Thesis (M.A. in communication)--Washington State University, December 2009. / Title from PDF title page (viewed on Feb. 12, 2010). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 107-115).

The aftermath of Italy's cinematic movement neorealism left several directors searching for a new cinematic practice and a new directorial identity. Many of the most artistically intrepid directors of the era turned to women as a means of professional and personal reinvention. This study analyzes the collaborations of Vittorio De Sica, Roberto Rossellini, Federico Fellini, and Michelangelo Antonioni with the actresses Sophia Loren, Ingrid Bergman, Giulietta Masina, and Monica Vitti, respectively. / Romance Languages and Literatures

Thesis (Ph. D.)--University of Sydney, 2001. / Title from title screen (viewed Apr. 21, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 2001; thesis submitted 2000. Includes bibliography. Also available in print form.

Thesis (M.A.)--Carleton University, 2003. / Includes bibliographical references (p. 119-123). Also available in electronic format on the Internet.

Thesis (M.A.) - Carleton University, 2005. / Includes bibliographical references (p. 113-120). Also available in electronic format on the Internet.

Thesis (M.A.)--Carleton University, 2004. / Includes bibliographical references (p. 120-129). Also available in electronic format on the Internet.

Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 53-56).

Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 53-56). Also available in print.

No description available.

thesis written by Chang Sio Man, Loretta. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1996. / Includes bibliographical references (leaves 143-146). / Chapter 1. --- Introduction / Background --- p.1 / The Research Question --- p.2 / Limitations --- p.7 / Research Content --- p.8 / Chapter 2. --- The Siao Fong Fong Phenomenon: Tale of an Orphan --- p.14 / Chapter 3. --- Negotiating a Star Text: Theoretical Perspectives / Chapter 3.1 --- What is a Star? --- p.25 / "Star as Image, Star as Sign" / "Star as Person, Star as Woman" / Chapter 3.2 --- Female Strategies of Laughter --- p.45 / To Play the Male Game: Comedy as a Tool of Oppression / To Steal the Show: Comedy as a Tool of Subversion / Chapter 3.3 --- Towards a Theory of Marginal Empowerment --- p.63 / Chapter 4. --- Evolution of a Star and a Society: The Orphan Complex --- p.70 / Chapter 5. --- Star Text Siao Fong Fong: Textual Analysis / Chapter 5.1 --- Publicity --- p.82 / Chapter 5.2 --- Films --- p.90 / Chapter 6. --- Conclusion: A Star Text of Possibilities --- p.121 / Bibliography --- p.143 / Chapter Appendix: --- Figures