This Thesis Project began as an exploration of the architectural, philosophical and psychological nature of dwelling. From this exploration I have made an argument about the nature of dwelling based on several premises. First, that dwelling is determined by the boundaries between public and private space. Second, these boundaries of dwelling may only be adjusted or determined by a political operation- the mediation between private desire and public consensus. Third, the successful mediation of these boundaries depends on two basic conditions: equality and communication, principally speech. To test this thesis I looked for a dwelling typology where everyone was equal and where there was a minimum condition of private space. These conditions create the largest potential for dwelling in the terms of my argument. I chose the Travellers' Hotel, a changing typology that brings together people from around the world who share all the space of the building including the kitchen, and the two most private spaces of a dwelling; the bedroom and the bathroom. I chose a site in downtown Vancouver, the corner of Davie and Granville Streets, that is the intersection of major transportation and pedestrian axes of the city and major demographic, economic, and physical changes in the fabric of the city. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

This thesis addresses the question of how a dialogue may be developed between the socio-political notion of pluralism and a pluralistic public sphere, and the design of public space and public architecture. More particularly, it considers how architecture may both accommodate multiple publics while simultaneously framing connection or association between them. Following an exploration of this question at an abstract, theoretical level, the thesis moves to a more specific architectural investigation. This investigation takes the form of a design project situated within the Robson Square complex in downtown Vancouver. The complex, constructed in the mid-1970's, was designed by Canada's pre-eminent architect Arthur Erickson and is the major civic space in the city. The thesis design project undertakes a theoretical re-evaluation and physical renovation of this Utopian mega-structure, with the intention of shifting the existing homogeneity and institutionality of the complex to align it with the thesis argument. Through the vehicle of a design project,, the abstract theoretical argument is translated and focused through the particularities of an architecture embedded in its site. This methodology requires the project to address issues connected to the existing masterwork, including: the question of how to conceptualize monumentally in a grid city; the relationship between the 'sacred' space of the civic circumstance and the 'profane' space of the street and commercial program; the form of the institution within the city; and the issue of working within, and manipulating, a pre-existing architectural language. Further, the scale of the site is reflected in the scope of the design project. The project moves from the development of urban design strategies to the detailed consideration of the material and construction of the different interventions. The architecture remains, however, conceptual and is a demonstration of how the developed strategies may generate form and guide program. The project does not attempt to fully develop a building in detail. The thesis concludes with an afterword on the success of the project as a demonstration of the thesis argument. At the same time, the limits of architecture to act as a socio-political device are acknowledged. Further, speculations are made as to the way in which the position and the strategies developed within the thesis might inform wider discussions on architecture and the urbanism of grid cities such as Vancouver. The key concept forming the basis of these speculations is the idea of a 'difficult' co-existence of parts and a whole, reflecting the pluralistic ideal of association within fragmentation. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

A modern large recreational hall may hardly recognize a sense of human scale nor provide users the architectural meaning corresponding to the activities it accommodates. The experimental project of renovating the Vancouver Aquatic Center attempts to reinstate the relationship between the body, water and architecture. There exist certain sequence and pattern in participating various leisure/fitness activities which require mental and physical preparation. I focus on accentuating the transitional experiences at different stages of taking part swimming, diving, and hot baths by creating spaces to allow mental readiness for activities and contemplation of experience. Thus, I explore the perception of edges by marking of different threshold, making it subtle or bringing it out into presence. This practice requires much envision of walking through the building and anticipation of how space to be used which corresponds to my study of history of bathing and questions of perception. In order to reintroduce the social value of bathing which exists in Japanese bath and the like, I expand the facilities program parallel to the concept of Roman Thermae where people can meet and interact. Therefore, the proposed new aquatic centre seeks to enhance social and visual communication between the surrounding environment and the building, between users outside and inside, between different activities within the building. Moreover, initiated by the study of phenomenological architecture, this project revolves around the idea of intriguing memories and emotions through associative and tactile experience by the use of materials, spatial configuration, lighting, transparency and the placement of apertures to capture views. I try to provide diversified experience with different forms of water, steam, hot/cold temperatures, brightness/darkness, hard/soft land, submerge/emerge, clear/opaque and other perception of space. The ultimate goal of this experiment is to provide users the meanings of the architectural form, space, material and order, yet as well give potential to allow the users' own interpretations. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

The thesis project reconstructs the relations between conflicting social groups through the exchange of goods and ideas in Portside Park. The project also explores how the evolution of an infrastructure is capable of criticizing the original conditions of its construction. This is completed through the design of a series of possible future events such as a pedestrian overpass, and public market in Portside Park on Vancouver's central waterfront. Robert Thayer Jr. and Bill Morrish were influential in exploring how we understand the landscape and the importance of visual ecology which expresses an ecology behind a site. A collective identity can be influenced by such ideas, and if given a place of importance, can also act as forums, adding more than just physical boundaries to the city. The project is sighted on the waterfront, a landscape that currently lies dormant and in a state of transition. The requirements for site selection were that the site must have the potential for an evolution of its own with hidden or unused elements that may be renewed and adapted to enrich the expression of the site. The starting point for the project was to speculate on a series of future events that respond to possible social and political forces affecting the site. The matrix was a method of determining the potential of the site. The moment that is detailed, for the purposes of this project, is the year 2020. At this time, the coil, a pedestrian overpass, responds to the permanence of the city through its 'building as wall' vocabulary. The wall is then transformed into a connection from the city to the park. The market shields the rail and opens up to the park. Here the boundary between the connector and enclosure has been inverted and the visitor is inserted into the market building. The visitor is released into the park in the company of others within a defined realm, shielded by a canopy of trees. The final place for quiet contemplation is the beach which remains open and exposed - the most valued and protected part of the park. Valued not for is aesthetic achievements but for its political and social meaning. The pedestrian embarks on a journey. Leaving the dense built environment of the city, the pedestrian ascends the public walkway over the tracks and gradually enters the transition of the bosk, where the mounds and trees enclose the body yet prepare him for the open water. In conclusion the project attempts to accommodate a place for the individual and the collective, it defines a place for establishing a coexistence. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

In Canada, West Coast Style has come to be associated with domestic architecture and a relaxed, modern lifestyle characteristic of the region's exceptional geography and climate. My thesis is a study of how this cultural formation has been figured and refigured since the Second World War through a historical and discursive analysis of West Coast Style. This cultural study focuses on how the term West Coast Style circulates and shifts meaning in relationship to a variety of domestic architectures such as the suburban single-family dwelling and more urban types like the coop, condominium and high rise. In addition, I consider how West Coast Style has been configured in debates about architectural modernism and postmodernism, Canadian cultural nationalism, and in newly emerging civic, global, and transnational geo-political, economic and cultural networks.

This study delineates the domestic architecture of the early colonial period in the American tropics in the first group of British colonies that survived. In 1624, the English made their first permanent settlement on St. Christopher in the Caribbean, then expanded to the neighboring islands of Nevis, Antigua and Montserrat. Of particular interest to this research was what the architecture would reveal regarding how the first settlers adapted to the new island environment, its geography, resources, climate, and people, in the first 100 years. The research involved the examination of manuscripts of the period in archives and collections in the UK, USA and Caribbean. The historical data accumulated was primarily inventories and brief descriptions of houses, business correspondence and a small number of official maps. A key resource was a document listing the losses of buildings and possessions suffered as a result of French raids in 1705-1706. The study views the recorded items not as losses, but instead as proof of what once existed, almost as newly found "treasure", and analyzes the items both qualitatively and quantitatively in order to reveal a clearer picture of daily life for the settlers, from modest farmers to wealthier land owners. The study identified house types, stylistic trends in the houses and their furnishing, patterns of use, and construction methods. The architecture recorded the British colonists' process of adaptation to the unfamiliar environment. The study found that Leeward Islands, in the settler period of English colonization (1624-1726) there was a significant degree of interaction and exchange between the Amerindian and British peoples. In addition, it found correlations with rural houses in the wider American tropical region.

No description available.