This thesis contributes to debates on the changes and continuities affecting women's lives in mid-twentieth century Britain, examining the factors that shaped what was possible for women coming of age in the immediate post-war years. Within the developed historiography on the coalfields, women's histories have been limited to broad overviews of women's social history. This thesis enriches these overviews by offering a close reading of a small cohort of women's composure of their life narratives. It thus promotes an understanding of a fuller 'life history', as affected by changes with the onset of the welfare state and the impact of community on women's well-being. The thesis contributes to the growing body of literature combatting the silencing of women in the male dominated historiography on industrial working-class communities. Specifically, it does so in the context of the interplay and tensions between a community and its individuals, and the impact of that community on women's life trajectories. The south Wales community of the Rhondda is utilised as a case study. Culturally and economically significant, the Rhondda has been the focus of much of the historiography on the coalfields. I conclude that the impact of gender ideology and community structures on Rhondda women's experiences were diverse, complex and contradictory. In composing their life narratives, the cohort negotiated aspects of their lives experienced as poor, unchallenging and unsatisfying. Rhondda's poverty had a detrimental impact on the women's lives. Relationships between community values and individuals emerged as structures enabling and constraining the potential of women in the cohort to live their lives freely and satisfactorily. The pressure for respectability within the community was a major constraining force. Early experiences were influential in how they conducted themselves in adulthood. Yet evidence of happiness is present, particularly around experiences of married life, which presents as an antidote to the frequently pessimistic discourses surrounding the debates on companionate marriage. Utilising their own experiences of struggle and disadvantage, many of the cohort emphasised their support for increased opportunities for subsequent generations of Rhondda women.

Abstract not available

This thesis documents the artistic connections made between composers and choreographers in Australia during the period 1960-2000. These 40 years saw a growth in the establishment of dance companies, resulting in many opportunities for composers to write original music for original dance works. The findings of original dance-music are tabulated in an extensive database giving details of 208 composers and over 550 music compositions written specifically for dance. Examples of choreographer and composer collaborative relationships and attitudes to each other???s artforms are discussed. Further examination of how these relationships have affected the sound of the music is detailed in four case studies. These concern the works The Display (music by Malcolm Williamson, choreography by Robert Helpmann, 1964), Poppy (music by Carl Vine, choreography by Graeme Murphy, 1978), Ochres (music by David Page, choreography by Stephen Page, 1994), and Fair Exchanges (music by Warren Burt and Ros Bandt, choreography by Shona Innes, 1989). These case studies look at dancemusic collaborated in different styles: ballet, modern dance, dance-theatre and experimental dance. This discussion is carried out through the analysis of the context of the collaborative relationships, and the temporal and interpretive aspects of the original dance-music. It is found through the investigation of collaborative relationships and discussion of these case studies, that similar methods of writing are used when composing music for theatrical dance, regardless of the type of dance. These methods show that composers have intentionally crafted scores that fulfil needs in the dance works and that are suited to choreographers??? intentions. Importantly, it is also found that involvement with dance has influenced some composers??? styles, aided musical innovation and added significantly to the corpus of Australian music.

No description available.

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published_or_final_version / Architecture / Master / Master of Philosophy

published_or_final_version / Fine Arts / Master / Master of Philosophy

This dissertation examines tribal-state relations in Alabama and Louisiana during the 1970s and 1980s. These relationships were the outcomes of the Southern Indian Movement, which emerged just as regional and national racial politics began shifting and southern states started to recognize Indian populations through the development of Indian Affairs Commissions. Through these state agencies, Indian groups forged strong networks with local, state, and national agencies while advocating for cultural preservation and revitalization, economic development, and the implementation of community services. Commissions also brought formerly isolated groups, each with different goals and needs, together for the first time, creating an assortment of alliances and divisions. These unique relationships between tribes and states additionally served state interests by giving legislators the opportunity to wage public relations campaigns, to make racialized critiques of the Black Civil Rights Movement, to emphasize the South's indigenous identity, and to assert states' rights by assuming federal responsibilities.

No description available.

No description available.