<p>This thesis argues for the presence of an apocalyptic theological perspective in Søren Kierkegaard’s <em>Practice in Christianity</em> (1848), one that is of a piece with the apocalypticism that a number of contemporary biblical scholars, theologians and philosophers have located in the letters of the Apostle Paul.</p> <p>Though familiar motifs (such as the imminent eschaton or the idea of two ages) may be helpful indicators of an apocalyptic theological perspective in a given work, I take the position that apocalyptic theology is fundamentally a matter of settling the question of ultimate lordship or sovereignty. In a Christian context, therefore, where an author manifests a desire to declare the ultimate sovereignty of God (by way of the intervening act of his incarnation in Christ) over and against any worldly counter-claim to sovereignty, he or she partakes of an apocalyptic theology.</p> <p>I demonstrate that Kierkegaard’s apocalyptic theological perspective is manifested in three ways in <em>Practice in Christianity</em>, namely, with respect to his thinking about temporality, epistemology and politics. The three chapters that make up this thesis take up these themes in turn. In each case, Kierkegaard’s position on these matters is compared with an apocalyptic reading of Paul’s letters. I argue that a concern to declare the ultimate sovereignty of God in these three fundamental areas of human experience is one that Kierkegaard shares with Paul. Insofar as Paul is therefore regarded by his scholarly readers as an apocalypticist, so too, I argue, should Kierkegaard be.</p> <p>Furthermore, just as the identification of Paul’s apocalypticism is alleged to provide a coherent framework for his gospel, so too, I argue, should Kierkegaard’s apocalypticism be understood as the substratum that informs his theo-philosophical project in <em>Practice in Christianity</em>.</p> / Master of Arts (MA)

Beethoven is widely considered to be one of the most influential composers of all time. His compositions denote a crucial turning point in the history of western music, and his influence can be discussed in numerous ways - musically, technically, theoretically and even philosophically. This treatise discusses one of the primary aspects of Beethoven's influence on later generations: the way that his symphonies contributed to the expansion of the genre and, consequently, to the development of the orchestra. Included is a detailed analysis of his nine symphonies, an overview of his personal life, and an exploration of the historical, social, and political time in which he lived. This thesis collects and examines relevant documents in order to inquire about and better understand the changes and innovations that transformed the standard orchestra of the eighteenth century, opening the doors to the symphonic music of the Romantic Era. / by Daniel Padua. / Thesis (M.A.)--Florida Atlantic University, 2010. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 200?. Mode of access: World Wide Web.

Indiana University-Purdue University Indianapolis (IUPUI) / This thesis is a study of how people in the nine counties of central Indiana learned, appreciated, and performed music from 1800 to 1840. A concluding proposal for a public history application of this research is included.