論文(碩士)--香港中文大學, 1972. / Includes bibliographical references. / Thesis (M.A.)--Xianggang zhong wen da xue. / Chapter （一） --- 引言 --- p.1-14 / Chapter （二） --- 秦力山生平 --- p.1-43 / Chapter （三） --- 自立軍與秦力山 --- p.1-41 / Chapter （四） --- 從保皇到革命 --- p.1-38 / Chapter （五） --- 任日本和上海的言論 --- p.1-40 / Chapter （六） --- 秦力山的革命思想 --- p.1-39 / Chapter （七） --- 結論 --- p.1-6

Abh. : Philosophie : Zürich : 1984.

Thesis (Ph.D.)--University of the Witwatersrand, Faculty of Humanities, School of Music, 1987.

Thesis (M.A.)--香港中文大學. / Manuscript. / Includes bibliographical references (leaves 190-194). / Thesis (M.A.)--Xianggang Zhong wen da xue. / 前言 --- p.1 / Chapter 第一章 --- 潘霍華的生平及其思想發展 --- p.6 / Chapter ´¡ --- 終生的問題，及該問題的性質 --- p.6 / Chapter ´Ł --- 三個階段 --- p.8 / Chapter （一） --- 神學的基礎：尋求啟示的具體性 --- p.9 / Chapter （二） --- 神學的焦點：基督教的窄門 --- p.22 / Chapter （三） --- 神學的成長：「俗世的基督教」 --- p.32 / Chapter ´Ø --- 總結 --- p.46 / Chapter 第二章 --- 「非宗教的解釋」之性質 --- p.51 / Chapter ´¡ --- 「將聖經名詞作非宗教的解釋」之定義 --- p.51 / Chapter ´Ł --- 從潘霍華對宗教的概念看非宗教的解釋之性 --- p.54 / Chapter (一) --- 受巴特的影響，奧巴特不同的地方 --- p.54 / Chapter (二) --- 宗教的七種性質 --- p.55 / Chapter ´Ø --- 從潘霍華批評布勒特受和巴特看「非宗教的解釋」之性質 --- p.68 / Chapter (一) --- 巴特的「啟示的實證論」 --- p.70 / Chapter (二) --- 布勒特曼的自由主義 --- p.80 / Chapter ´Ð --- 總結：「非宗教的解釋」之緣起，需要滿足的條件，要面對的困難，工作的目的，進行的標準和方法。 --- p.93 / Chapter 第三章 --- 現世的肯定 --- p.96 / Chapter ´¡ --- 引言：「現世的肯定」、「現世的信仰」的教會」三者的關係 --- p.96 / Chapter ´Ł --- 正視及齡的世界 --- p.99 / Chapter ´Ø --- 從潘霍華思想的發展，看肯定現世的因素 --- p.104 / Chapter (一) --- 尼采的影響：對大地的熱愛 --- p.104 / Chapter (二) --- 自由神學的背景 --- p.105 / Chapter （三） --- 舊約聖經的角度 --- p.109 / Chapter ´Ð --- 現世的肯定之神學基礎：世界的真實性和基督論的關係 --- p.111 / Chapter (一) --- 「終極的事」和「欠終極的事」 --- p.112 / Chapter (二) --- 反對二元論的謬誤 --- p.113 / Chapter （三） --- 世界的真實和上帝的真實 --- p.117 / Chapter ´Þ --- 現世肯定的表現 --- p.122 / Chapter (一) --- 在現世中愛上帝 --- p.122 / Chapter (二) --- 對歷史文化的關注和珍惜 --- p.124 / Chapter ´Æ --- 總結：道成因身的基督論帶來脫離束縛的自由 --- p.127 / Chapter 第四章 --- 現世信仰 --- p.129 / Chapter ´¡ --- 引言：「非宗教的解釋」´ؤ´ؤ信息內容和表達方式 --- p.129 / Chapter ´Ł --- 十字架的神學：被擠出世界之外的上帝 --- p.130 / Chapter (一) --- 分析潘霍華十字架的基督論 --- p.131 / Chapter （二) --- 幾個重要的思想 --- p.137 / Chapter A --- 信息：「耶穌基督´ؤ´ؤ為他人而活的人」 --- p.137 / Chapter B --- 重新建立起越的觀念 --- p.138 / Chapter C --- 及齡的世界使我們更接近上帝 --- p.139 / Chapter ´Ø --- 作基督徒的意義：參與上帝在世上的苦難 --- p.141 / Chapter (一) --- 分析潘霍華「悔改的第二層意思」 --- p.141 / Chapter （二) --- 兩個重要思想 --- p.147 / Chapter A --- 責任的概念 --- p.147 / Chapter B --- 基督教信仰深化「現世」的意義 --- p.148 / Chapter ´Ð --- 秘密的操練 --- p.150 / Chapter (一) --- 「非宗教的解釋」最深邃的一面：禱告與正義的行動 --- p.150 / Chapter （二) --- 「秘密的操練」：名詞的來源 --- p.152 / Chapter （三） --- 潘霍華個人的經驗 --- p.155 / Chapter ´Þ --- 總結：信仰的信息和信仰的語言 --- p.162 / Chapter 第五章 --- 結論：現世的教會 --- p.164 / Chapter ´¡ --- 引言 --- p.164 / Chapter ´Ł --- 一個集合和分散的團契 --- p.169 / Chapter ´Ø --- 教會作為集合的團契：轉變成基督的樣式 --- p.171 / Chapter ´Ð --- 教會作為分散的團契：服侍世界，見證基督 --- p.173 / Chapter V --- 總結 --- p.180 / Chapter （一） --- 教會是「非宗教的解釋」之具體表現 --- p.180 / Chapter （二） --- 潘霍華對我們的挑戰，對今日的意義 --- p.185 / 參考書目 --- p.190

Includes bibliographical references (leaves 309-330) Resists the notion of a subversive Beckett appropriated by the cultural mainstream, by tracing the discursive limits of avante-garde writing, and by exploring how Beckett paradoxically reinforced the traditional author-function even as he appeared to challenge it.

No description available.

The following thesis focuses on the Italian director, Luchino Visconti and his first feature film, Ossessione. It evaluates his film in relation not only to the director's biography but also to its historical and cinematic context. It deals with the manner in which Ossessione was adapted from an American roman noir, refashioning it in its own distinctive way. In addition, it analyses the film's relation to generic modes of representation, specifically realism and melodrama, and concludes by situating the work as a precursor of the Neorealist movement of the mid-20th century.

Thèse.

José María de Pereda (I833-I906) lived most of his life at his house in Polanco, in Santander Province on the Cantabrian Coast. The greater part of his novels and stories are set in the towns and villages of this province, but throughout them, he was conscious of the influence that Madrid and its customs was exerting on the traditional way of life in the small centers of provincial society. His awareness of this social force is most clearly expressed in three long short stories and two full-length novels, Pedro Sánchez and La Montálvez, in which the principal setting is the Spanish capital city. These novels have never received the critical acclaim that is their due, because of the desire of many critics to judge them by non-literary criteria. This thesis studies Pereda's presentation of the historical background to the novels and his analysis of various aspects of Madrid life, especially the political system, the press and the attitudes of fashionable society to love and sex, to education and religion. His ideas on the aesthetics of art and on Spain's literary heritage give rise to certain trends in his narrative style; this and the technical accomplishment of the two full-length novels, is discussed at some length. A final section analyses his creation of characters and situations, and his treatment of themes in these two novels, in order to show that the real measure of his success is the host of characters, whom he made human and artistically credible. / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate

No description available.