- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 11 to 20 of 174 (0.445 seconds)| 11 |
Forms of address in Shakespeare, with special reference to the use of 'thou' and 'you'Ilson, Robert Frederick January 1971 (has links)
No description available.
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Aspects of Ovidian sexual myth in English Renaissance textsCarter, Sarah January 2005 (has links)
No description available.
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The linguistic contexts of the Elizabethan love sonnetStrachan, Peter January 1987 (has links)
No description available.
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| 14 |
The comic turn in English drama 1470-1616Somerset, John Alan Beaufort January 1966 (has links)
No description available.
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The patronage of Robert Devereux, second Earl of Essex, c.1577-1596Gazzard, Hugh January 1999 (has links)
No description available.
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Anti-Papistry and the English stage 1580-1642Quinn, Paul Laurence January 2006 (has links)
No description available.
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Some Women Love to Struggle : A Cultural and Critical Analysis of Dramatic Representations of Rape in the Late Elizabethan and Jacobean PeriodsCroft, Lyndsay Marie January 2007 (has links)
Taking a feminist-historicist approach, this thesis analyses representations of rape in the period 1575-1625, drawing on recent work by Chaytor, Baines, Catty, and Bashar. It explores questions of gender, national identity, and the nature of speech. It considers the impact of changes made to the law in the late Elizbabethan period that attempted to define rape as a crime of sexual violation (differing from the medieval definition as a property crime), and assesses whether the result of this was to give more authority to the female voice, or whether rape remained a means of silencing. It investigates how Renaissance constructions of masculinity and femininity relate to the presentation of rapist and 'victim', and it also identifies a trend of using conquering, war language to refer to rape in plays, even when rape is not a central theme. Early-modern legal texts by Lambarde and Dalton, and conduct book literature are used to place the plays in their cultural context. The plays range from the well-known (Shakespeare's TilliS Androniclis and Marlowe's Tambllrlaine) to the more obscure (Peele's David and Bethsabe and Marston's The Tragedy of Sophonisba). The thesis contributes to knowledge by offering original arguments on a range of plays (some so little-read that there are no modern editions, such as The Maid in the Mill and All's Lost by LllSt) and legal texts. The scope of the project and the way in which it draws together cultural, historical, legal and dramatic material to offer both depth and breadth in its arguments, makes it an authority on the presentation of rape in Renaissance drama. Importantly, it stimulates new debates about much discussed plays such as TilliS Androniclis and Tambllrlaine, offering new perspectives, particularly on the presentation ofwomen and female speech.
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Appropriations of the early modern banquet course and informal meals in the plays of shakespeare and his contemporariesThong, Tracy January 2008 (has links)
No description available.
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Middleton and Shakespeare the case for Middleton's hand in Timon of AthensHoldsworth, R. V. January 1982 (has links)
No description available.
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John Marston and the professional drama, 1598-1608Cathcart, Charles Berkeley January 1997 (has links)
No description available.
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