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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 2 of 2 (0.015 seconds)Spelling suggestions: "subject:"absurdas"" "subject:"surdas""
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Minios fenomenas mene.Kūrybinis darbas: „KREPŠINIO SIRGALIŲ PORTRETAI“ / The portraits of the basketball fansStumbrytė, Eglė 02 July 2012 (has links)
Kintant laikams, minios elgesio, mąstymo bruožai iš esmės lieka nepakitę. Masė vis dar pasiduoda neracionaliems sprendimams, idėjoms, yra valdoma įvairiausių emocijų. Kritiškas individo protas yra nugalimas absurdiško fanatizmo išraiškų. Šiandieninėje Lietuvos kultūroje, vienas iš ryškiausių minią užliejančios karštligės atitikmenų - tai krepšinio sirgaliai, skanduojantys patriotinius šūkius, stabais verčiantys žaidėjus. Šiuolaikiniame mene taip pat nelieka nepastebėta ši tema, analizuojamas krepšinio santykis su visuomene, jo reikšmės kaita skirtingais laikmečiais. Darbo objektas. Trijų tapybos darbų ciklas – sirgalių portretai. Gilinimasis į darbo temą padėjo pažinti šį masininį reiškinį, minios bruožus ir apskritai sąmoningiau įvertinti, koks yra asmeninis santykis su masine karštlige. / As times change, the behaviour of mass and way of thinking remain the same. Mass is still relying on irrational solutions, ideas and is controlled by various emotions. Absurd fanatic manifestations overcome the critical mind of an individual. Nowadays, in the Lithuanian culture, one of the most prominent display of the mass fever can be recognised in basketball fans that cheer, shout patriotic slogans and tend to turn basketball players into idols. In contemporary art this theme is not overlooked – the relation between basketball and the society is constantly being analysed, as well as the change of its meaning in different periods of time. The object of work. The cycle of three painting works – portraits of fans. The theme of the work focuses on this mass phenomenon, analyses the main features of the mass and helps to evaluate own goals more consciously.
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Fundamentos y límites de la analogía in bonam partem en el derecho penalMontiel Fernández, Juan Pablo 20 September 2008 (has links)
Una adecuada interpretación del principio de legalidad ofrece buenas razones para admitir la analogía in bonam partem en el Derecho penal aunque de un modo limitado. Incluso cuando el juez mediante ésta excluye o limita el ejercicio del ius puniendi, el aplicador del Derecho penal debe seguir apegado a la ley. De este modo, la analogía in bonam partem debe ser vista como un mecanismo excepcional de integración del Derecho penal frente a inconsistencias axiológicas no previstas ni deseadas por el legislador. Estas excepcionales facultades creadoras reconocidas al juez tienen lugar frente a concretas instituciones jurídico-penales y dentro de un determinado marco argumentativo. En este sentido, la analogía in bonam partem es un medio para crear supralegalmente causas de justificación, causas de exculpación y atenuantes, mientras que no para crear excusas absolutorias. Igualmente, el juez puede crear Derecho solamente a partir de la analogía legis o la analogía institutionis, sin resultar posible acudir a la analogía iuris. / An adequate interpretation of the legality principle offers sound reasons to accept analogy in bonam partem in Criminal Law, though only in a limited way. Even when the judge excludes or limits the ius puniendi through the use of analogy, she should still be strictly subjected to the norm. Therefore the analogy in bonam partem must be seen as an exceptional mechanism of Criminal Law's Integration in the presence of axiological inconsistencies that the Parliament didn't foresee and didn't want. These exceptional law-making powers awarded to the judge refer to specific Criminal law institutions and in a specific argumentative framework. In this sense, analogy in bonam partem is an instrument to supra-legally create justifications, excuses, and mitigating circumstances, but not other types of punishment excluding institutions. In the same manner, the judge can create new Criminal Law only through legis Analogy and institutionis Analogy but not through iuris Analogy.
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