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This dissertation is the first detailed description and in-depth analysis of the Middle Kingdom (2055-1650 B.C.) ceramic assemblage from the archaeological site of North Abydos, Egypt. It focuses on the pottery from an area just outside the main temple of the god Osiris, which was called the “Terrace of the Great God” during this period, where many private individuals built mud-brick chapels for their commemoration. Chapter 1 provides the background information, such as the history of previous investigations of the site and the design of the present research project. Chapter 2 describes the archaeological contexts of the pottery assemblage, including the types, distribution, and chronological sequence of the memorial chapels, as well as the stratigraphic information gleaned from new archaeological excavations. Chapter 3 lays out the pottery fabric types that are attested at the site and presents the results of the quantitative analyses of various fabrics. Chapter 4 discusses the form classification system. Each morphological type is defined, illustrated, and provided with comparanda from other sites and notes on their chronological significance. This chapter also presents the results of the quantitative analyses of various forms. In Chapter 5, more specific dates are assigned to the stratigraphic phases discussed in Chapter 2 based on the ceramic evidence. Chapter 6 examines the ceramic industry at North Abydos during the Middle Kingdom and compares and contrasts it with the modes of pottery production and distribution that were practiced in the rest of Egypt during the same period. The assemblage analyzed in this study is catalogued in an appendix and illustrated in the figures. General index is provided.

This dissertation is the first detailed description and in-depth analysis of the Middle Kingdom (2055-1650 B.C.) ceramic assemblage from the archaeological site of North Abydos, Egypt. It focuses on the pottery from an area just outside the main temple of the god Osiris, which was called the “Terrace of the Great God” during this period, where many private individuals built mud-brick chapels for their commemoration. Chapter 1 provides the background information, such as the history of previous investigations of the site and the design of the present research project. Chapter 2 describes the archaeological contexts of the pottery assemblage, including the types, distribution, and chronological sequence of the memorial chapels, as well as the stratigraphic information gleaned from new archaeological excavations. Chapter 3 lays out the pottery fabric types that are attested at the site and presents the results of the quantitative analyses of various fabrics. Chapter 4 discusses the form classification system. Each morphological type is defined, illustrated, and provided with comparanda from other sites and notes on their chronological significance. This chapter also presents the results of the quantitative analyses of various forms. In Chapter 5, more specific dates are assigned to the stratigraphic phases discussed in Chapter 2 based on the ceramic evidence. Chapter 6 examines the ceramic industry at North Abydos during the Middle Kingdom and compares and contrasts it with the modes of pottery production and distribution that were practiced in the rest of Egypt during the same period. The assemblage analyzed in this study is catalogued in an appendix and illustrated in the figures. General index is provided.

The thesis Application of Balanced Scorecard in a manufacturing company is focused on creation of mission, vision, strategy and the strategic management system Balanced Scorecard for the company Abydos s.r.o. In the theoretical part is described the creation of strategic analysis and defined the Balanced Scorecard method. At the beginning of the practical part is introduced the company Abydos s.r.o. Next part deals with the strategic analysis and identifies strengths and weaknesses of the company and its potential opportunities and threats. Based on the strategic analysis is designed the mission and the vision of the company, follows the strategy formulation and definition of strategic objectives in four perspectives. For each strategic objective are identified measures and strategic actions. At the end of the practical part is created a strategic map, which is a key tool for the strategic management method Balanced Scorecard.

Le dieu égyptien Min a toujours été considéré comme un dieu de la procréation par nombre d’égyptologues. Pourtant, l’analyse de son image et de son culte sur la période allant du début de la 8e dynastie à la fin de la 17e dynastie révèle une toute autre définition. Son iconographie témoigne d’une élaboration cryptique dans l’emploi des divers éléments qui composent son image. La présente étude réanalyse par ailleurs la parèdre coptite du dieu ainsi que la réappropriation de l’image de Min au début du Moyen Empire par la divinité thébaine Amon. Loué lors de fêtes spécifiques aux fonctions agraires et dynastiques, Min fit l’objet d’une vénération certaine au cours de cette large période, aussi bien auprès des souverains que des particuliers. Min est aussi particulièrement vénéré en contexte expéditionnaire. Qu’il s’agisse du ouadi Hammamat ou du Gebel el-Zeit en passant par Mersa Gaouasis et par Konosso, le dieu est mentionné ou figuré pour ses attributions guerrières et minérales. Enfin, au cours du Moyen Empire et de la Deuxième Période intermédiaire, Min semble particulièrement loué en Abydos. Son insertion dans la geste osirienne – avec la création de sa forme Min-Horus-nakht – témoigne du déplacement et de la portée funéraire et dynastique croissante du culte à cette époque. Par ses hymnes et les témoignages archéologiques découverts en Abydos, apparaissent en ce lieu les vestiges d’un sanctuaire propre au dieu. Au regard de l’ensemble de la documentation récolée, Min apparaît alors non pas comme un dieu de procréation, mais comme un « Suivant d’Horus », un dieu de la force aux fonctions dynastiques et régénératrices, agissant tant sur le monde naturel que dans l’inframonde. / The Egyptian god Min has always been considered as a procreation god by many Egyptologists. However, the analysis of his image and his cult on the period from the beginning of the First Intermediate Period to the end of the 17th dynasty reveals a very different definition. His iconography shows a cryptic elaboration in the way of using various details composing his image. This present study reanalyzes the Coptite consort of Min as well as the reappropriation of the god’s image by the Theban deity Amun at the beginning of the Middle Kingdom. Revered during specific agrarian and dynastic religious festivals, Min was subject of a great veneration during this period, both from kings and private individuals. Min was also particularly praised in expeditionary contexts. From the wadi Hammamat to the Gebel el-Zeit via Mersa Gawasis and the peninsula of Konosso, this god was mentioned and figured for his warring and mineral abilities. Lastly, during the Middle Kingdom and the Second Intermediate Period, Min seems particularly revered in Abydos. He was inserted inside the Osirian cult with the creation of the figure of Min-Horus-nakht, the latter testifying the moving of the cult and the funerary and dynastic importance of the god in this city. With Abydenian hymns and the discovery of archeological fragments, the location of a sanctuary dedicated to the god could be brought to light. Regarding all the collected data, Min appears not as a procreation god but as a ‘Follower of Horus’, a god of strength with dynastic powers, a god of regeneration who acts over both the natural world and the underworld.

The aim of this thesis is to contribute to the understanding of ancient Egyptian kinship in the First Intermediate Period and Middle Kingdom (ca 2150–1650 BCE) by exploring how forms of relatedness were displayed in the monumental record. Kinship and marriage are contextually driven sociocultural phenomena that should be approached from the actors' perspective; such an approach can achieve some insight into emic notions of kinship, because monuments were integral to society and contributed to perpetuating and sustaining its fabric. The introduction (chapter 1) presents the theoretical background on which the thesis is based, namely the notion of kinship as process, where relationships can be constructed and reconstructed throughout one’s life. In addition, it provides a working definition of 'kin group', an analytical category that is taken as the primary unit of social analysis that can encompass several ways of being related. Chapter 2 offers a discussion of kinship terminology in the First Intermediate Period and Middle Kingdom. The focus is less on basic kinship terms than on the little understood terminology for kin groups and how these were presented in the written record. Chapter 3 treats stelae, which constitute the core corpus of material for the thesis. Stelae present a variety of images of kin groups and, moreover, they should be considered within the larger units of which they were part. Many of these stelae are unprovenanced but have been attributed to Abydos. At this site, memorial chapels have been identified archaeologically, and some stelae have been found in association with them. Thus, the site offers a materialisation of constellations of relationships. Possible reconstructions of such chapels – one from Saqqara and two from Abydos – are presented in chapter 4, and the impact they may have had on the social memory of visitors is assessed. Display, presence, and performance were some of the ways in which the social role of those groups was communicated. Chapter 5 is concerned with how change and time may be represented in apparently static objects. On the basis of the model of the developmental cycle of domestic groups first introduced by Meyer Fortes, the dynamism of the social fabric is explored through three case studies of groups at different stages of their developmental cycle. The strategies of survival can be seen pervasively in the monumental record, allowing for a glimpse into time and change in kin groups. The conclusion (chapter 6) offers a holistic approach to the material presented in the thesis, emphasising the ways in which the different theoretical approaches proposed intertwine with the material.