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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 31 to 40 of 828 (0.071 seconds)Spelling suggestions: "subject:"20th entury distory"" "subject:"20th entury ahistory""
| 31 |
Chinese stage plays written in Hong Kong, 1950-1974Chan, Lai-yam, Aileen, 陳麗音 January 1981 (has links)
published_or_final_version / Chinese / Master / Master of Philosophy
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| 32 |
Crisis and negotiation: a study of modern chinese fiction in the eighties阮慧娟, Yuen, Wai-kuen, Jeannie. January 1994 (has links)
published_or_final_version / Comparative Literature / Master / Master of Philosophy
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| 33 |
"Half of life": male voices in the novels of Carol ShieldsHo, Julie Elaine. January 2000 (has links)
published_or_final_version / English / Master / Master of Philosophy
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| 34 |
The development of participatory theatreMuchmore, Gilbert Leslie, 1937- January 1970 (has links)
No description available.
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| 35 |
Characterization in modern Chinese fictionBruff, Rebecca Marie, 1942- January 1966 (has links)
No description available.
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| 36 |
The critical reception of German poetry and fiction in translation by specific American news media, 1945-1960Fousel, Kenneth Dale, 1930- January 1962 (has links)
No description available.
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| 37 |
Representation of war in continental drama since 1914Cohen, Barbara Adelaide, 1917- January 1940 (has links)
No description available.
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| 38 |
La thème de la cruauté dans les drames surréalistes et contemporains.Grzankowska, Anne January 1973 (has links)
No description available.
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| 39 |
Journey within : the inward turn of the contemporary Chinese novelKong, Shuyu 05 1900 (has links)
This thesis examines the inward turn of the contemporary Chinese novel: a
tendency in fictional narrative to move from representing social reality and political events
from an "objective" point of view to exploring personal experience, especially the interior
world of human beings, from a subjective point of view. I take three novels published in
the early 1990s as examples: Yu Hua's Crying in the Fine Rain(1991), Ge Fei's On the
Margins (1992), and Wang Anyi's Fact and Fiction: One Way to Create a World (1993).
I demonstrate a new narrative mode emerging, with thematic innovations and formal
changes, against the background of the collapse of Communist collectivist ideology and
the "master narrative" of socialist realism.
In these three works, first-person autobiographical narrators are employed to
explore personal experience and private life, a space once repressed and forbidden in
modern Chinese literature. Reflections on growing-up, personal memory of the past and
the imaginative search for identity can thus be read allegorically as a Chinese
Bildungsroman of the awakening consciousness of Self.
This new narrative not only emphasizes the importance of inner territory, but also
ushers in a subjective writing which has greatly altered the appearance and conception of
the Chinese novel. Chronological line is broken up into a psychological temporal order;
plot and event become obscured within mental scenes; and omniscient didactic voices are
replaced by self-conscious, reflective minds. Such individualistic, modernist narratives
challenge the former collective, socially-oriented "realist epics" produced since 1930s,
providing an alternative form and function for the modern Chinese novel.
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| 40 |
Ultraviolet : a novelSperdakos, Deane January 1981 (has links)
No description available.
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