This thesis examines the house as symbol of God, self, and body. This is a way to explore the expression of individuality both incorporated in, and invoked by the middle-class single family home, particularly for women. The theme, "the temple within," is intended to create a conceptual framework for the identification of activities which give the elements of the house meaning for the occupants. The elements of house, garden, hearth, entrance, windows, attic/stair/cellar, and walls and spaces, are identified through the analysis of primary sources. These are the Canada Mortgage and Housing Corporation Competition Series stock plans from 1947 to 1963, as well as two suburban homes from the Carlington neighbourhood in Ottawa, Ontario. The thesis concludes with a discussion of the appropriateness of these symbols of home as a vehicle for women's identity of self.

Thesis (Ph.D.)--University of Adelaide, School of Architecture, Lanscape Architecture and Urban Design, 2003. / Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251).

No description available.

published_or_final_version / abstract / Architecture / Master / Master of Philosophy

Canada's first Parliament Buildings, built in 1859--65 and destroyed by fire in 1916, were the nation's most prominent symbol of national identity and its most celebrated public space. Built into its fabric was an exclusively masculine definition of public persons, one which, at the end of the nineteenth century, women challenged in both subtle and overt ways. / This research examines the design of the Parliament Buildings as a multi-faceted building type, a complex mix of domestic, office and legislative design where both public and "private" spaces intersected. It overlays official documentation of the buildings with a rich variety of sources---archival photographs, newspaper articles and women's columns, letters, journals---to show how women transgressed the architectural prescription which placed them on the political periphery in the Ladies' Gallery, as observers and objects of observation. These sources show that, in fact, women altered and created spaces and initiated influential networks of their own both in and outside of the Parliament Buildings. By illuminating the primacy of the "political hostess," this research argues that women were not relegated to the sidelines, but appropriated---and practiced politics from within---the most privileged of spaces. / This methodology, by examining the interior organization and actual use of the Parliament Buildings, opens new possibilities for the study of legislative buildings and public buildings in general as dynamic systems of relationships rather than uni-dimensional building types. By showing how women challenged the spatial demarcations of gender and power and transformed the meanings associated with parliamentary and public spaces not initially intended for their use, we can draw a picture of the larger role women in Canada played as "public architects."

Dichotomies are a way we simplify interconnected hierarchical complexities of race, class, ethnicity, gender and power plays in our society. The division between male and female has been the primary dichotomy I have focused on in this discussion. My argument is that dichotomies create a cyclical loop which reinforces social injustice between genders in societies cross culturally and across time. This cycle of gender division includes cultural, built and activity patterns. There is no single point of origin of these patterns, but rather a constant loop of reinforcement from one pattern to the other. What I am trying to do here is not judge or criticize these societies and their values; rather I am evaluating them comparatively with other societies based on the status of women. I have found these cultural, built and activity patterns by documenting examples that exist cross culturally and across time. In order to do this I had to set up some criteria for selecting my case studies. I have divided the examples into four categories: 1. Egalitarian subsistence societies having equal status for women with respect to men and other women in similar cultures. 2. Hierarchical societies having lower status of women with respect to men and other women in a similar culture. 3. 19th and 20th century case studies in urban societies having lower status of women with respect to men. 4. 19th and 20th century case studies in reforms and utopian proposals that aimed at making egalitarian societies with equal status among men and women. I found that the public/private cultural pattern was the most recurring pattern. It is present in egalitarian, hierarchical and 19th and 20th century Victorian society. This pattern exists cross-culturally and across time. In the egalitarian subsistence societies, dichotomies are not understood as a set of oppositions such as superior and inferior. Their belief in harmony and balance in nature emphasized equality, unlike the hierarchical societies. In hierarchical subsistence societies, dichotomies divided people by assigning them public or private roles. In 19th and 20th century Victorian society an ideal gentleman was supposed to have serious, dignified, chivalrous qualities and an ideal lady was supposed to be moral, beautiful, cheerful and elegant. This shows that the cultural patterns were enforced upon individuals and they had to act accordingly in the society. I also looked at the utopian solutions of making childcare, laundry, and food preparation community activities. These radical solutions were focused on improving the cultural, built and activity patterns simultaneously. I have evaluated these case studies comparatively based on the status of women. While it’s difficult to state a solution to accommodate the layers of gender segregation that exist within cultural, built and activity patterns, I don’t think proposing an overtly radical solution is the right direction either. I would strongly recommend more awareness of feminist education in architecture and engineering schools. There should be more incentives and scholarships for women in traditionally male dominated professions like architecture and engineering. Learning about these patterns of gender segregation in different societies is also a way to begin this cultural progress. / Historical case studies of gender segregated patterns in egalitarian subsistence societies -- Case studies of gender segregated patterns in hierarchichal subsistence societies -- 19th and 20th century case studies for gender segregated patterns in urban societies -- 19th and 20th century case studies in reforms and utopian proposals. / Department of Architecture

No description available.

This thesis analyses the architecture of the Royal Victoria College (Bruce Price, 1896--1899), a purpose-built women's residential college of McGill University, Montreal, and its first extension (Percy Nobbs, 1930--193 1), as material evidence of the rhetorical construction and negotiation of gender. A contextual analysis of the original RVC reveals the gender significance of the building's relationship to its affiliate institution (McGill), to an urban geography (Phillips Square), and to a commercial typology (the railway hotel), while a spatial analysis examines the significance of its women occupants as 'architects', and of changes to the building over time. The thesis concludes that the building served as an important site in turn-of-the-century gender negotiations---one that helped to contest "separate spheres" rhetoric and that stands as evidence of women's active participation in the shaping of spatial relations and social identities.

No description available.

Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251) An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the continuing low numbers of women practitioners in Australia. Hypothesizes that contemporary Western architecture is imbued with a pervasive and dominant masculinity and that this is deeply imbedded in its discursive constructions: the body housed by architecture is assume to be male, the mind which produces architecture is assumed to be masculine. Given the cultural location of Australian architecture as a marginal participant in the wider arena of contemporary Western / international discourses, focuses on writing about two iconic figues in Western architecture; Le Corbusier, of international reknown; and, Glenn Murcutt, of predominantly local significance.