Diss. Uppsala : Uppsala universitet., 2005.

Inaug.-Diss. Munich. / Vita. Bibliography: p. [200]-213.

Inaug.-diss.--Erlangen. / Lebenslauf.

Inaug.-Diss. Munich. / Vita. Bibliography: p. [200]-213.

Diss.--Hanovre--Hochschule für Musik und Theater, 1996. / Bibliogr. p. 425-443. Index.

In this research dissertation I argue that selected works of artists Anselm Kiefer (b.1945) and Anish Kapoor (b.1954) can best be understood as representations of transcendence. I begin by locating works selected for this research within the body of work each artist has produced. This is followed by the definition of my key terms: representation, transcendence and emptiness. An analysis of the relation between these terms forms the basis for my theoretical framework. I will then investigate the specific material and aesthetic qualities of the selected works, and work towards a metaphorical and conceptual understanding of the artworks with the aid of my theoretical framework. This is followed by an investigation of my own creative work. In the conclusion I consolidate my analysis of representations of transcendence and emptiness in the previous three chapters, which is followed by a recapitulation and consideration of my findings.

Thesis advisor: Stephen Brown / The <italic>Cur Deus Homo</italic> (CDH) of Anselm of Canterbury is one of the most well-known and yet controversial works in the Anselmian corpus. Anselm's audacious effort to prove the necessity of the Incarnation has been met with varying levels of skepticism and critique in the intervening centuries. Critics of Anselm have taken aim particularly at the language that Anselm used in the CDH, commonly asserting that the key terms of the argument were derived primarily from the feudal society that surrounded Anselm as he wrote. The contention is then usually made that Anselm's usage of such terminology betrays a mindset so entangled in feudalism as to render the whole work ineffective as a work of Christian theology. Only in recent years have serious efforts been made to examine the theological roots of Anselm's thought process in the CDH. In this work, I examine the language that has been so maligned in recent years and I build on recent trends in Anselm scholarship to argue that his language is not so much feudal as it is scriptural and patristic. By analyzing Anselm's use of &ldquo;honor,&rdquo; &ldquo;justice,&rdquo; &ldquo;debt&rdquo; and &ldquo;satisfaction,&rdquo; I argue that Anselm was more concerned with maintaining consistency with his own work and with scriptural and patristic sources than with the feudal or juridical nature of his social context. I conclude by highlighting the ways in which Anselm accomplished his stated purpose in the CDH and provided a unique perspective on the Incarnation and Atonement that stands on its own as a turning point in the history of Christian theology. / Thesis (PhD) — Boston College, 2011. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Theology.

Zugl.: München, Univ., Diss., 2008

Thesis (Ph. D.)--University of Notre Dame, 2004. / Thesis directed by David K. O'Connor for the Department of Philosophy. "April 2004." Includes bibliographical references (leaves 333-342).

Zugl.: Wuppertal, Univ., Diss.