On Monday August 29, 2005, Hurricane Katrina made landfall in Southeast Louisiana bringing with it destruction to much of the Gulf Coast. While New Orleans, one of America's most culturally and artistically significant cities, was spared a direct hit, the subsequent flood devastated much of the city, home to many musicians. The devastation and stress from the storm established a situation and a motivator for creative response, and this dissertation illustrates that the music these musicians produce is a manifestation and continuation of New Orleans' cultural atmosphere. The city's historical allowance and celebration of freedom of expression permits New Orleans' current musicians to be innovative and responsive to the events surrounding the disaster. This project, designed as a qualitative research study, identifies four professional musicians who are established in the musical environment of New Orleans. To illustrate the depth of tradition and experimentation that their music evokes, the music of post- Katrina New Orleans is given historical contextualization and set in comparison to music that was inspired by a past catastrophe, the 1927 flood. Through the holistic exploration of the present circumstances of these four musicians, it becomes clear that New Orleans remains a place that is extremely open to change and that experimental music flourishes at the same time that traditional jazz lives on through new performers, who walk in the footsteps of legends. From interviews conducted with these four individuals, as well as other on-site observations, the emotional, physical, and financial effects of Hurricane Katrina are identified and recorded. / Central to this study is the author's own knowledge of music and experience in musical dialogue - it is through the interaction of the author and the subjects that important events and characteristics, which could be documented, actually emerged.This project reveals the influence that the storm has had on the individual musician and it demonstrates that while all four musicians are caught up in the whirlwind of recovery in New Orleans, their music remains rooted in the fundamental characteristic that is associated historically with New Orleans' music, improvisation. By the same token, it also shows that while each person may have had to suffer the same conditions, the musical response from each musician was unique. / by David Bethea. / Thesis (Ph.D.)--Florida Atlantic University, 2010. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2010. Mode of access: World Wide Web.

In this study, the role of positive and negative religious coping was evaluated for their interrelationship with demographic variables, religious variables, and the outcome of mental health distress. A sample of 253 United Methodist Church leaders from counties throughout the state of Mississippi completed a survey including measures for demographic characteristics, religious coping, general coping, and mental health distress. Through regression analysis and path analysis, the relationships among the variables were measured to determine the importance of religious coping strategies while controlling for demographic variables and general forms of coping. Through regression analysis, the subjective report of personal losses immediately after Hurricane Katrina, participation in religious activities, and involvement in recovery efforts significantly predicted the presence of mental health distress among United Methodist Church leaders in Mississippi. In particular, religious participation insulated against the presence of mental health distress while personal losses and recovery involvement promoted the likelihood of mental health distress. Positive forms of general coping as well as religious forms of coping provided no significant contribution to the presence or absence of mental health distress, but negative forms of general coping did predict higher levels of mental health distress. Among this religiously oriented sample, religious forms of coping was not significantly predictive of the presence of mental health distress after accounting for general forms of coping which suggested that religious coping may be indistinguishable from forms of coping that are more generalized in nature. Through path analysis, negative religious coping significantly influenced the increased presence of mental health distress but did not serve as a mediator between mental health distress and other religious and demographic variables. A surprising finding in this study was the important mediating role of recovery involvement between mental health distress and other factors including religious participation, religious salience, and status as an ordained minister. Additionally, at nearly three years after the storm, persons reporting to currently live in close proximity to the disaster and persons continuing to experience loss due to the disaster reported a higher prevalence of mental health distress. Implications for the current literature and the need for further research were discussed.