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D.E. Stevenson was a 20th century Scottish novelist writing romance fiction before, during, and after World War II. By analyzing her life and dissecting the genre's formulaic properties, I will show how The English Air is representative of the ways some women coped with the eras of conflict of the two World Wars. In a critical analysis of the novel itself, I will show how Stevenson's attention to Anglo-German relations propels it beyond a light-hearted example of the genre as a whole, pushing against the prescribed requirements of what romance fiction must be. Though Stevenson has never before been studied through an academic lens, her novels were popular and successful, which suggests that this kind of fiction met the needs of readers during the early to mid-20th century, while coping with the devastation and uncertainty of war. / Master of Arts

The Allied Occupation of Germany, 1945-49, was intended to transform the war-torn Third Reich into a peaceable nation through a series of far-reaching political, economic, and social reforms. But amid the growing tensions between East and West these radical plans would be significantly altered, culminating in the formation of two German states in 1949. Historians have tended to view the occupation as a backdrop to the nascent Cold War or a transitional period in the history of modern Germany. Yet this thesis suggests that British participation in the Allied occupation was, in fact, much more than simply an exercise in political pragmatism or a contribution to the rebuilding of war-torn Europe. Rather, this undertaking catalysed Britain's political and public confrontation with Nazism, laying some of the most significant and durable foundations of the postwar Anglo-German relationship. This research utilises contemporary mass media sources and official records to explore British images and perceptions of Germany under occupation, scrutinising the interactions of decision-makers, the media, and the public. It begins with an examination of the pervasive culture war that emerged in wartime Britain over the precise interpretation and resolution of the so-called 'German problem'. The thesis then goes on to consider public portrayals of the occupation vis-à-vis the evolution of official policy, beginning in the summer of 1945 when British policymakers responded to popular demands for a 'hard peace' and approved a rigorous programme of denazification, re-education, and demilitarisation. In the coming years, scandals engulfed the public image of the British occupiers, threatening to undermine Britain's claims on 'winning the peace' and even prompting an official public relations campaign. The mass market press led calls for an abrupt end to the occupation, fearing it was undermining the nation's prestige while failing to adequately address the threat still posed by Germany. At around the same time, Britain's political and military leaders reassessed their position in the face of the Cold War, turning towards the reconstruction and rehabilitation of western Germany. By 1949, a clear dichotomy had emerged, with implications reaching far beyond the immediate postwar period: while anxieties over the 'German problem' remained largely intact amongst substantial sections of the British press and public, with many regarding the occupation as an abject failure, policymakers were firmly set on the path towards Anglo-German reconciliation and alliance.