Orientador: Marcio Aurelio Pires de Almeida / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-14T23:11:31Z (GMT). No. of bitstreams: 1 Canhameiro_CarlosEduardo_M.pdf: 4022831 bytes, checksum: 57a384e83a2f52a1be9289dfa41ac2df (MD5) Previous issue date: 2009 / Resumo: Não informado / Abstract: This research examined the creation process from the play CHALAÇA a peça, directed by Mareio Aurelio, based on the novel "O Chalaça" by Jose Roberto Torero, with actors from the Les Commediens Tropicales Theater Company. The analysis begun with the conception of the project coniemplated by award "Prêmio Estímulo Flávio Rangel-20Q5"\ granted by Secretary of State for Culture from the Government of São Paulo, made an overview on rehearses process until the premiere of the play and its circulation - and maintenance - since 2006. The focus has been given the relations of production set by a theater company newly created by graduating students of the Performing Arts by UNJCAMP, supported by public funds to create a spectacle and, consequently, the importance of these funds on the company path's. Ultimately the research effort here was to build a genetic critical over the play CHALAÇA a peça, where the generating process of the work and its relations of production were more significant than the final result to obtain the critical mentioned / Mestrado / Mestre em Artes

Made available in DSpace on 2014-07-29T15:22:31Z (GMT). No. of bitstreams: 1 Dissertacao parte 1 Murilo Luiz Ferreira.pdf: 7820233 bytes, checksum: c6c5eeaea4a922931faefa4be4ed460c (MD5) Previous issue date: 2011-04-19 / To tell stories is part of the essence of human beings. Since our earliest ancestors we have been involved by several narratives - oral, written or broadcasted. With the changes raised by the Gutenberg Galaxy, narratives gained more visibility in the art of storytelling, especially in literature. Since the 1950's that television is replacing printed texts, using audio and image together to further engage human beings in the real and fictional narratives. And this thesis is based on the search of elements of approximation and divergence between literature and television, having as object of study the novel written by Dinah Silveira de Queiroz, A Muralha, originally published in 1954, and the homonymous adaptation as a television series produced by TV Globo in 2000. The methodology includes the analysis of the relationships between literary and television studies by the perspective of cultural studies and cultural media, focusing particularly on the features of each of these media,looking for theoretical backgrounds that support the hypothesis of this research. As narrative is the main concern of this thesis, theories and analysis of focalization, space, time and characters became extremely important, as well the reflections about the three perspectives of adaptation and the four adaptive processes, which are: addition, reduction, displacement and transformation. This study lead us to conclude that as much as literature and television give evidences to prove the uniqueness of each of these artistic expressions, they contain similar and important elements that support the art of turning words into images. / Contar história é parte da essência do homem. Desde os nossos ancestrais mais remotos, estamos envolvidos com diversas narrativas orais, escritas, audiovisuais. Com as transformações surgidas com a Galáxia de Gutenberg, as narrativas escritas ganharam grande destaque na arte de narrar, principalmente com a literatura. A partir da década de 1950, a televisão passa a ocupar o lugar dos textos impressos, utilizando da junção do áudio com a imagem para envolver ainda mais o homem nas narrativas reais e ficcionais. E é na busca pelos elementos de aproximação e divergência entre literatura e televisão que este trabalho se baseia, tendo como objeto de estudo o romance de Dinah Silveira de Queiroz, A Muralha, publicado inicialmente no ano de 1954, e a adaptação homônima feita pela Rede Globo em formato de minissérie, no ano 2000. Os caminhos percorridos são as relações entre os estudos literários e televisivos com os estudos culturais e a cultura da mídia, passando pelos entremeios de cada uma dessas mídias, na busca por embasamento teórico-metodológico que corroborassem as hipóteses levantadas. Como a narrativa é o principal foco deste trabalho, as teorias e análises sobre focalização, espaço, tempo e personagens foram de extrema importância, assim como as reflexões sobre as três perspectivas de uma adaptação e os quatro processos adaptativos adição, redução, deslocamento, transformação. Esses caminhos nos levaram a concluir que, por mais que literatura e televisão apresentem elementos que comprovem a singularidade de cada uma dessas expressões artísticas, elas contêm elementos semelhantes e importantes que auxiliam no desenvolvimento da arte de transformar palavras em imagens.