Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-02

Orientadores: Marcelo Gimenes, Antônio Rafael Carvalho dos Santos / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-26T01:25:57Z (GMT). No. of bitstreams: 2 David_SergioLyra_M.pdf: 8364116 bytes, checksum: 20771953a548d1e1463fccad33ec3981 (MD5) David_SergioLyra_M_Anexo.zip: 134326893 bytes, checksum: 617b105c2880f4486756e9f19ce5c3b4 (MD5) Previous issue date: 2014 / Resumo: Esta pesquisa tem como objetivo investigar aspectos da construção do latin jazz de Eddie Palmieri. Para tal propõe descrever suas características como estilo musical: estruturação musical, relações com o jazz e com a música afro-cubana, elementos culturais e sociais. Um estudo mais detalhado enfocou a música "Palmas" procurando descrever o procedimento de Palmieri na manipulação de duas linguagens musicais, o jazz e o afro-cubano. Um estudo preliminar sobre a organização rítmica na tradição musical africana foi realizado para melhor compreensão da estrutura rítmica do objeto analisado. Eddie Palmieri é pianista, compositor e arranjador. Com mais de 50 anos atuando no cenário da música latina traz em sua obra uma característica peculiar, o uso do idioma jazzístico num diálogo intenso com elementos rítmicos da música afro-cubana. Este trabalho demonstra como Eddie Palmieri manipula essas linguagens descrevendo seu estilo através da análise de áudios e partituras / Abstract: This research aims to investigate aspects of the construction of latin jazz of Eddie Palmieri. For this proposes to describe his characteristics as a musical style: musical structure, relationships with jazz and the afro-cuban music, cultural and social elements. A more detailed study focused on the song "Palmas" trying to describe Palmieri¿s procedure in handling two musical languages, jazz and afro-cuban. A preliminary study on the rhythmic organization in African musical tradition was conducted to better understand the rhythmic structure of the analyzed object. Eddie Palmieri is a pianist, composer and arranger. With over 50 years working in the latin music scene brings to his work a peculiar feature, using the jazz language in an intense dialogue with rhythmic elements of afro-cuban music. This work demonstrates how Eddie Palmieri handles these languages describing his style by analyzing audio and sheet music / Mestrado / Fundamentos Teoricos / Mestre em Música

Certains enregistrements vidéos et un enregistrement audio des interprétations des œuvres n’ont pas été inclus comme fichiers complémentaires à cette thèse pour des questions de droits d’auteur. Les vidéos pour les œuvres "Au_sommet_de_ses_convulsions_lhomme_est_pret_a_partir" et "The Era of the Show" sont accessibles sur la chaine YouTube des interprètes; les liens sont insérés dans la partition. Pour les autres enregistrements concernés, une description se trouve dans la thèse. / Le sujet principal de cette thèse est le constant changement au sein de deux rôles, soit celui d’interprète et celui de compositrice et comment chacune de ces disciplines aura une influence directe sur la démarche présentée dans cette recherche. Les diverses étapes du travail avec l’électronique sont également présentées, ainsi que l’évolution de celui-ci dans chaque projet. On aborde aussi dans cette recherche la grande différence, les avantages et les désavantages de la composition de musique mixte en vue d’une interprétation pour soi même ou pour d’autres interprètes. Autres aspects importants : l’influence de la musique populaire, plus spécifiquement la musique afro-cubaine, l’improvisation et la théâtralité. Un processus de recherche et de création qui présente différentes oeuvres, leurs problématiques et leurs étapes de création. Les oeuvres #TheEraOfTheShow et Babilonia seront présentées et analysées plus en détail. / Being in constant change between several roles, that of the interpreter and the composer and how each of these disciplines influences the approach presented in this research is the main subject of this thesis. The various stages regarding working with electronics and its evolution in each project presented will also be addressed. Another aspect covered in this research is the differences, the advantages and the disadvantages that exist in composing mixed music to be performed by ourselves and music for other performers. The influence of popular music, more specifically Afro-Cuban music. Improvisation as a starting point in several projects. A whole process of research and creation which presents various works, their problems and stages of creation. The works #TheEraOfTheShow and Babilonia, will be presented and analyzed in more detail.