 1940- January 1963 (has links) No description available. Charles I, King of England, 1600-1649. Regicides.
88	A study of mumming in Shakespearean drama Ryno, Marie Fleisher January 1948 (has links) No description available. Mumming.
89	Van Dyck at the court of Charles I : thoughts on court life and the portraits of the Garter Sovereign Abouzia, Roya January 1992 (has links) Anthony van Dyck's contemporary vision of sovereignty and knighthood made him the principal image-maker in England during the 1630s. His portraits of Charles I exemplified the Arcadian realm and philosophies held at court, as well as complying with the artistic and historical traditions of English painting. As a celebration of Monarchy by Divine Right, Van Dyck's portrayals of the Sovereign summarize the philosophical concepts of knighthood expressed in the Platonic Love theory and the Order of the Garter. Charles I was Defensor Fides, Pater Patriae, the suitor to his lady, and the courtly gentleman--all roles of the knight. Beyond his stylistic influence, Van Dyck's foremost contribution was the endowment of maiestas to the royal image, followed by divine apotheosis for posterity. A better understanding of Van Dyck's Charles as the Garter Sovereign leads us to modify our perception of the artist, since he became the painter of contemporary British history.
90	Calderón y la identidad nacional en la ilustración Bezhanova, Olga January 2003 (has links) This thesis is dedicated to establishing ways in which the image of Calderon was perceived and constructed by the thinkers of the Enlightenment, of both conservative and reformist convictions, as part of their efforts to create and impose their own understanding of what Spanish national identity is or should be like. / The thesis concentrates on the writings of several of the most important intellectuals of the XVIII century who took part in the heated debate as to the value of Calderon's work: Blas Nasarre y Ferriz, Tomas Erauso y Zabaleta, Nicolas Fernandez de Moratin, Cristobal Romea y Tapia, Jose Clavijo y Fajardo and Francisco Mariano Nipho. / The first two chapters of the thesis deal with the way by which the image of Calderon has been used in order to support certain ideological convictions, in particular, a certain way of understanding Spanish national identity. Chapter three examines the polemics itself, from its beginning in 1749 until the mid-sixties of the XVIII century. A brief section of conclusions closes the thesis, followed by a selected bibliography.

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