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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Representations of jazz music and jazz performance occasions in selected jazz literature

Titlestad, Michael Frank 04 1900 (has links)
The founding hypothesis of the study is that creative writers translate jazz music and performance into discourse by recourse to a number of figurative domains. These translations map existential, anthropological and political spaces and situate jazz within these. The first chapter concerns the representation of jazz in the construction of alterity, focussing on the evocation of the Dionysian spirit of jazz, the parallels between jazz and Bahktin's carnival and the strategic deployment of 'blackness' in configurations. The second chapter applies the notion of 'existential integration' in tracing some of the fluid boundaries between the music, the body of the instrument and the body of the performer in representations. The final chapter looks at the contrary tendency: the representation of mystical transcendence in the course of listening to or performing jazz. Underlying each of the three chapters is a concern with the emergence and propagation of oppositional identities in jazz writing. / English Studies / M.A. (English)
2

Representations of jazz music and jazz performance occasions in selected jazz literature

Titlestad, Michael Frank 04 1900 (has links)
The founding hypothesis of the study is that creative writers translate jazz music and performance into discourse by recourse to a number of figurative domains. These translations map existential, anthropological and political spaces and situate jazz within these. The first chapter concerns the representation of jazz in the construction of alterity, focussing on the evocation of the Dionysian spirit of jazz, the parallels between jazz and Bahktin's carnival and the strategic deployment of 'blackness' in configurations. The second chapter applies the notion of 'existential integration' in tracing some of the fluid boundaries between the music, the body of the instrument and the body of the performer in representations. The final chapter looks at the contrary tendency: the representation of mystical transcendence in the course of listening to or performing jazz. Underlying each of the three chapters is a concern with the emergence and propagation of oppositional identities in jazz writing. / English Studies / M.A. (English)

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