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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
81

Behind the Scenes with Appalachian Writer James Still

Olson, Ted 01 April 2013 (has links)
Excerpt: In the final few years of his life—he died at 94 on April 28, 2001—James Still had many friends, most of them much younger than he was since he had outlived most of his contemporaries. I was one of Mr. Still’s younger, and certainly one of his newest, friends.
82

Remembering Jean Ritchie

Olson, Ted 01 August 2015 (has links)
No description available.
83

Joe Wilson: Pioneering Music Promoter

Olson, Ted 01 July 2015 (has links)
No description available.
84

Perspectives on the Location Concept of Country Roots Recording Sessions in the 1920s and 1930s

Olson, Ted 01 May 2015 (has links)
No description available.
85

Going With the Grain, Going Against the Grain: Byron Herbert Reece and His Sense of Craft

Olson, Ted 30 May 2015 (has links)
No description available.
86

Bluegrass Music in History

Bidgood, Lee 21 March 2012 (has links)
No description available.
87

Blind Alfred Reed: Appalachian Visionary

Olson, Ted 28 March 2015 (has links)
No description available.
88

When Viewed from the Other Side of the Mountain: The 'Hillbilly' Stereotype in Twenty-First Century Films

Olson, Ted 22 November 2013 (has links)
I propose to analyze and categorize the interpretations of the "hillbilly" stereotype in twenty-first century films (in both "art" films and in mainstream studio productions). In his seminal 1995 study of the portrayal of the "hillbilly" stereotype in twentieth century films (_Hillbillyland_), J. W. Williamson viewed that particular stereotype as being a rural American rather than specifically an Ozark and/or Appalachian phenomenon, and thus he identified films set in rural sections of various rural regions of the U.S. as having been equally involved in the proliferation of manifestations of the "hillbilly" stereotype. By incorporating my own research into the history of the "hillbilly" stereotype, I plan to challenge Williamson's argument by suggesting that in his effort to defend Appalachian culture from negative stereotyping (he was an Appalachian studies scholar at Appalachian State University) Williamson misinterpreted the true nature of that stereotype, which was indeed an effort by mainstream American culture, from before the American Revolution through the late twentieth century and arguably into the new millennium, to identify a distinctively "other" sectional culture within the United States--one that in its very "otherness" rendered mainstream American culture (which historically suffered from a kind of inferiority complex when it compared itself to European cultures) as inherently more "cultured" by comparison. After I critique Williamson's study, I plan to suggest the emergence of a new strain of postmodern, indeed post-"hillbilly," stereotyping practiced in certain newer, late twentieth century and early twenty-first century films, even as other twenty-first century films have rehashed old "hillbilly" stereotyping tropes borrowed from an earlier era.
89

Appalachia and the World: Comparative Cultural Studies and the Fulbright Experience

Olson, Ted 23 March 2012 (has links)
No description available.
90

The Life and Career of Charles K. Wolfe

Olson, Ted 01 May 2015 (has links)
No description available.

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