Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-06-13T19:26:36Z No. of bitstreams: 1 ThiagoTavaresDasNeves_TESE.pdf: 3326782 bytes, checksum: 44c70cc10ce9a343ec5825a6ce666d74 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-06-16T19:41:16Z (GMT) No. of bitstreams: 1 ThiagoTavaresDasNeves_TESE.pdf: 3326782 bytes, checksum: 44c70cc10ce9a343ec5825a6ce666d74 (MD5) / Made available in DSpace on 2017-06-16T19:41:16Z (GMT). No. of bitstreams: 1 ThiagoTavaresDasNeves_TESE.pdf: 3326782 bytes, checksum: 44c70cc10ce9a343ec5825a6ce666d74 (MD5) Previous issue date: 2016-08-26 / O objetivo deste trabalho ? explorar as diversas sensibilidades e formas de afetar e ser afetado, n?o s? compreendendo os afetos no plano dos sujeitos, mas tamb?m os assumindo como fluxos de passagens para formas distintas de express?o e conex?o. Nas festas de m?sica eletr?nica, os afetos s?o produzidos e potencializados tamb?m por meio das m?quinas musicais e sociais que agem diretamente sobre o corpo e alteram o processo de sociabilidade. Os afetos, os corpos e as m?quinas funcionam aqui como operadores conceituais para entender as dimens?es sociais, culturais e filos?ficas das festas de m?sica eletr?nica. Afeto ? entendido aqui sob a ?tica de Spinoza (1677/2010) como afec??o do corpo: uma a??o, uma pot?ncia de agir que pode ser aumentada ou diminu?da. Os afetos nas festas de m?sica eletr?nica podem ser provocados pela a??o da m?sica sobre os indiv?duos, dos participantes entre si ou potencializados por meio das drogas, especialmente o ecstasy. Spinoza (1677/2010) tra?a duas defini??es sobre o corpo: na cin?tica, o corpo est? diretamente ligado ? rela??o de velocidades e lentid?es, movimento e repouso, ? essa rela??o de velocidades e lentid?es que formar? o corpo. J? a outra defini??o ? din?mica, todo corpo se define por certo poder de ser afetado. Os afetos s?o potencializados tamb?m atrav?s das m?quinas que agem diretamente sobre o corpo. As m?quinas s?o entendidas tamb?m como extens?es do corpo humano, sistemas de fluxos e cortes com capacidade de produ??o e cria??o. As m?quinas podem ser artificiais, humanas e sociais. Gilles Deleuze (2010), F?lix Guattari (1988) e Edgar Morin (2008) s?o os principais suportes te?ricos para pensar o conceito de m?quina. A partir dessa premissa, ? poss?vel a conex?o entre m?quinas artificiais e humanas nas festas m?sica eletr?nica, nas quais foram percebidos diferentes tipos de afeta??es: corporais, sonoras, sociais e maqu?nicas. A afeta??o est? diretamente ligada ao conceito de Spinoza (1677/2010) de afetos e afec??es. Remete n?o s? ao estado do corpo quando afeta e ? afetado, mas tamb?m ? a??o, ? transforma??o que o corpo sofre/age quando ? afetado ou afeta. Afeta??o corresponde a todo o processo afetivo. As afeta??es podem ser corporais, quando o corpo ? afetado por outro corpo humano; sonoras, quando o corpo ? afetado por qualquer est?mulo sonoro; sociais quando o corpo humano se conecta com outro corpo humano ou artificial e maqu?nicas, quando o corpo ? afetado por m?quinas. O recorte emp?rico abrange dois festivais de m?sica eletr?nica, o King festival em Recife e o Dream Valley em Florian?polis e festas de m?sica eletr?nica situadas em Natal, especialmente a PAJUX. O m?todo de pesquisa trata-se de uma cartografia complexa, na qual mesclo o m?todo cartogr?fico proposto por Deleuze e Guattari (1995) com apoio na epistemologia da complexidade de Edgar Morin (2007a). / The aim of this study is to explore the various sensitivities and ways of affecting and being affected, not only comprising the affections in the plane of the subjects, but also taking as passages flows for different forms of expression and connection. In electronic music parties, affections are produced also potentiated by the musical and social machines that act directly on the body and alter the process of sociability. Affections, bodies and machines work here as conceptual operators to understand the social, cultural and philosophical dimensions of electronic music parties. Affection is seen here from the perspective of Spinoza (1677/2010) as a condition of the body, an action, a power of action that can be increased or decreased. Affections in electronic music parties can be triggered by the music action on individuals, the participants each other or potentiated through drugs, especially ecstasy, which act directly on the body. Spinoza (1677/2010) traces two definitions about the body: the kinetics, the body is directly connected to the relations of speeds and slowness, motion and rest, is this relation of speeds and slowness that will form the body. Already the other definition is dynamic, whole body is defined by a certain power of being affected. The affects are enhanced also through the machines that act directly on the body. The machines are also seen as extensions of the human body, cut flow systems with capacity of production and creation. The machines can be artificial, human and social. Gilles Deleuze (2010), Felix Guattari (1988) and Edgar Morin (2008) are the main theoretical support to think the concept of machine. From this premise, is possible the connection between artificial and human machines in electronic music parties, which were perceived different kinds of affectations: bodily, sonorous, social and machinic. The affectation is directly linked to the concept of Spinoza (1677/2010) of feelings and affections. Refers not only to the state of the body when it affects and is affected, but also to action, the transformation that the body suffers / acts when it is affected or affects. Affectation corresponds to all the affective process. The affectations can be bodily, when the body is affected by another body; sonorous, when the body is affected by any sound stimulus; social, when the human body connects with another human body or artificial and machinic, when the body is affected by machines. The empirical cut covers two electronic music festivals, the King festival in Recife and the Dream Valley in Florianopolis and electronic music parties located in Natal, especially PAJUX. The research method it is a complex cartography, which was blended the cartographic method proposed by Deleuze and Guattari (1995) with support in the epistemology of complexity of Edgar Morin (2007a).