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The interrelationship and inscription in the experience of place in Hong Kong: art, bodies and architecturesCooper, Craig 29 January 2020 (has links)
This thesis acknowledges the current situation of political unrest in Hong Kong and examines the volatile horizons that began to emerge from late 2014, while also understanding those that came before. The thesis unpacks the relationships between art, architecture and society and their significance in relation to Hong Kong. Through highlighting and identifying the potential restrictions and examining and responding to the legacy and logic of Occupy Central, this thesis proposes an expansion of the space of possibilities for art in Hong Kong.The interweaving of diverse subjects are part of an intersectional methodology. The frequent changing of artists, locations and subjects have evolved out of the geopolitical situation that this author was embedded within and the architectural conditions under consideration in the research. By using techniques of close analysis and interviews, unpacking existing relationships, creating new temporary relationships (intersectionality) through exhibitions, reports, site visits and experimental curatorial strategies within the city, this thesis articulates the positions and subjectivities that can form around an artwork and its communities of production. This thesis navigates the haunted spaces concealed by ideological barriers, exposing varying sites of production and tensions through time and place. Research examines and proposes new ideas and approaches to art and art-working in Hong Kong while considering the marginalised, alienated and the xeno. Through highlighting a hitherto absent sense of commonality between the government and its subjects and exploring all corners of the political spectrum, the research critically examines the roots of ideological logic as expressed in the city-form and sets out to expand the space of possibilities.
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Hear space, see music: experiencing collective culture by experiencing musicSikazwe, Nondo-Jacob January 2016 (has links)
A research report submitted to the Faculty of Engineering and the Built Environment, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Architecture (Prof), 2016 / ‘Africa United in Cultural Diversity’ is what is written in bold on a musical event poster outside Home Affairs, during the 2015 xenophobic
riots in Johannesburg. In smaller writing it says ‘Opening the doors of learning and culture from Cape to Cairo ’.This thesis is
an exploration of how music can act as a universal medium of engagement in an urban space, where interactions between an African
diasporic and the local communities can occur.
The thesis discusses the relationship between inclusiveness and civic life through Sociologist Ray Oldenburg’s hypothesis of The Third
Place (A place between home and work that is critical to the cohesion of diverse society). I also look at ethnomusicologist Ruth Stone`s
work on the development of cultural music traits in Central and Southern Africa. Additional I speak to famed composers and performer
of traditional Southern African music Dizu Plaatjies. What emerges from this research is a unifying musical pattern (Keita`s Asymmetric
Timeline) that mirrors the qualities of The Third Place in its engagement with the inhabitants of the city and sense of the familiar
amongst the general public.
My building design process then demonstrates that through the use of these two, a spatial and networked experience of African culture
can be created in the city. Informing a place where a dialogue of understanding between an African diasporic and the local communities
can begin to occur. This place provides an exciting opportunity for designing the way that production and engagement of vernacular
music is used as unifying source in shaping The Third Place as a musical performance venue. / MT2016
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Dwelling with Water: Tokyo Waterworks and the Remaking of the Urban Home, 1890–1990Hauk, Michelle L. January 2023 (has links)
This dissertation explores how water technology transformed cultural practices and attitudes towards water through the restructuring of architectural and social space over the course of the twentieth century. For social reformers and architects alike, water’s place in the Japanese dwelling reflected a desire to address broader societal concerns with public health, gender norms, and resource scarcity through the rationalization of domestic and public space. Tracing the flow of water from watershed to kitchen tap, this study considers how the renovation of Tokyo waterworks restructured communal practices surrounding water, how advancements in architectural design and technology influenced the ways families used water in the home, and how the state positioned the dwelling at the forefront of water-management campaigns.
Combining methodologies from architectural history with environmental, socioeconomic, and cultural history, the inquiry crosses multiple scales to show how design mediates the continuously changing relationship between human bodies and the natural resources they consume. It draws on technical materials such as house plans, equipment manuals, and professional publications, blending these with popular-culture sources such as newspaper advertisements, television commercials, and public-service announcements, as well as manga and anime. While advancements in the architectural and technological design of water in twentieth-century Japan made access to natural resources more efficient, convenient, and hygienic—an enormous benefit for the (mostly) women tasked with water’s management—the high-tech “Washlet” toilets and prefabricated “unit baths” ubiquitous in Japan today gradually obscured from view water’s origin and waste’s destination, significantly restructuring the relationship between human beings and the natural environment.
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Matriliny and domestic morphology : a study of the Nair tarawads of MalabarMenon P., Balakrishna. January 1998 (has links)
No description available.
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Culture embassy.January 1999 (has links)
Lam Tin Cho Eric. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report." / Includes bibliographical references. / Chapter 001 --- ACKNOWLEDGEMENTS / Chapter 002 --- INTRODUCTION / DESIGN OBJECTIVES / Chapter 003 --- PROJECT NATURE / SITE/CONTEXT / CLIENT & USER PROFILE / Chapter 004 --- DESIGN CONCEPTUALIZATION / Chapter I --- [ HYPOTHESIS & TESTING ] / Chapter STAGE 1: --- TRANSLATION [SPACE SEARCHING] / Chapter STAGE 2: --- TRANSFORMATION 1 [PLACE MAKING] / Chapter STAGE 3: --- TRANSFORMATION 2 [PROGRAMMING MAPPING] / Chapter II --- [BUILDING DESIGN] / Chapter STAGE 4: --- CULTURE EMBASSY / MISSION / PROGRAMMING / Chapter STAGE 5: --- A BOX OF RE-UNION / Chapter 005 --- APPENDICES / PRECEDENTS / BIBLIOGRAPHY
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Streetcorners, under the flyover: development of a civic promendade [i.e. promenade]. / Streetcorners, under the flyover: development of a civic promendadeJanuary 2001 (has links)
Choy Pui Cheung Edman. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2000-2001, design report." / Includes bibliographical references (leaf 95). / prologue --- p.p. 1 / initiation --- p.p. 2 / short study --- p.p. 3-15 / issue --- p.p. 16-17 / hypothesis --- p.p. 18 / project goal --- p.p. 19 / user profile --- p.p. 20 / justification of the site --- p.p. 21-22 / site history --- p.p. 23 / site analysis --- p.p. 24-30 / program --- p.p. 31-34 / design concepts --- p.p. 35-38 / design strategies for environmental improvement --- p.p. 39 / design record on conceptual design --- p.p. 40-41 / design record on design development --- p.p. 42-63 / design record on final design --- p.p. 64-84 / precedents --- p.p. 85-93 / epilogue --- p.p. 94 / bibliography --- p.p. 95
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Socio-political system and vernacular architectural forms: a study on tulou in China (1958--1983). / CUHK electronic theses & dissertations collectionJanuary 2012 (has links)
本研究以土樓為案例,引入了跨學科的方法考察社會政治機制對中國鄉土建築的變化產生的作用。針對目前認為土樓視為客家族群特有的家族性防禦建築的觀點,我指出了土樓建築形式具有異質性,而這一異質性必須從業主的產權結構出發去理解。通過結合分析社會結構和空間組成,我提出大部分的土樓形式是由相對貧困並且貧富分化不明顯的社區成員合資建造的一種低造價的合作社住宅。我進而以1958至1983年間的建造高峰為例,揭示了土樓地區的居民如何策略性地利用社會主義集體共有的農村產權關係大量建造合作社住宅。 / 論文從建築的空間結構與建造過程、業主的社會組織以及政治環境的歷史變化三個方面考察土樓。第一章回顧現有的土樓研究,提出從業主的角度研究鄉土建築的方法,並介紹了本研究的資料來源。第二章提出了一個從業主社會結構考察鄉土建築的分析架構。通過考察集合住宅中的兩個層次的社會團體,家庭與集體,我提出了一組將社會結構與空間構成相聯繫的表達式。第三至五章分別從建築學、社會學和歷史學的角度具體證明與業主有關的各種因素如何將土樓塑造成住宅合作社,並展示了政治制度的轉變如何影響到建築形式的變化。最後一章總結了本研究的貢獻。 / 本研究運用了多學科的研究方法,通過結合建築形式與建造過程的分析、人類學的調研方法、社會學的社區分析理論以及地方史的研究,探討鄉土建築的形成原因與演變邏輯。此外,本研究也試圖在研究土樓的基礎上探討多層面的問題,包括對地方建築形式的定義方法、鄉土建築的研究方法論以及如何從社區在住宅建造上的策略性選擇理解地方與國家的關係。 / This dissertation is an interdisciplinary research on the socio-political system to explain the transformation of Chinese vernacular architecture within the context of tulou, an architectural form in Fujian Province, Southeastern China. I challenge the myth that tulou are Hakka clan houses or fortresses and argue that most tulou are affordable cooperative houses. I further suggest that these cooperatives were adapted to the People’s Commune property system and hence, experienced construction peak from1958 to 1983. / This dissertation examines the architectural form of tulou, the social structure of its proprietors, and the socio-political changes that occurred during China’s socialist transformation. Chapter 1 opens with a review of the tulou literature, which also introduces a socio-political approach in studying Chinese vernacular architecture. In Chapter 2, I propose a set of symbolic expressions and models to analyze the property structure and spatial configuration of collective houses. The next three chapters engage in different perspectives of tulou built in the 1958-1983, including the architectural issues in Chapter 3, the social issues of the proprietors in Chapter 4, and the political issues in Chapter 5. Finally, the concluding chapter summarizes the contributions of the research. / This research combines architectural analysis, anthropological investigation, sociological analysis, and historical studies. Issues addressed include the definition of regional architectural styles, the methodology used for studying vernacular architecture, and conflicts between the state and the local communities. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Zheng, Jing. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 214-233). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract also in Chinese. / Chapter ABSTRACT --- p.i / Chapter 摘 要 --- p.ii / Chapter ACKNOWLEDGEMENTS --- p.iii / Chapter TABLE OF CONTENTS --- p.v / Chapter LIST OF FIGURES --- p.ix / Chapter CHAPTER 1 --- INTRODUCTION --- p.1 / Chapter 1.1 --- Research Problem --- p.2 / Chapter 1.2 --- Literature Review --- p.13 / Chapter 1.2.1 --- Studies on Tulou --- p.13 / Chapter 1.2.2 --- Debates on the Definition of “Tulou“ --- p.21 / Chapter 1.2.3 --- An Interrelated Region Divided by Administration --- p.25 / Chapter 1.2.4 --- Cultural Heritage: Homogeneity as a Political Comprise --- p.30 / Chapter 1.3 --- Methodology --- p.33 / Chapter 1.3.1 --- Toward a Socio-political Approach --- p.33 / Chapter 1.3.2 --- Analyzing Forms: Vernacular Architecture as a Process --- p.35 / Chapter 1.3.3 --- Understanding the Communities: Evidence in the Field --- p.38 / Chapter 1.4 --- Organization --- p.41 / Chapter CHAPTER 2 --- COOPERATIVE HOUSES --- p.44 / Chapter 2.1 --- Residential Communities and Collective Houses --- p.45 / Chapter 2.1.1 --- Bridging Communities and Houses: Ownership Structure --- p.45 / Chapter 2.1.2 --- The Variations of Collective Houses --- p.47 / Chapter 2.1.3 --- Communities in Southeastern China --- p.50 / Chapter 2.1.4 --- Collective Houses in Southeastern China --- p.53 / Chapter 2.2 --- The Symbolic Expressions of Collective Houses --- p.57 / Chapter 2.2.1 --- Spatial Configuration and Ownership Structure --- p.57 / Chapter 2.2.2 --- Variables and the Order of Operations --- p.58 / Chapter 2.2.3 --- The Expressions --- p.60 / Chapter 2.3 --- Structure Models of Collective Houses --- p.63 / Chapter 2.3.1 --- Clan Model and Cooperative Model --- p.63 / Chapter 2.3.2 --- The Hybridity of Models --- p.65 / Chapter 2.3.3 --- The Alternatives between Models --- p.68 / Chapter 2.3.4 --- The Diverse Forms of Tulou Cooperatives --- p.77 / Chapter 2.4 --- Unit-Proprietors of Cooperative Houses --- p.81 / Chapter 2.4.1 --- Unit Proprietors: Owner-builder-occupiers --- p.81 / Chapter 2.4.2 --- The Recruitment of Unit-proprietors --- p.82 / Chapter 2.4.3 --- The Allocation of Units --- p.84 / Chapter 2.5 --- Variations of Tulou Forms in History --- p.85 / Chapter 2.5.1 --- Historical Background --- p.85 / Chapter 2.5.2 --- Fortresses --- p.87 / Chapter 2.5.3 --- Merchants’ Mansions --- p.89 / Chapter 2.5.4 --- Houses Funded by Overseas Chinese --- p.90 / Chapter 2.5.5 --- Communal Houses --- p.91 / Summary --- p.92 / Chapter CHAPTER 3 --- SPACE, FORM, AND CONSTRUCTION --- p.93 / Chapter 3.1 --- Spatial Configuration --- p.94 / Chapter 3.1.1 --- A Collective House --- p.94 / Chapter 3.1.2 --- Public Domain: the Central Courtyard --- p.95 / Chapter 3.1.3 --- Family Spaces: Vertical Units --- p.96 / Chapter 3.2 --- Form and Structure --- p.99 / Chapter 3.2.1 --- Separating Form and Structure --- p.99 / Chapter 3.2.2 --- Forms --- p.100 / Chapter 3.2.3 --- Structure --- p.105 / Chapter 3.3 --- Affordability --- p.108 / Chapter 3.3.1 --- Location --- p.108 / Chapter 3.3.2 --- Site --- p.110 / Chapter 3.3.3 --- Materials --- p.111 / Chapter 3.3.4 --- Labors --- p.113 / Chapter 3.3.5 --- Cooperate to Reduce Cost --- p.114 / Chapter 3.4 --- Building Techniques --- p.116 / Chapter 3.4.1 --- Craftsmen and Local Traditions --- p.116 / Chapter 3.4.2 --- Critical Issues on Construction Process --- p.121 / Chapter 3.4.3 --- Modular Design System --- p.128 / Chapter 3.5 --- Construction Organization --- p.129 / Chapter 3.5.1 --- Time Control --- p.129 / Chapter 3.5.2 --- Budget Control --- p.130 / Chapter 3.5.3 --- Unit-proprietors in the Project --- p.131 / Summary --- p.131 / Chapter CHAPTER 4 --- HOUSEHOLDS,CLANS,AND COOPERATIVES --- p.132 / Chapter 4.1 --- The Property Structure of Tulou --- p.133 / Chapter 4.2 --- Household Division and House Division --- p.136 / Chapter 4.2.1 --- Households --- p.136 / Chapter 4.2.2 --- Household Division --- p.136 / Chapter 4.2.3 --- House Division --- p.138 / Chapter 4.2.4 --- House Division in Tulou --- p.144 / Chapter 4.3 --- Stoves and Cooperative Houses --- p.147 / Chapter 4.3.1 --- Stoves as the Affiliation Symbol --- p.147 / Chapter 4.3.2 --- Stoves in Tulou --- p.148 / Chapter 4.3.3 --- The problem and the Solution --- p.149 / Chapter 4.3.4 --- A unit-proprietor’s Life --- p.152 / Chapter 4.4 --- The Multiple Identities of Unit-Proprietors --- p.153 / Chapter 4.4.1 --- Household Member --- p.153 / Chapter 4.4.2 --- Cooperative Member --- p.155 / Chapter 4.4.3 --- Clan Member --- p.156 / Chapter 4.4.4 --- Ritual: A presentation of the multiple identities --- p.158 / Summary --- p.160 / Chapter CHAPTER 5 --- THE RISE AND DECLINE OF COOPERATIVE HOUSES --- p.161 / Chapter 5.1 --- Property System in Rural China --- p.162 / Chapter 5.1.1 --- Background: Before 1911 --- p.162 / Chapter 5.1.2 --- The Revolution 1911-1983 --- p.163 / Chapter 5.1.3 --- Owners in China’s Rural Property System --- p.169 / Chapter 5.2 --- Built under Socialism (1958-1983) --- p.171 / Chapter 5.2.1 --- The Political Circumstances and Housing Policies after 1949 --- p.172 / Chapter 5.2.2 --- Housing Production Teams: A Case Study on Hekeng --- p.173 / Chapter 5.2.3 --- Democratic inside the Cooperatives: A Case Study on Tianluokeng --- p.184 / Chapter 5.2.4 --- Discussion: Private Property vs. Public Goods --- p.192 / Chapter 5.3 --- Build after Socialism (1983- ) --- p.196 / Chapter 5.3.1 --- Household-Responsibility System --- p.196 / Chapter 5.3.2 --- On the eve of Reform (1979-1983) --- p.196 / Chapter 5.3.3 --- After the Reform (1983- ) --- p.198 / Chapter 5.4 --- Socio-political System and Architectural Forms --- p.202 / Chapter 5.4.1 --- The Communist style --- p.202 / Chapter 5.4.2 --- The Post-communist Style --- p.205 / Summary --- p.206 / Chapter CHAPTER 6 --- CONCLUSION --- p.208 / Chapter 6.1 --- On Tulou and Cooperative Houses --- p.209 / Chapter 6.2 --- On Socio-political System --- p.210 / Chapter 6.3 --- On Chinese Vernacular Architecture --- p.211 / BIBLIOGRAPHY --- p.214
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Public participation in Hong Kong: case studies in community urban design. / CUHK electronic theses & dissertations collection / Digital dissertation consortiumJanuary 2001 (has links)
Gordon Kwok Tung Fong. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2001. / Includes Bibliographical references (p. 275-289). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Abstracts in English and Chinese.
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The "sense of place" its significance, theory and attainment / by Parviz F. AfnanAfnan, Parviz F. (Parviz Fouad) January 1987 (has links)
Typescript (Photocopy) / Bibliography: leaves 424-443 / 2 v. (xvi, 528 p.) : ill., maps ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of Architecture and Planning, 1990
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La Placita: Vantages of urban change in historic TucsonMacLaury, Maria Isabel, 1953- January 1989 (has links)
Cognition and social values prevail in urban evolution. Analysis of these values reconstruct an era that has largely vanished; the context is historic downtown Tucson, and the significance is the Mexican enclave that had La Placita as its social focus. The historical evolution and the urban character of La Placita and its surrounding barrio is documented with emphasis on the social meaning of its change. A newly developed cognitive theory of vantages and coordinates provides a model to depict the viewpoints that defined urban development in Tucson. The analysis of personal viewpoint provides a statement of the manner that social values and cognition shaped architecture and urban change throughout the years of growth in the center of Tucson.
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