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1	A Miraculous Deliverance: An Adaptation Through Historical Criticism and Feminist Theory Taghavie-Moghadam, Mariah 01 January 2019 (has links) This thesis attempts to reconstruct the narrative of Anne Greene, a young female servant in 1650 England that was wrongfully found guilty of infanticide and made into a spectacle by her peers as an example of what happens when one breaks societies gender norms and is met by the influence of the gender politics of the period. Her female body was objectified and placed on display by a ritual performance of the hangman’s noose and the criminal corpse to further the process of by maintaining fear among members of the population, especially rebellious women. Thus, making Anne Greene a subversive figure, victimized by a patriarchal society, a trope that remains relevant today. By way of literary adaptation, explorations of bodily practice, and engagements with the historical archive this thesis allows Anne Greene’s disembodied figure to unfold as a narrative and visual tool in history. This study and the accompanying original play text allow Anne Greene to become an essential figure to feminist studies and continuing struggles for equality in the era of the “Me too” social narrative. Theatre Dramaturgy Playwriting Anne Greene Feminist Theory Ritual Performance Biblical Studies European History Fine Arts History of Gender Other Theatre and Performance Studies Playwriting Theory and Criticism Women's History Women's Studies

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A Miraculous Deliverance: An Adaptation Through Historical Criticism and Feminist Theory