Paul Bonnetain (1858-1899) is a French author whose work has been largely forgotten. While the literary merit of much of his output is another matter, this thesis will show that the value of Bonnetains work is of considerable historical significance as a record of the ways in which the apparently contradictory notions of republican universalism and racial hierarchy were combined to form the French mission civilisatrice. The focus will be on Bonnetains two books gleaned from his time spent in Indochina as a correspondent for Le Figaro during 1884-1885, the compiled journalism of Au Tonkin (1884) and the Naturalist colonial novel LOpium. Both books exemplify the historical interest of Bonnetains work, which lies in its Naturalist quest for scientifically accurate literature and in its belief in the phenomenon of racial degeneration. This belief is coupled with a strongly implied materialist adherence to polygenism the belief that human races represent different species with distinct origins. However, these aspects of his work are brought into even greater relief by their juxtaposition with Bonnetains strongly leftist, anti-clerical, and materialist republican universalism. This thesis describes how his enthusiasm for miscegenation and métissage, as expressed in Au Tonkin and LOpium, allowed him to maintain a belief in racial hierarchy while also enthusiastically subscribing to republican universalism. In this way, métissage served as a framework in which these two seemingly contradictory positions could be held together.

When the German Reich was created in 1871, it was an artificial construct born of Hohenzollern power projection and not of nationalism. Otto von Bismarck’s Realpolitik used the power of nationalism to unite Germans behind the Kaiser, but also divisively to keep liberals and potential opponents of the Kaiser firmly divided. The Kulturkampf was one such set of policies that attempted to suppress Catholic political authority while dividing Germany’s religious groups against one another. The Kulturkampf was also used against other religious minorities in Germany, including the Mennonites. Though strongly German in their identity, Mennonites did not quite fit in with the rest of the Reich because of their traditional opposition to military service, which was an important rite of citizenship. Although the Kulturkampf enforced the end to their military exemption and effectively put a stop to those objections, it was only one of a series of struggles Mennonites faced during the Kaiserreich to reinvent their religious identity in terms more compatible with their new German identity. Although this study refers to German Mennonites, its primary focus is on the Prussian Mennonites in the Kaiserreich. By German unification in 1871, Prussia covered a significantly greater amount of territory than it had even a decade before, encompassing all of Germany except of the southern states of Bavaria, Baden, and Würtemburg. While this study does not specifically deal with the Mennonites of Baden and Würtemburg, the expanding territories of Prussia seemed to render the referent of "Prussian Mennonite" insufficiently descriptive. / Thesis (M.A.)--Wichita State University, Dept. of History. / "May 2006."

In nineteenth-century Upper Canada (Ontario), professional work was a primary means by which men could improve their social status and class position. As increasing numbers of men sought entry into these learned occupations, current practitioners sought new ways of securing prominent positions in their chosen professions and asserting themselves as having expertise. This dissertation studies the activities and experiences of the five physicians who, as the first medical superintendents (head physicians) at the Provincial Lunatic Asylum, Toronto from 1840 to 1865, sought such enhanced professional status. Opened in January 1841 as a public welfare institution, the Toronto asylum was housed initially in a former jail; in 1850 it was relocated to a permanent building on Queen Street West. During the asylum’s first twenty-five years of operation physicians Drs. William Rees, Walter Telfer, George Hamilton Park, John Scott, and Joseph Workman successively held the position of medical superintendent at the institution. Given the often insecure status of physicians working in private practice, these doctors hoped that government employment at the asylum would bring greater stability and prestige by establishing them as experts in the treatment of insanity. Yet professional growth in Upper Canada during the Union period (1840-1867) occurred within the context of the colony’s rapidly changing socio-political culture and processes of state development, factors that contributed to the ability of these doctors to “professionalize” as medical superintendents. Rees, Telfer, Park, and Scott would never realize enhanced status largely due to the constraints of Upper Canada’s Georgian social culture in the 1840s and early 1850s. During the 1850s, however, demographic, political, and religious changes in the colony brought about a cultural transition, introducing social values that were more characteristically Victorian. For Joseph Workman, whose beliefs more reflected the new Victorian culture, this cultural shift initially involved him in professional conflicts brought about by the social tensions occurring as part of the transition. Nevertheless, by the 1860s, changes in government led to the development of new legislation and departmentalization of welfare and the public service that led him to gain recognition as a medical expert in a unique field.

Paul Bonnetain (1858-1899) is a French author whose work has been largely forgotten. While the literary merit of much of his output is another matter, this thesis will show that the value of Bonnetains work is of considerable historical significance as a record of the ways in which the apparently contradictory notions of republican universalism and racial hierarchy were combined to form the French mission civilisatrice. The focus will be on Bonnetains two books gleaned from his time spent in Indochina as a correspondent for Le Figaro during 1884-1885, the compiled journalism of Au Tonkin (1884) and the Naturalist colonial novel LOpium. Both books exemplify the historical interest of Bonnetains work, which lies in its Naturalist quest for scientifically accurate literature and in its belief in the phenomenon of racial degeneration. This belief is coupled with a strongly implied materialist adherence to polygenism the belief that human races represent different species with distinct origins. However, these aspects of his work are brought into even greater relief by their juxtaposition with Bonnetains strongly leftist, anti-clerical, and materialist republican universalism. This thesis describes how his enthusiasm for miscegenation and métissage, as expressed in Au Tonkin and LOpium, allowed him to maintain a belief in racial hierarchy while also enthusiastically subscribing to republican universalism. In this way, métissage served as a framework in which these two seemingly contradictory positions could be held together.

During the nineteenth century, the publication of letter collections, often titled “Life and Letters,” became very popular and let the public in on the private lives of public figures. Women from literary families all wrote letters with an awareness of the possibility of the world reading them. Even as letters were viewed as ostensibly private forms of communication, they were serving an intimate public as a vehicle for public feelings long before publication. Exploring the epistolary remains of three nineteenth-century women writers from literary families, I focus, in particular, on how these writers confronted illness, grief, and death, all things that kept them isolated from others and made correspondence necessary. Sara Coleridge wrote about the deaths of those closest to her in order to learn from and plan her own death. While Alice James concentrated almost entirely on her own demise, Charlotte Brontë did not write about her death, even preferring that others at least hold off speculating on it while she was still living. Instead Bronte focused on her sisters’ deaths, knowing that their deaths would shape how her life got written. Indeed, the family narrative would never lose its association with death. Throughout the study, Virginia Woolf acts as a mediating figure who both engaged in these epistolary practices of bereavement and read and wrote about letter collections from the past. The significance of these letters is how they reflect attitudes towards death and dying in the nineteenth century, particularly in how narratives get worked into an epistolarity of death in which the narrating of grief itself provides a means to manage the challenges of bereavement. The work of death and the writing of it are creative acts that build toward leaving a written corpus more permanent, or at least more durable, than the body and less vulnerable than life. / text

This is a paper about Canto IV of Lord Byron's long narrative poem, Childe Harold's Pilgrimage. It demonstrates the ways in which that poem makes use of both georgic themes and the theories of Catastrophist geology current at the end of the eighteenth century. In short, these two lenses create a mode of poetry in which Byron can view the ruins of Italian culture being consumed by nature in a positive, revolutionary, regenerative light. The paper concludes by contrasting this attitude of Byron's to Victorian attitudes toward ruins in the wake of Uniformitarianism. Readings of the archaeological site at Pompeii, Matthew Arnold's "Stanzas from the Grande Chartreuse," and Darwin's later work demonstrate that late-19th-century scientific georgic cultivates an ethos of preservation and a desire for human agency. / text

published_or_final_version / English Studies and Comparative Literature / Master / Master of Arts

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

This thesis explores the ways in which the Opium War has been represented in both non-fictional and fictional Anglophone narratives. It looks at the construction of various 19th century discourses surrounding this historical event and the different meanings it has been endowed with through such discourses. It then examines the ways in which some of those meanings have been challenged in more recent accounts. The purpose of this thesis is to show how and why certain ideas are constructed and propagated, and how these in turn can be questioned, challenged and reinterpreted, giving us a wider perspective, and thus better understanding, of the said event. The study is divided into two parts: non-fiction and fiction. The non-fiction section includes two chapters on the discourses of the Opium War, one on translation and one on historical texts while the second section focuses on two contemporary fictional narratives of the Opium War. Chapters one and two are based on a selection of 19th century archival documents and constitute a discussion of the discourses that have been formed around the Opium War in five specific fields: political, economic, religious, medical and legal. An analysis of these discourses will show them to be part of a larger sinophobic discourse that constructed China as Britain’s cultural inferior around the time of the conflict. To view the Opium War in terms of cultural encounter requires a discussion of translation. Chapter three investigates the role and importance of translation and translators in creating and/ or sustaining the meanings created by these various discourses. Chapter four is an analysis of two more recent historical narratives: one a history of opium, the other a history of the Opium War. These texts contribute to an expanded understanding of the 19th century conflict as they offer different and more contemporary meanings with regard to the war that partly challenge earlier ones. Because of that, they also mark a transition towards my discussion of fictional narratives where the focus is on introducing new speaking positions that contest those ideas, images and ‘truths’ propagated by narratives such as those that are part of the Opium War discourses. Chapter five investigates how Timothy Mo’s An Insular Possession goes against an important aspect of such discourses, that of hierarchy, by emphasizing cultural incommensurability and cross-cultural miscommunication between the British and the Chinese while refusing to stratify the two into cultural and civilizational hierarchies. Chapter six examines the ways in which Amitav Ghosh invents a new narrative of the Opium War in the first two parts of an intended trilogy: Sea of Poppies and River of Smoke. This last chapter looks at how, by focusing on the silenced Indian aspect of the Opium War and the unexplored Sino-Indian side of the conflict, Ghosh transforms the war from an exclusively Sino-British to a more global event. / published_or_final_version / English / Doctoral / Doctor of Philosophy

Not available / text