Made available in DSpace on 2015-04-14T13:38:47Z (GMT). No. of bitstreams: 1 446139.pdf: 2098034 bytes, checksum: f9a896584131e035d12d46508948f2f2 (MD5) Previous issue date: 2012-12-19 / This text aims to establish points of contact between the poetry of Jo?o Cabral de Melo Neto and the precepts of modern architecture, personified in the production of Swiss Le Corbusier, whom is considered precursor of the movement. In the intention to fulfill this goal, surveys were firstly made to show formal and philosophical characteristics in each artist s work. Further, it was carried out a comparative study regarding to such properties, through which it was possible to obtain subsidies in order to corroborate the hypothesis of this study, the existence of identification points concerning the two artists. Asked the descriptions of the main cohesive themes between both authors, the dissertation has focused its interest on the writer's production, proceeding with the analysis of a series of compositions, which represents different moments and stages of his work. Finally, the influences originating from the biographies of the masters were added to the points of contact previously observed, which led to further research and to the clarification of unsolved questions. As a result of this study, it was concluded that, due to the shared use of a considerable number of elements such as philosophical principles, thematic aspects and visual elements, among others, it is clear that there is an identity between modern architecture, represented by Le Corbusier, and Jo?o Cabral s poetry, which is considered a subsidiary, in some measure, of architect s theory and practice / Este texto tem por objetivo estabelecer pontos de contato entre a poesia de Jo?o Cabral de Melo Neto e os preceitos da arquitetura moderna, personificados na produ??o do franco-su??o Le Corbusier, considerado grande precursor do movimento. Na inten??o de cumprir com tal objetivo, primeiramente foram feitos levantamentos de caracter?sticas filos?ficas e formais presentes nas obras de cada artista. Na seq??ncia, foi levado a cabo um estudo comparatista relativamente a tais propriedades,por meio do qual foi poss?vel obter subs?dios mais concretos no sentido de corroborar a hip?tese de trabalho do estudo, a de que existem pontos de identifica??o os dois artistas. Feitas as descri??es dos principais temas coesivos entre os autores, a disserta??o concentrou seu foco de interesse sobre a po?tica do escritor pernambucano, praticando a an?lise de um conjunto de composi??es que representam distintos momentos e est?gios de sua obra. Finalmente, somou-se aos pontos de contato observados a quest?o das influ?ncias origin?rias das biografias dos mestres, o que ensejou o aprofundamento da pesquisa e o aclaramento de problemas em aberto. Como resultado desse trabalho, chegou-se ? conclus?o de que, por conta do uso compartilhado de um conjunto consider?vel de elementos, tais quais preceitos filos?ficos, aspectos tem?ticos e elementos visuais, entre outros, ? poss?vel afirmar a exist?ncia de uma identidade entre a arquitetura de cunho modernista, representada por Le Corbusier, e a poesia cabralina, sendo esta ?ltima considerada subsidi?ria, em alguma medida, da teoria e da pr?tica do arquiteto