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Thesis (M.A. in Theological Studies)--Associated Mennonite Biblical Seminary, 2002. / Abstract. Includes bibliographical references (leaves 99-105).

Thesis (M.A. in Theological Studies)--Associated Mennonite Biblical Seminary, 2002. / Abstract. Includes bibliographical references (leaves 99-105).

Thesis (M.A. in Theological Studies)--Associated Mennonite Biblical Seminary, 2002. / Abstract. Includes bibliographical references (leaves 99-105).

The thesis investigates the concept of hybrid architecture as a juxtaposition of multiple architectural factors, including environmental, cultural, structural, and functional ones. The work examines the Najd region of Saudi Arabia and its historical and contemporary contexts concerning functional utility, cultural frameworks, tectonic architectural elements, and site-based environmental forces. The thesis proposes that architectural hybridity can enhance the human experience. The design project, a building combining a water purification facility with a cafe, exhibition hall, and other community functions, integrates traditional and contemporary cultural aesthetics by purposefully juxtaposing and relating: unlikely functions, temporally varied cultural forms, structural and ornamental tectonic elements, and contrasting environmental qualities. / Master of Architecture / The thesis explores the idea of hybrid architecture, combining various factors such as environment, culture, structure, and function. Focused on the Najd region in Saudi Arabia, it analyzes historical and modern aspects related to functionality, cultural context, architectural elements, and environmental influences. The main argument suggests that blending different architectural elements can enrich the human experience. In the design project, a facility merging water purification with a cafe, exhibition hall, and community spaces, traditional and contemporary cultural aesthetics are harmonized by purposefully juxtaposing and connecting: unexpected functions, culturally diverse forms across time, structural and decorative elements, and diverse environmental characteristics.

Globalization and the advancement of technology have made the world smaller. Boundaries that define nations and nationalities have blurred and the resulting sense of displacement has undermined assumptions of identity and conversely made the search for identity more urgent. This thesis investigates the dialogue between the contemporary arts and architecture through the lens of the Filipino culture as a way to recapture and bring to the surface the contemporary identity of Filipinos and the Philippines. It proposes an understanding of history, geography and culture as a complex floating archipelago out of which our identity as individuals and nations emerge. It suggests that the events of history and the characteristics of geography are the grounds out of which art, myths and legends continue to be formed and sustain their relevance. Today, these compelling narratives emerge through the works of contemporary artists. They help us view and understand our flaws, struggles, triumphs, and future as a society in a way that speaks of our culture and time. Architecture, as a container and stage for culture must be sensitive to this artistic contemporaneity if it is to be indexical to our time. The Philippines, as a culture of hybrid and regional identities, has long struggled to make sense of the Contemporary in a largely Traditional society. The thesis proposes a new Centre for Contemporary Arts in Manila to bring the diverse artistic activities of the country into focus. It intervenes at interface between the Traditional and the Contemporary, which bridges the gap between the two, thus heralding a Cultural Renaissance and help generate a sense of contemporary nationalism.

Thesis (B.A.)--University of Wisconsin -- La Crosse, 2009. / Also available online. Includes bibliographical references (p. 37-38).

Globalization and the advancement of technology have made the world smaller. Boundaries that define nations and nationalities have blurred and the resulting sense of displacement has undermined assumptions of identity and conversely made the search for identity more urgent. This thesis investigates the dialogue between the contemporary arts and architecture through the lens of the Filipino culture as a way to recapture and bring to the surface the contemporary identity of Filipinos and the Philippines. It proposes an understanding of history, geography and culture as a complex floating archipelago out of which our identity as individuals and nations emerge. It suggests that the events of history and the characteristics of geography are the grounds out of which art, myths and legends continue to be formed and sustain their relevance. Today, these compelling narratives emerge through the works of contemporary artists. They help us view and understand our flaws, struggles, triumphs, and future as a society in a way that speaks of our culture and time. Architecture, as a container and stage for culture must be sensitive to this artistic contemporaneity if it is to be indexical to our time. The Philippines, as a culture of hybrid and regional identities, has long struggled to make sense of the Contemporary in a largely Traditional society. The thesis proposes a new Centre for Contemporary Arts in Manila to bring the diverse artistic activities of the country into focus. It intervenes at interface between the Traditional and the Contemporary, which bridges the gap between the two, thus heralding a Cultural Renaissance and help generate a sense of contemporary nationalism.

Thesis (M.Arch.) - Carleton University, 2007. / Includes bibliographical references. Also available in electronic format on the Internet.

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