Thesis (M. A.)--University of Hong Kong, 2005. / Title proper from title frame. Also available in printed format.

No description available.

Thesis (B.A.)--Bi-College (Haverford and Bryn Mawr Colleges) Comparative Literature Program, 2004. / Includes bibliographical references.

Thesis (M.A.)--University of Hong Kong, 1994. / Cover title. Includes bibliographical references (leaf 47-48).

Thesis (M.A.)--University of Hong Kong, 1994. / Cover title. Includes bibliographical references (leaf 47-48). Also available in print.

This analysis of Tan's first two novels reveals that her female characters suffer from the strains critics like Amy Ling say result from the double paradox of filling the roles of mother or daughter as minority women in a white, male society. Recognizing this double paradox offers Tan's characters, and her readers, the opportunity to resolve the conflicts between mothers and daughters in The Joy Luck Club. Using the theories of psychologist Kathie Carlson helps readers understand how the protagonist of The Kitchen God's Wife resolves similar conflicts with her daughter and her own mother by seeking support from a mythic mother-figure, a Goddess of her own making.

No description available.

周晶. / "2011年9月". / "2011 nian 9 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 197-214). / Abstract and table of contents in Chinese and English. / Zhou Jing. / 中文摘要 --- p.i / 英文摘要 --- p.ii / 前言 --- p.iii / 目錄 --- p.iv / 圖表目錄 --- p.vii / Chapter 第一章 --- 緖論 --- p.1 / Chapter 1.1 --- 研究目的 --- p.1 / Chapter 1.2 --- 文本界定 --- p.5 / Chapter 1.3 --- 研究方法 --- p.6 / Chapter 第二章 --- 原文背景和基本内容的考量 --- p.9 / Chapter 2.1 --- 原文作者和她的《喜福會》 --- p.9 / Chapter 2.2 --- 原文的文學主旨 --- p.12 / Chapter 2.2.1 --- 母女關係 --- p.15 / Chapter 2.2.2 --- 移民種族身份 --- p.17 / Chapter 2.2.3 --- 文化衝突 --- p.20 / Chapter 2.3 --- 原文中表述的中西方文化概念 --- p.22 / Chapter 2.4 --- 小結 --- p.28 / Chapter 第三章 --- 《喜福會》的中譯本及相關研究 --- p.29 / Chapter 3.1 --- 《喜福會》的多重中譯本 --- p.29 / Chapter 3.2 --- 翻譯中的“本土化´ح和“外族化´ح現象 --- p.34 / Chapter 3.3 --- "Venuti (1995/2008, 1998 a-c)的理論" --- p.39 / Chapter 3.3.1 --- Venuti承上啟下的角色 --- p.40 / Chapter 3.3.2 --- 造成“本土化´ح與“外族化´ح現象的原因 --- p.45 / Chapter 3.4 --- 小結 --- p.48 / Chapter 第四章 --- 文本描寫的理論框架 --- p.49 / Chapter 4.1 --- 基本原則 --- p.49 / Chapter 4.2 --- 原文的描寫規範 --- p.53 / Chapter 4.2.1 --- 界定文學主旨 --- p.53 / Chapter 4.2.1.1 --- 母女關係 --- p.53 / Chapter 4.2.1.2 --- 移民種族身份 --- p.56 / Chapter 4.2.1.3 --- 文化衝突 --- p.59 / Chapter 4.2.1.4 --- 小結 --- p.62 / Chapter 4. 2. 2 --- 界定本源文化概念 --- p.63 / Chapter 4.3 --- 譯文的描寫規範 --- p.67 / Chapter 4.3.1 --- 翻譯策略的兩種含義 --- p.69 / Chapter 4.3.2 --- “本土化´ح或“外族化´ح的翻譯策略 --- p.76 / Chapter 4.3.2.1 --- 現有的研究 --- p.77 / Chapter 4.3.2.2 --- 本研究的描寫規範 --- p.85 / Chapter 4.4 --- 結語 --- p.95 / Chapter 第五章 --- 對應文本的例子分析 --- p.97 / Chapter 5.1 --- 文學主旨的例子 --- p.97 / Chapter 5.1.1 --- 母女關係 --- p.98 / Chapter 5.1.2 --- 移民種族身份 --- p.108 / Chapter 5.1.3 --- 文化衝突 --- p.115 / Chapter 5.2 --- 本源文化概念的例子 --- p.121 / Chapter 5.2.1 --- 源語文化概念 --- p.121 / Chapter 5.2.2 --- 譯語文化概念 --- p.125 / Chapter 5.3 --- 結語 --- p.129 / Chapter 第六章 --- 語料庫及描寫數據 --- p.130 / Chapter 6.1 --- 雙語平行文本語料庫 --- p.130 / Chapter 6.2 --- 有關翻譯策略分佈比率的說明 --- p.138 / Chapter 6.3 --- 翻譯策略在個別譯本中分佈 --- p.141 / Chapter 6.3.1 --- 于譯本 --- p.141 / Chapter 6.3.2 --- 田譯本 --- p.144 / Chapter 6.3.3 --- 吳譯本 --- p.147 / Chapter 6.3.4 --- 程譯本…… --- p.150 / Chapter 6.3.5 --- 多重譯本的比較 --- p.153 / Chapter 6.4 --- 翻譯策略在四個譯本中的整體分佈 --- p.158 / Chapter 6.5 --- 誤差測定 --- p.161 / Chapter 6.6 --- 結語 --- p.164 / Chapter 第七章 --- 從翻譯的認知過程看翻譯策略的分佈 --- p.166 / Chapter 7.1 --- 翻譯認知過程的有關研究 --- p.167 / Chapter 7.2 --- 雙語處理過程的經濟原則 --- p.173 / Chapter 7.3 --- 理論框架的延伸 --- p.181 / Chapter 7.4 --- 對《喜福會》中譯本中翻譯策略分佈的解讀 --- p.184 / Chapter 7.5 --- 結語 --- p.187 / Chapter 第八章 --- 結論 --- p.189 / 參考文獻 --- p.197 / 英文目錄 --- p.215

Thesis (M.A.)--Georgia State University, 2006. / Title from title screen. Layli Phillips, committee chair; Margaret Mills Harper, Carol Marsh-Lockett, committee members. Electronic text (64 p.) : digital, PDF file. Description based on contents viewed Apr. 20, 2007. Includes bibliographical references (p. 57-64).

Despite incredible sales success, popularity, and a fifty year history, easy readers are one of the most neglected forms of children’s literature. Called everything from “the poor stepchild of the more glamorous picture book or children’s novel” to “literary flotsam,” easy readers are too-often regarded as insubstantial, superficial, sub-par literature. This thesis provides the first comprehensive, theoretically grounded examination of easy readers and endeavors to prove that a surprising complexity lurks beneath the easy reader’s decodable surface. In order to illuminate both extra-textual and textual complexity, easy readers are treated generically and examined using the contemporary genre theories of Amy Devitt and Adena Rosmarin. This thesis ultimately unearths a heretofore unexplored complexity in the easy reader’s publication history and generic emergence, and finds that the easy reader genre has literary potential and can accommodate works of artistic merit.