The vast majority of housing in the United States today has been created to conform to a family definition that does not match current demographic realities. The "traditional family" - a married couple with an employed husband, a homemaker wife, and several children has been the model family that housing designers have strived to accommodate on a grand scale since at least the mid-1940's. This type of family, however, comprises only 10% of all American families; the remaining 90%, despite being a majority, have had their housing needs ignored. One family group often considered to be non-traditional and often left out of housing considerations is the single parent family. This family type is an established household form in the United States; currently nearly one third of all American families are single parent families, most of which are headed by women. During the past few years housing projects have begun to appear that are designed to house "non-traditional families" such as single parent families. It has been generally assumed that the spatial needs of single parent families are different from those of nuclear families or the "traditional family". This research will focus on the analysis of housing as designed for single parent families in comparison to housing as designed for the American nuclear family. Floor plans of the two housing types were obtained from the following cities: Denver, CO, Hayward, CA, Providence, RI, and Minneapolis, MN. The intent of this study is to examine what, if any, differences occur in the spatial orientation of housing designed for single parent families and housing designed for the nuclear family: the single family detached home. The study examined room layout in relation to use and commonly accepted social function. Two methods of analysis were employed: gamma analysis as developed by Hillier and Hanson and annotated analysis developed specifically for this research. The method of gamma analysis was used to determine if the housing as designed for the two family types is different in form and social function, while the annotated analysis was used to measure the "fit" of the housing for each of the family types. It was originally expected that the single parent family dwellings would exhibit a higher degree of integration than the single family detached homes based on predictions gleaned form the literature. However, the gamma analysis revealed a lower mean relative asymmetry value for the single family detached houses (0.308), indicating a higher degree of integration, than the mean relative asymmetry value for the single parent family dwellings (0.368). This difference was not found to be significant (p = 0.276). The annotated analysis results indicated single family detached houses scored a better fit to their intended family type (mean annotated analysis score = 0.638) than did the single parent family dwellings to their intended family type (mean annotated analysis score = 0.533). Again, this difference was not found to be significant (p = 0.385). The findings of this study provide a glimpse at the interior spatial arrangements of housing as designed for the two family types in question. While the results of the two analysis methods seems to indicate that the interior spatial arrangement of housing is not meeting the needs of either family type, more research should be conducted to further substantiate the findings. These findings will be of interest to designers of homes, housing developers, planners and policy makers, and researchers in the field of housing, all of whom can have an effect on the shape of the housing environment and can help make it more suitable for all family types. / Graduation date: 1991

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This research study investigates the design features that both Iranians and Americans care about and notice, the housing characteristics they prefer, and the extent by which evaluation of housing forms may be affected by familiarity. The study also investigates the influence of the Western civilization on the Iranian culture through perceived imagery associated with architectural form.A set of twenty photographs representative of architectural styles commonly found in the city of Tehran, Iran as well as a questionnaire survey were the tools used in this cross-cultural perception study.After analyzing the responses given by the two sample groups, it was concluded that each group was in agreement in their perception of architectural styles and preferred the unfamiliar styles. However both groups did not agree in their association of familiarity and newness. Throughout the study it was evident that the Western civilization had a strong influence on the Iranian culture in their perception and preference of architectural forms. / Department of Landscape Architecture

The housing shortage in the United States at the close of World War II led President Truman and his National Housing Expediter, Wilson W. Wyatt, Sr., to enact the Veteran's Emergency Housing Act. Enacted in the spring of 1946, one goal of the V.E.H.A. was to encourage the production of prefabricated and factory-built housing units.The Lustron Homes Corporation, founded by Carl Strandlund, was a subsidiary of Chicago Vitreous Enamel Products Company which received over $37 million from the Federal Government between 19461950, in order to manufacture standardized all-steel houses.This creative project explores the wartime and postwar housing situation across the country, and specifically, in Louisville, Kentucky. An interview with Wilson W. Wyatt, Sr. is included.The production, assembly, and sales practices of the Lustron Homes Corporation are explored through research, and through an interview with the regional salesman who represented Kentucky. Documentation and photographs of Louisville's Lustrons are included. / Department of Architecture

The impact of the Cold War on architecture in the United States is exemplified in the promotion and construction of fallout shelters. The development of the hydrogen bomb by the United States and Soviet Union in the first half of the 1950s increased fears of the far-reaching effect nuclear war could have on public health and safety. Government agencies, such as the Office of Civil Defense, promoted the widespread construction and use of the fallout shelter as a safeguard against human annihilation in the event of nuclear war. This thesis examines the various types of residential fallout shelters designed by public and private entities. The location of the fallout shelter within the family residence had the largest impact on the style and construction method adopted. This thesis investigates a wide variety of examples and techniques used to encourage fallout shelter construction. An in-depth discussion of the preservation of the residential shelter completes the text, including two examples of current preservation practices. / Nuclear weapons, the Cold War and a need for shelters -- Evolution, promotion and requiremens for residential fallout shelters -- Interior residential shelters -- Exterior residential shelters -- Preservation issues of the residential fallout shelter. / Access to thesis permanently restricted to Ball State community only / Department of Architecture

This thesis argues that early nineteenth-century domestic architecture along Indiana's eastern National Road (Wayne, Henry and Hancock Counties) was a product of the available local materials, not a product of cultural influences traveling along the Road. While the first chapter drives in this point, the second and third chapters describe the local materials (builders and carpenters, wood, saw-mills, clay, brickmaking and limestone), and explain construction techniques in a series of case study buildings. The thesis concludes by not only confirming the proposition, but also by making a few conclusions regarding early nineteenth-century construction methods. / Department of Architecture

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In 1946, House Beautiful's editor-in-chief Elizabeth Gordon launched the Pace Setter House Program, an annual series of exhibition houses that proposed a new modern architecture for postwar America. Set in direct opposition to Arts & Architecture's Case Study Houses, the Pace Setter houses criticized orthodox modernism, and offered a "livable" and distinctly American alternative. Organic design, particularly the work of Frank Lloyd Wright, further informed this new concept of American modernism, adding a rich layer of humanism, naturalism, and democratic idealism. Rejecting the Case Study prototype of universal solutions and prefabrication, the Pace Setter houses advocated a solution in which the craft of building guaranteed regional variation, artistic quality and individual expression. House Beautiful's Pace Setter Program, with its implicit organic roots, underscored one of the most charged architectural debates of the postwar period: the renewed tension between the specific and the general, the regional and the international, the individual and the collective. With the establishment of the Pace Setter House Program, Gordon developed a mature paradigm for the postwar house -- and simultaneously created a dynamic public forum for architectural debate. With the Pace Setters as counterpoint, she lashed out against the architectural current to attack what she viewed as the greatest threat to American design: the unlivable, autocratic, and foreign modernism of the International Style. Gordon's role in the larger architectural debate was critical, not only in her vociferous opposition to what she viewed as a blind continuation of an oppressive modernist lineage, but in her stalwart support of alternative design tropes. The Pace Setter Houses and their architects -- ranging from Cliff May to Alfred Browning Parker to Harwell Harris -- represented one battlefield in the aesthetic and philosophical struggle between the emerging modernisms of the postwar period. Accompanied by Gordon's insistent voice and publications, the Pace Setters became ammunition in an architectural revolution that, for House Beautiful, lasted nearly twenty years. The Pace Setters chronicled the emergence of a vital strand of American modernism, and provided a lens through which to view the ultimate integration and acceptance of modernism within the mainstream of middle-class America.

This document is an examination of the millwork industry in the nineteenth century and its influence upon the residential built environment. This study explores influences and results in relation to the development of millwork in the United States. The first is the technological divergence that developed between the United States and Europe, as America introduced different technologies to exploit the vast amounts of timber accessible to the New World. The second development occurred as the New World slowly developed a taste for the type of elaborate millwork previously associated with wealthy patrons. Low cost of materials and new technologies made more complicated wood finishes available to those of modest means. The third situation reflects the struggle between an elite class of architects and pattern book designers, who advocated restraint in design, and carpenter-builders and their clients, who wanted to display their talent or status through the use of a high level of ornamental millwork. / Department of Architecture