So Kwok Kin. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2002-2003, design report." / Includes bibliographical references. / Chapter 0.0 --- Influences / Chapter 0.1 --- Preface / Chapter 1 --- General Study on Humor / Chapter 1.0 --- Definition / Chapter 1.1 --- Logic of the Humor / Chapter 1.2 --- Humor Process / Chapter 1.3 --- Condition of Humor to Occur / Chapter 1.4 --- Humor and Laugh / Chapter 1.5 --- Humor and Place / Chapter 1.6 --- Function of Humor / Chapter 1.7 --- Criteria of Good Humor / Chapter 2 --- Humor Impact / Chapter 2.0 --- Joie de Vivre / Chapter 2.1 --- Catalogues of Humorous Art / Chapter 2.21 --- Magnify the meaning of everyday life / Chapter 2.22 --- Transcend an ordinary object or event / Chapter 2.23 --- Indicator of our experience / Chapter 2.24 --- Irony / Chapter 2.25 --- Paradox / Chapter 2.26 --- Anomaly / Chapter 2.2 --- The Post Cards / Chapter 2.3 --- Humor and Sublime / Chapter 2.4 --- Tension - Aesthetic of Humor / Chapter 2.5 --- Aesthetic of Humor - Lighten Up / Chapter 2.6 --- It is advantage of Architecture that could house different types of humor / Chapter 2.7 --- "Let us go beyond the expression, to the programming" / Chapter 2.8 --- Bulls and Wits / Chapter 3 --- "Statement Through the juxtaposition of two incongruity or even opposite programs or living style, exposed the ironic relationship of them, exposed the bulls and wits between them." / Chapter 3.1 --- "The juxtaposition of fashion and monastery create an tension in the level of programming, generate from their mentalities, and expressed in materialization, form, function..." / Chapter 4 --- Program / Chapter 4.0 --- Monaster/ vs. Fashion House / Chapter 4.1 --- Monastic Order / Chapter 4.2 --- Manifesto of Monaster/ / Chapter 4.3 --- Bull and Wit of Monastery and Fashion House / Chapter 4.30 --- Soul vs. Body / Chapter 4.31 --- Deprived vs. Luxury / Chapter 4.32 --- Virgin vs. Sexual / Chapter 4.33 --- Meditation vs. Seduction / Chapter 4.34 --- Salvation vs.Consumerism / Chapter 4.35 --- Regularity vs. Quirk / Chapter 4.36 --- Silent vs. Noisy / Chapter 4.37 --- Worship vs. Amusement / Chapter 4.38 --- Community vs. Individual/ / Chapter 4.39 --- Eternal vs. Now / Chapter 4.4 --- Tradition / Chapter 4.5 --- Invention / Chapter 5 --- Site / Chapter 5.01 --- Our very selfhood is constituted by the 'molten lava of event / Chapter 5.02 --- "From the experience of travelling, we judge or measure everything,Cheung Chau." / Chapter 5.03 --- The most dominant feeling of Cheung Chau is the atmosphere of tourism. / Chapter 5.1 --- "In the urban area, individual became 'isolated and inward-looking'." / Chapter 5.2 --- We also need acceptability in travelling. / Chapter 5.3 --- Cheung Chau / Chapter 5.4 --- The Site - Tai Tsoi Yuen Area / Chapter 5.5 --- Consumerism / Chapter 5.6 --- The site have potential to developed into a both touristic and communal place. / Chapter 5.7 --- "in this context, I would like to make a project that could nearly touch and feel." / Chapter 6 --- Design Strategy / Chapter 6.0 --- They should not be the same scales / Chapter 6.1 --- "The world of shopping is an flatten world, all we need is surface" / Chapter 6.2 --- Positive Space vs. Negative Space / Chapter 6.3 --- Inside vs. Outside / Chapter 6.4 --- Time depending Program / Chapter 6.5 --- Permanent vs. Impermanent / Chapter 6.6 --- Play with Icons / Chapter 6.7 --- Tradition vs. Invention / Chapter 6.8 --- "Instead of Lawn, I use Pond" / Chapter 7 --- Drawings / Chapter 8 --- Models / Chapter 9 --- Bibliography / Chapter 10 --- Dedications