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Spätgotik und RenaissanceHaenel, Erich, January 1899 (has links)
Inaug.--diss. - Leipzig. / Lebenslauf. "Litteratur": p.[74]-75.
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A comparative analysis of developments in architecture and landscape architecture during the Renaissance period in ItalyJohnson, Leroy Charles. January 1964 (has links)
Call number: LD2668 .T4 1964 J67
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The ritual use of public space in renaissance RomeIngersoll, Richard Joseph. January 1900 (has links)
Thesis (Ph. D.)--University of California, Berkeley, 1985. / Typescript. Includes bibliographical references (leaves 467-482).
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"...Templum nova forma constructum..." : early 17th-century late Gothic churches in Wolfenbüttel and BückeburgRoy, Francine, 1948- January 2000 (has links)
In the years around 1600, a change was noted in architecture towards a return to Gothic elements in Europe. The Gothic, in contrast to the Classical or Ancient, became a "new manner", a modern style. The residence churches at Wolfenbuttel and Buckeburg, which were erected around 1600 by Lower Saxon territorial princes, are Late Renaissance constructions that were made to look partly Gothic. This was neither a lingering on of Late Gothic design nor a misunderstanding of Renaissance architecture: it was rather a conscious evocation of the past and its merger with contemporary architecture. The forms of the churches recreated thus the sociopolitical reality of both Roman antiquity and the Middle Ages. This architecture was also emblematic in that it used the concrete objects of the churches as a means to convey an abstract content. Indeed, the aim was to provide a powerful political message, the confirmation of princely rule. In the rising absolutism of the beginnings of the 17th century, the builders of the Wolfenbuttel Marienkirche and the Buckeburg Stadtkirche used court architecture to construct their princely image and house mythology.
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"...Templum nova forma constructum..." : early 17th-century late Gothic churches in Wolfenbüttel and BückeburgRoy, Francine, 1948- January 2000 (has links)
No description available.
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The villas of Palladio and the transformation of the site /Sobrino, Guillermo Manuel January 1993 (has links)
The complex panorama of the Mediterranean area in the fourteenth century compelled Venice to modify its economic patterns. The city started to pay attention to the Italian mainland, developing its agriculture and other industries. But the Veneto was marshy and needed to be drained and improved. The Venetian and mainland aristocracy gradually abandoned commerce for agriculture and land reclamation. Andrea Palladio built many villas for them from which they could administer their estates, transforming the marshes of the Veneto into sites for the villas. Those villas became the perfect place for retirement and contemplation.
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De Philibert De l'Orme et De Rabelais : analogous treatises: a companionChupin, Jean-Pierre January 1990 (has links)
This thesis analyzes the corporeal origin of theoretical works in XVI$ sp{ rm th}$ century French architecture. A comparison of Philibert de l'Orme's treatises and Francois Rabelais' work allows for a dynamic awareness of materiality to emerge. During the Renaissance, this awareness was based on analogical relationships and Hermetic texts. However, whether one looks at the theory of the Elements, the concept of Proportion, the microcosm-macrocosm interplay, or even the Cardinal Virtues, it appears that the references were always traced back to the everyday experience of the body. Confronted with the mechanistic and objectifying conceptualizations that dominate today, this thesis supports the crucial role the architect must play in the bringing forth of places that allow for a perception of the body closer to apprenticeship than to domination.
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Allegory and the architecture of Francesco BorrominiMacElwee, Andrea L. (Andrea Laurel) January 1994 (has links)
This thesis relates the aspirations (examined in political treatises, literary programs and scientific treaties) of Pope Urban VIIIth with the allegorical spaciality of the architecture of Francesco Borromini. The projects initiated under the patronage of the Pope are particularly related to the Pope's election. Urban's personal impressa, the Angelic Sun is an emblem of this election, a reborn sun, a second personal birth and the elevation of the Angelic Pope (the leader of the age of the Holy Spirit). This is allegorically a metamorphosis like the re-birth of Daphne into Laurel; the Tree of Aeneas and Rome and the principal Barberini impressa. As a dynastic emblem the Laurel unites the cosmic territories of the sun and the moon, the traditional emblems of cosmic kingship and world domination. The metaphysical marriage to Rome (coronation and marriage are ritually linked, like the union of the sun and the moon) metaphorically appropriates the capacity of giving birth through construction, to a new city, an intellectual city in the image of Urban, the threshold for spirit. The architecture 'contains' this intellectual body (city), a dynastic emblem of the Angelic Pope.
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Untersuchungen zu den Architekturekphrasen in der Hypnerotomachia Poliphili : die Beschreibung des Venus-Tempels /Schmidt, Dorothea. January 1978 (has links)
Universiẗat, Diss., 1978--Göttingen.
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Renaissance et baroque à Aix-en-Provence recherches sur la culture architecturale dans le Midi de la France de la fin du XVe au début du XVIIIe siècle /Gloton, Jean-Jacques. January 1979 (has links)
Thesis (doctoral)--Université de Paris-Sorbonne, 1974. / Includes bibliographical references (p. [xvii]-xxix) and index.
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