This bachelor's thesis has been conducted based on an interest in the women's empowerment processes taking place in India after the 2012 Delhi gang rape,  and after the suicide of Amina Filali in Morocco in 2012. The goal of the study is to analyze whether there are similarities in the way the processes unfold, based on Hans Abrahamsson's (2003) work on structural change, and to analyze how far the processes of change have advanced. In order to do so, a qualitative, abductive study of each country was conducted and later compared through the framework of Abrahamsson's three key concepts in order to analyze similarities and differences.   Based on secondary- and tertiary sources from both academia and media, the thesis attempts to create a holistic picture of the developments by discussing opinions accessible both to the broader public and scholarly community.   The thesis suggests that neither India nor Morocco show signs of permanent strategic gender changes, or structural change, but are instead situated in the problem-solving phase of the model. Neither country can be seen as having experienced strategic gender changes, as they have failed to satisfy strategic gender interests. India appears further along in its process, as the government has been forced to take larger problem-solving measures in order to stifle the protests. Morocco on the other hand, has survived on the promise of change alone. Recently, both countries have experienced a second tragedy similar to their first, the results of which remain to be seen. In the light of past developments, this thesis predicts future strategic gender changes are more likely in India than Morocco, albeit problematic in both.

This essay analyses Casey McQuiston’s Red, White & Royal Blue (2019) from the perspective of the masturbatory readings Elin Abrahamsson uses in her doctoral thesis Mas(s)turbatory Readings: A Queer Analysis of Popular Romance. I discus the different kind of desires that exists in the novel while also questioning how queer literature relate to the heteronormative context of the romance genre. The analysis concludes that the masturbatory reading works well on queer literature as well as establishing that the novel contains homo-, hetero and autoerotic elements. The essay reaches the conclusion that Red, White & Royal Blue goes against the heteronormative order of the genre with the happy ending. / I den här uppsatsen undersöker jag Casey McQuistons Red, White & Royal Blue (2019) genom Elin Abrahamssons onanistiska läsning från hennes avhandling Enahanda läsning: En queer tolkning av romancegenren. Genom att gå i dialog med Abrahamsson undersöker jag vilka begärsriktningar som uppenbarar sig i Red, White & Royal Blue samtidigt som jag diskuterar hur queerlitteraturen förhåller sig till den heteronormativa inramningen som romancegenren innehar. Genom analysen kan man utläsa att den onanistiska läsningen fungerar väl på queer litteratur, även att romanen innehåller begärsriktningar i form av homoerotisk, heteroerotisk och autoerotisk. Samt kommer uppsatsen fram till att romanen kastar om den heteronormativa ordningen genom det lyckliga slutet.