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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 2 of 2 (0.103 seconds)Spelling suggestions: "subject:"afrikaners -- bpolitical identity"" "subject:"afrikaners -- bipolitical identity""
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Unmasking the heroes : sources of power in Afrikaner mythologisingSherman, Louisa Elizabeth 06 1900 (has links)
Unmasking the heroes: sources of power in Afrikaner mythologising is a personal, visual and theoretical exploration of the underlying
sources of power which governed the development of Afrikaner nationalism, particularly the years spanning the late 1980s and the
early 1990s. The practical work, a series of drawings and relief cut-outs, sets out to unmask the beliefs, customs, traditions and
attitudes particular to Afrikaner culture. It does so through the processes of deconstruction and reconstruction of selected mass
mediated images whereby different symbolic paradigms are juxtaposed through the devices of collage and allegory to uncover layers
of meaning. This art-making approach was informed by theoretical and visual research into the tradition of Western mythology,
including related topics such as linguistics, psychology and sociology, Afrikaner history and historiography, and the mechanisms of
contemporary cultural reproduction, particularly the South African mass media and fine arts. / History of Art and Fine Arts / M.A. (History of Art and Fine Arts)
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| 2 |
Unmasking the heroes : sources of power in Afrikaner mythologisingSherman, Louisa Elizabeth 06 1900 (has links)
Unmasking the heroes: sources of power in Afrikaner mythologising is a personal, visual and theoretical exploration of the underlying
sources of power which governed the development of Afrikaner nationalism, particularly the years spanning the late 1980s and the
early 1990s. The practical work, a series of drawings and relief cut-outs, sets out to unmask the beliefs, customs, traditions and
attitudes particular to Afrikaner culture. It does so through the processes of deconstruction and reconstruction of selected mass
mediated images whereby different symbolic paradigms are juxtaposed through the devices of collage and allegory to uncover layers
of meaning. This art-making approach was informed by theoretical and visual research into the tradition of Western mythology,
including related topics such as linguistics, psychology and sociology, Afrikaner history and historiography, and the mechanisms of
contemporary cultural reproduction, particularly the South African mass media and fine arts. / History of Art and Fine Arts / M.A. (History of Art and Fine Arts)
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