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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

The fiction of postmodernity : dialectical studies of Martin Amis, Don DeLillo and Salman Rushdie

Baker, S. 1996 (has links)
This thesis is a dialectical study of fiction by Martin Amis, Don DeLillo and Salman Rushdie. It situates novels by these three writers in relation to a Western Marxist theoretical understanding of the postmodern and the culture of postmodernity, particularly as developed in the writings of Fredric Jameson. While the thesis is intended to demonstrate how such theoretical accounts help illuminate interpretation of contemporary, postmodern fiction, it also suggests how that fiction might provide a critique, or expose the limitations, of those theoretical or conceptual models themselves. The thesis traces, in selected examples of Amis's, DeLillo's and Rushdie's fiction, elements of dialectical conflict. It describes the means by which the texts enact simultaneously a form of ideological complicity with what Jameson (following the economist Ernest Mandel) calls 'late capitalism' and a measure of social and cultural critique. It is with this identification of both the ideological and the critical features of postmodern fiction that the thesis is principally concerned. Chapter one charts a Western Marxist model of transition from modernism to postmodernism both through the theoretical writings of Georg Lukács, Theodor Adorno and Fredric Jameson and through brief studies of examples of modernist and late-modernist fiction. It concludes with an acknowledgement of the difficulties Western Marxist aesthetics have had in identifying any critical potential in postmodern culture. Nonetheless, the literary studies which succeed chapter one offer lengthy insistence that a properly Marxian analysis must attempt to identify both the affirmative and the critical moments of cultural commodities. This is a step which, with regard to postmodern texts, Western Marxist critics have thus far been reluctant to take.

"Imaginal response" : an adaptation of Jung's "active imagination" into a mode of responding to archetypal images in Shakespeare's "Hamlet"

Vaughan-Lee, Llewellyn Charles 1989 (has links)
No description available.

The influence of French on eighteenth-century literary Russian in the writings of D. I. Fonvizin

Smith, May 1996 (has links)
No description available.

The whole story : language, narrative and salvation in Bunyan, Defoe, Grimmelshausen and Schnabel

Bertsch, Janet Elizabeth 2000 (has links)
No description available.

Poetry and translation

Szirtes, George 2001 (has links)
No description available.

The role of technique in violin playing : an analytical approach to stylistic and interpretative problems of the eighteenth and nineteenth centuries

Jacoby, Robert 1980 (has links)
No description available.

La riscrittura dei modelli : editoria e traduzioni in Italia tra le due guerre

Billiani, Francesca 2002 (has links)
No description available.

Illustrated editions of Tobias Smollett's novels : a checklist and commentary

Sutherland, M. G. 1975 (has links)
No description available.

Translation and censorship with special reference to Jordan

Al-Hamad, M. Q. 2001 (has links)
No description available.

A comparative study of Mishima Yukio and Oscar Wilde:

Takada, Kazuki 2004 (has links)
No description available.

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