This study examines the similarities and differences between the historical background and the current performance of Hindu and Zulu funerals and associated ceremonies. After presenting an account of the historical development of the Hindu and Zulu communities in South Africa, a chronological account of the performance of each of these funeral ceremonies are presented. This account includes a detailed description of the rituals performed when a person is on his/her death bed, the actual funeral ceremonies and the post death rituals and ceremonies associated with ancestor veneration. The incidence and significance of The Anthropology of Geste and Rhythm in each of these ceremonies are demonstrated according to the theory of Marcel Jousse. The Hindu and Zulu ceremonies are then analysed and interpreted to demonstrate an individuals life crises which Van Gennep called the "Rites of Passage" and distinguishes three phases: separation, transition, and incorporation. The discussion accounts for the transmission of traditions over generations, and which demonstrate the anthropological and psychobiological nature of memory, understanding and expression as evident in the performance of Hindu and Zulu funerals and ceremonies and the manner in which the ancestors are venerated in South Africa. The research was undertaken mainly in Kwa-Zulu Natal. However to fill research gaps in the Hindu investigation a study was undertaken in some parts ofIndia as part of the Ford Foundation International Fellowship Programme. / Thesis (Ph.D.) - University of KwaZulu-Natal, Durban, 2007.

This research work is about rituals practice, with specific reference to burning of impepho (an indigenous African Plant) and how this practice excludes women in general. Impepho is an indigenous African plant that, once dried, is burnt in order to communicate with one’s ancestors. Impepho is well-known to the majority of Sub Saharan Africans as it is used to communicate with their ancestors and it is also used by traditional healers to communicate with the deceased. It is used in various ceremonies, as well as in traditional feasts, when chickens, goats or cows are offered to the ancestors. The aim of this study was to find out why women are not allowed to burn impepho. Times have changed to the point that there are now many Zulu households that are headed by women, and these women do in fact burn impepho in order to communicate with their ancestors. This then is the pertinent question: do these women’s requests or prayers go unheard by the ancestors? The study aims to find out from the female participants if they burn impepho in their home or if they still adhere to this male constructed mentality that women should not burn impepho. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2012.