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The dance topos in modernist literature, 1890-1930Beukel, Karlien Marjanka van den January 2000 (has links)
No description available.
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The image of the English nation in Richard Hakluyts Principal navigations (1598-1600)MacCrossan, Colm Edward Anthony January 2009 (has links)
This thesis uses critical reading techniques to approach Richard Hakluyt's The Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation (1598-1600), a collection of voyage narratives and other documents. Although many different forms of travel writing are reproduced in the collection, there is evidence of only sporadic efforts having been taken to try to integrate these elements into a unified, coherent narrative. This thesis therefore argues that, in spite of the influences of its framing paratext and of a tradition of reading it through the filter of its editor's apparent ideological commitments, there is much to be gained from approaching The Principal Navigations as a complex, unresolved and polyphonic text.
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Reading between the lines, 1839-1939 : popular narratives of the Afghan frontierMalhotra, Shane Gail January 2013 (has links)
In 'Reading Between the Lines', I investigate the literary representations that, building on the influential writings of Mountstuart Elphinstone and WaIter Scott, created an 'Afghanistan of the mind' over a century of British engagement. Using the quantitative methodologies of book history, my thesis sheds light on the public responses to three successive Anglo-Afghan wars, and the reception of the writings to which these gave rise. By this means, I trace the rise and fall of readers' interest in Afghanistan through six studies of individual authors. The first chapter examines the media storm around the writings of Florentia Sale, eyewitness to the disasters of the First Anglo-Afghan War, whose bestselling Journal was published by John Munay. Chapter two considers John William Kaye, and his journalistic and fictional reshaping of the war, culminating in his authoritative History. The third chapter considers George Alfred Henty's use of Afghanistan and the Second Anglo-Afghan War in his historically-based adventure stories for boys, which is contrasted with the more subtle imaginative representations in Rudyard Kipling's 'The Man Who Would Be King' and Kim, explored in chapter four. Investigating literary responses in the 1920s and 30s, I study two relatively unknown authors, to demonstrate the pervasive urge for eyewitnesses to the Third Anglo-Afghan War and its aftermath to tell their story. In chapters five and six, Martin Louis Alan Gompel1z (pseud. Ganpat) and Alice Pennell (nee Sorabji), are scrutinized through a detailed biographical, bibliographical and textual study, using material from Blackwood's and John MU11'ay archives, giving the most complete account of their writings to date. Using these six authors, and the success or failure of their writings, I critically examine the various influences of the press, publishers, and book trade on the rise and fall of public appetites for narratives of Afghanistan.
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Transgressive space and body in Chimamanda Adichie’s Americanah and Trevor Noah’s Born a CrimeAdeyelure Omotola Temitayo 01 1900 (has links)
Text in English with abstracts and keywords in English, Afrikaans and Zulu / Beyond the African boundaries, the black body is marked with an othered identity that often leaves its bearer open to discrimination. Being black is considered a transgression because, presumably, it constitutes deviance from a particular skin pigmentation, spatial
norm and cultural practice. This dissertation examines the depiction of people of colour, particularly blacks, as transgressive bodies and invaders of space. From a postcolonial perspective, it investigates the racial implications of blackness by reason of migration.
This study draws on a critical analysis of Chimamanda Ngozi Adichie’s Americanah (2013) and Trevor Noah’s Born a Crime (2016) to investigate the intersection of identity, race and spatial zones as thematic concerns in both texts. I contend that despite the fact
that race is a social construct, it continually has an impact on the individual living of blacks in the space they inhabit or where they exist. They are burdened by the negativities generated by their colour, consequently perceiving themselves as deviants from the
norm.
Unlike Adichie’s other novels, the theme of migration is more profound in Americanah to reflect the intense consequences of race for African migrants in the western world.
Therefore, I seek to establish that the stereotyping of Africans owing to their racial and cultural differences forces them to alter their identity in order to be recognised and accepted. In the same regard, the study projects Trevor Noah’s holistic representation of displacement both within self and community. More insightful is the writer’s engagement
of body politics as a propeller for socio-economic issues. These issues explored in both texts ultimately present a (re)imagining of people of colour within the othered zones. / Buite die Afrikagrense word die swart liggaam gemerk met 'n gemarginaliseerde (“anderste”) identiteit wat die draer dikwels ooplaat vir diskriminasie. Swartwees word as 'n oortreding beskou, want dit is vermoedelik 'n afwyking van 'n bepaalde velpigmentasie,
ruimtelike norm en kulturele praktyk. Hierdie verhandeling ondersoek die uitbeelding van mense van kleur, veral swart mense, as oortredende liggame en indringers van die ruimte. Vanuit 'n postkoloniale perspektief ondersoek dit die rasse-implikasies van
swartheid as gevolg van migrasie. Hierdie studie neem as uitgangspunt die kritiese analise van Chimamanda Ngozi Adichie se Americanah (2013) en Trevor Noah se Born a Crime (2016) om die interseksie van identiteit, ras en ruimtelike sones as tematiek in albei tekste te ondersoek. Ek beweer dat, ondanks die feit dat ras 'n sosiale konstruk is, dit voortdurend 'n impak het op die individuele leefwyse van swart mense in die ruimte waarin hulle woon of waar hulle bestaan. Gevolglik word hulle belemmer deur negatiewe aspekte wat deur hul kleur gegenereer word, en hulself gevolglik as afwykers van die
norm beskou.
Anders as haar ander romans, is Adichie se migrasieprobleme meer diepgaande in Americanah om die intense gevolge van rassekwessies vir Afrika-migrante in die Westerse wêreld te weerspieël. Daarom wil ek vasstel dat die stereotipering van Afrikane weens hul rasse- en kulturele verskille hulle dwing om hul identiteit te verander om erken
en aanvaar te word. In dieselfde verband projekteer die studie Trevor Noah se holistiese voorstelling van verplasing binne die self en die gemeenskap. Meer insiggewend is die skrywer se betrokkenheid by liggaamspolitiek as 'n voorstuwer vir sosio-ekonomiese kwessies. Hierdie kwessies, wat in albei tekste ondersoek word, bied uiteindelik 'n
(her)verbeelding van mense van kleur binne die “ander” sones. / Nangaphandle kwemingcele ye-Afrika, imizimba yabantu abamnyama imakwe ngobuzazisi babanye, lokhu okuvama ukushiya lowo walowo mzimba omnyama esesimweni sokubandlululwa. Ukuba mnyama kuthathwa njengento eyisono neyeqe umngcele omukelekile ngoba, kuvanyiswe ukuthathwa njengokwehlukile kwibala elithile
lesikhumba, indawo evamile kanye nezinkambiso zamasiko. Le dissertation ihlola ukuthathwa kwabantu abanebala, ikakhulukazi elimnyama, njengemizimba ewukweqa okuhle nokwamukelekile kanye neyabahlasela indawo. Ukusuka kwimibono yenkathi engemuva kobukoloni, iphenya ngemiphumela yombono webala elimnyama ngenxa yokuya kwamanye amazwe. Ucwaningo luthathela kuhlaziyo olunzulu lwemibhalo kaChinamanda Ngozi Adichie ye-Americanah (2013) kanye ne-Trevor Noah’s Born a Crime (2016) ukuphenya ngokuxhumana kobuzazisi, ukubuka izinto ngeso lebala kanye
nezindawo njengezinto eziyizihloko zemibhalo. Ngibeka elokuthi noma udaba lwebala kuyinto eyenziwe ngabantu, kodwa inomphumela kumuntu ophila njengomuntu omnyama, ohlala endaweni ahlala kuyo noma lapho akhona. Ngenxa yalokho-ke, bathwele umthwalo omubi ngenxa yebala labo, ngalokho bazibona njengabahlukile
kokujwayelekile nokufanele.
Ngokwehluka namanye amanoveli, ukukhathazeka ngokuya kwamanye amazwe kubonakala kakhulu kwi-Americanah ukubheka kanzulu ngemiphumela ejulile yokubuka izinto ngokwebala kubantu ababuya eAfrika abaya kumazwe asentshonalanga. Ngakho ke, ngifuna ukuqaphela indlela abantu abangama-Afrika ababonwa ngayo ngendlela ethile embi nemi ndawonye (stereotyping) ngenxa yomehluko wabo ngokubona izinto ngokwebala kanye nomehluko ngokwezamasiko, ukushintsha ubuzazi babo ukuze
bamukelwe nokumukeleka. Ngale ndlela, ucwaningo lubhekisa kwindlela ephelele kaTrevor Noah, yokuzibona eqhelilee nokwehluka ngobuyena ngaphakathi kuye kanye nasemphakathini. Ngokubona izinto ngeso elijulile ngokubheka ezepolitiki kombhali
njengesisunduzi kwizinto ezibhekene nabantu kanye nezomnotho. Lezi zinto zicwaninga ngokombhalo kanye nokubeka kabusha ngombono nendlela entsha abantu bebala, emkhakheni wabanye. / Afrikaans and Theory of Literature / M.A. (Theory of Literature)
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