All articles, editorials and letters to the editor written by The Gazette and La Presse during the Oka Crisis of 1990 are measured and compared in order to determine which of the two major newspapers in Quebec was more sympathetic in its coverage of the Oka Crisis. The method used is content analysis, with 1674 pieces written by the two newspapers being analyzed from the seventy-eight day period which has been characterized as the Oka Crisis (July 12 to September 26, 1990). The study will be divided into several parts, as follows: theory and literature review, chronology of events at Oka, methodology, presentation of findings and discussion of the relevance of these findings. In particular, six areas of theory helped lay the foundation for the hypothesis: non- Aboriginal attitudes towards Aboriginal peoples and protest, studies on newspaper coverage of the Oka crisis, studies on differences between French and English media, studies on the FLQ crisis, communications theory and Aboriginal peoples as portrayed by the media. Chapter two describes the history of the Mohawk land claim, divisions within the Mohawk community and a chronology of events at Oka. Chapter three outlines the methodology and explains that content is placed into seven categories: law and order, death of Lemay, native perspective, Mohawk rights and claims, mixed or other, criticism of the S.Q. or provincial government, and criticism of the army or federal government. They are then further classified as either positive, negative or neutral. The findings show that La Presse was less sympathetic than The Gazette towards the Mohawks, and that La Presse emphasized the need for law and order, while The Gazette gave greater attention to the Native perspective. Both newspapers however, tended to have negative front page and editorial coverage. The final chapter discusses the results and points to some possible reasons for the differing coverage: the sovereignty movement in Quebec, the historic relationship between the English and Aboriginal peoples and the French and Aboriginal peoples, and the fact that the Mohawks were English speaking which facilitated reporting for The Gazette. A summary of the literature and the findings is presented at the end of chapters one and four. / Arts, Faculty of / Political Science, Department of / Graduate

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"Still Life" argues that Patrick White's fiction reveals objects in surprising, unexpected attitudes so as to challenge the process by which the mind usually connects with the world around it. In particular, White's novels disrupt readers' tacit assumptions about the lethargic nature of substance; this thesis traces how his fiction reaches beyond familiar linguistic and stylistic forms in order to reinvent humanity's generally passive perception of reality. The first chapter outlines the historical context of ideas about the "object," tracing their development from the Bible through literary movements such as romanticism, symbolism, surrealism and modernism. Further, the chapter considers the nature of language and the relation of object to word in order to distinguish between the usual symbolic use made of objects in literature and White's treatment of things as discrete, palpable entities. The second chapter focuses on White's first three published novels—Happy Valley (1939), The Living and the Dead (1941) and The Aunt's Story (1948)--as steps in his novelistic growth. Chapters Three, Four and Five examine respectively The Tree of Man (1955), The Solid Mandala (1966) and The Eye of the Storm (1973); these novels represent successive stages of White's career and exemplify his different formal and stylistic techniques. White's innovations demand a new manner of reading; therefore, each novel is discussed in terms of objects which reflect the shapes of the works themselves: "tree" defines the structure and style of Tree of Man "house" inspires Solid Mandala and "body" shapes Eye of the Storm. Reading White's novels in terms of structural analogues not only illuminates his methodology, but also clarifies his distinction between objective and subjective ways of understanding the world. Further, these chapters also refute critics' arguments that White's objects are merely victims of his overambitious use of personification and pathetic fallacy, or that they are the result of his dabbling in mysticism. "Still Life" concludes by showing how Patrick White's novels sequentially break down assumptions about reality and appearance until the reality of language itself falters. The author restores mystery to things by relocating the possibility of the extraordinary within the narrow, prescribed confines of the ordinary. White succeeds in changing readers' notions about the nature of reality by disrupting the habitual process by which they apprehend the world of things. / Arts, Faculty of / English, Department of / Graduate

Orientador: Jose Carlos de Souza Braga / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-07-20T01:22:58Z (GMT). No. of bitstreams: 1 AlmeidaFilho_Niemeyer_D.pdf: 9002098 bytes, checksum: 60bda588176495d5df7b7a27a0dc7f85 (MD5) Previous issue date: 1994 / Resumo: Não informado / Abstract: Not informed / Doutorado / Doutor em Economia

Master of Urban and Regional Planning

Master of Urban Affairs

Master of Science

Master of Engineering

Master of Science