This thesis examines three different collections from the early works of the Russian writer Aleksei Remizov (1887-1957): Posolon' (1907), Leimonarion (1907), and Besnovatye: Savva Grudtsyn and Solomoniia (1951). Each of them highlights a different approach taken by Remizov in preserving Russianness. In this analysis the concept of Russianness does not constitute a specific national or historical scheme. The reference is rather to a spiritual legacy, a condition of soul. Posolon' calls for the regaining of a lost cyclicity and looks back in time at the common folk's way of life. Leimonarion is one of the most expressive examples of the constant duality of Remizov's position on the dominant artistic and ideological ideas of the time; this collection looks at the old world through the new eyes of a modern era. "Savva Grudtsyn" and "Solomoniia" present a perpetual moral struggle, which pits the profanity of a secular world against the sacred values to which people ought to aspire. / The results of the study show that Remizov, using different themes and different literary genres, pursues one broad concern: Russianness. This theme permeates not only his literary language, but also the content of the works discussed here. In Leimonarion Russia is kept together by her people and their belief in salvation; in Posolon' Russia is all about folklore, joyful games, tales and rituals; in Besnovatye Russia is saved by the simplicity and purity of the iurodivye , the 'Holy fools.'

The purpose of this study was to determine Mahonri M. Young's philosophy of art as recorded in his personal writings and the writings of his contemporaries—particularly his close friend, Jack Sears. Magazines, books, newspapers, and miscellaneous unpublished materials such as letters, theses, scrapbooks and personal papers were examined for the purpose of becoming more familiar with the character and personality of Mahonri Young. From these sources of information the following was attempted: (1) to record anecdotes and experiences which may have had some significance on the development of his philosophy, (2) to glean from his own writings his feelings and attitudes towards art and artists, and (3) to categorize his basic ideas and determine his philosophy.Mahonri M. Young was an excellent teacher of sculpture, drawing, and etching and helped pioneer the modern realist movement to America. Stressing the importance of good draftsmanship, he disliked the modern art trends and favored those artists who emphasized human characterization. He preferred painting and sculpting genre scenes and became famous for his laborers, cowboys, and prizefight objects.

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The purpose of this thesis was to study and to document the life and work of Mahonri Young as a printmaker. The more specific questions to be answered in this study were: 1. How does Mr. Young rate as a fine printmaker? 2. What are his contributions to American Art as a fine printmaker?

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