Thesis (M.F.A.)--West Virginia University, 2002. / Title from document title page. Document formatted into pages; contains iv, 61 p. Includes abstract. Includes bibliographical references (p. 61).

Thesis (M.F.A.)--Kent State University, 2009. / Title from PDF t.p. (viewed Jan. 22, 2010). Advisor: Charles Richie. Keywords: Michael Chekhov; Bill Sykes; Cinnesias; Vershinin; Oliver; Lysistrata; Three Sisters; Archetype. Includes bibliographical references (p. 74).

Thesis (Ph. D.)--New York University, 1982. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. [158]-165).

Thesis (Ph. D.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaves 221-231). Available also in a digital version from Dissertation Abstracts.

Thesis (M.A.) in Theatre--University of Maine, 2002. / Includes vita. Includes bibliographical references (leaves 32-34).

Thesis (M.F.A.)--Kent State University, 2009. / Title from PDF t.p. (viewed Feb. 17, 2010). Advisor: Mark Monday. Keywords: Alba Emoting; Michael Chekhov. Includes bibliographical references (p. 36).

In this thesis I will examine my own directing praxis and transfer, the instant where ideas become action. I will define transfer as an initial trajectory toward a lasting event and examine how that practice has influenced four productions while at UT: The Fictional Life of Historical Oddities, september play, 360 (round dance) and Emergency Prom. / text

This thesis is an in-depth analysis of the role of Voice in Suzan Zeder’s The Edge of Peace. A brief description of the author’s acting work before matriculating into The University of Texas’ MFA Acting program is described. The author then describes the skills learned in graduate school needed to perform the role both in Texas and Seattle. He briefly describes prior acting work at the University, and details some plans for the future of his acting career. / text

This thesis consists of three major sections. The first is a report of my coursework while at the university from August 2010 to April 2013 and how it culminated in an actor process towards working. The second section chronicles my experiences outside of the classroom, with influential persons in the theatrical community, and how they both have added to my process as an actor. The third section is a paper on my process playing the character of Mrs. Dickson of Lynn Nottage’s Intimate Apparel in my final performance at the university, as well as final reflection on where I am in my process as an actor. / text

A paper on process and examination of growth through performance and experimentation in the Master of Fine Arts in Acting program at the University of Texas at Austin. / text