My thesis is centered on poetics of the body in contemporary feminist art. Poetics, understood as the languages, materials and forms of composition, underscores the symbolically and socially mediated body so rendered, rather than its biological, anatomical, or otherwise 'natural' definition. A feminist poetics is at once a politics, and a creation, of language. I proceed through a close reading of a number of artworks by Canadian artists. These works 'resist' representation, foregoing a biologically grounded figuration to propose in more allusive terms the psychic and conceptual impulses through which the body is apprehended or might be imagined. / Influenced by the writings of Luce Irigaray on the structural isomorphism between logos, the phallus, and a privileged masculine model of subjectivity, the thesis investigates the construction within feminist art of alternative and contestatory poetics of the body potentially productive of other knowledge-effects. / Situating my investigation within the context of numerous 'figurations' of the subject that have emerged in recent feminist theory, I propose that feminist art practices provide a corollary contribution, in material form, to the theoretical project of thinking 'difference' beyond dualism. / I identify three modalities of practice that 're-make' the body/embodiment vis a vis a 'phallomorphic' model of identity, unity, self-sameness: (a) the body in/of language, as the imbrication of the two identified by Julia Kristeva through the category of the semiotic; (b) morphologies of the body as the imaginary body produced through an interweaving of the body's form, psychic dispensations and social/symbolic inscriptions; (c) constructed spatialities in which the material spaces of exhibition sites become enacted metaphoric spaces, and foreground the potential and import of spatial representations in the production of personal and social experience. / I argue that the forms, materialities and spatialities specific to visual art can serve to constitute analogues for the materiality of the body. The thesis considers the artworks as embodiments: at once material, textural and spatial 'bodies' of art. / Interdisciplinary in scope, this thesis brings together visual and textual sources drawn from contemporary art and the literatures of feminist (and) poststructuralist theory, cultural studies, postcolonial theory and the field of art history and criticism.

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