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Relics of iconoclasm, modernism, Shi Zhecun, and Shanghai's margins /Schaefer, Stephen William. January 2000 (has links)
Thesis (Ph. D.)--University of Chicago, Department of East Asian Languages and Civilizations, August 2000. / Includes bibliographical references. Also available on the Internet.
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Postmodernism art and architecture in Hong Kong /Cheng, Christina Miu Bing. January 1991 (has links)
Thesis (M.A.)--University of Hong Kong, 1991. / Also available in print.
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The spectacle of xiangtu home, landscape, and national representation in modern Chinese literature, film and art /Mi, Jia-Yan. January 2002 (has links)
Thesis (Ph.D.)--University of California, Davis, 2002. / Adviser: Robert M. Torrance. Includes bibliographical references.
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Figure compositions in seventeenth century Chinese prints and their influences on Edo period Japanese painting manualsKobayashi, Hiromitsu. January 1987 (has links)
Thesis (Ph. D.)--University of California, Berkeley, 1987. / Includes bibliographical references (leaves 185-197).
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The design of a Chinese culture subject aiming at enhancing cultural awareness and the evaluation of itseffectiveness =Chui, Wai-ngor, 崔惠娥 January 2007 (has links)
published_or_final_version / abstract / Education / Doctoral / Doctor of Education
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Neither presenting nor non-presenting : constructing a methodological framework to re-present Chinese calligraphy, an art burdened with traditionTao, Lin January 2007 (has links)
The research aims to provide an alternative working methodology from the perspective of a contemporary Chinese artist, not a calligrapher, to answer the research question: how does one create new works of calligraphy an art so burdened with historical tradition? This is practice based research; the designed pattern of study aims to test and to exemplify the relationship, and also most importantly based on the nature of the investigation and practical necessity, the strategy of the research project is implemented in a dialectical construction as the title of the thesis suggests.
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School of Chinese ArtTse, Ching-kan, Curry., 謝正勤. January 1999 (has links)
published_or_final_version / Architecture / Master / Master of Architecture
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Collecting and picturing the orient: China's impact on nineteenth-century European ArtWong, Mei-kin, Maggie., 黃美堅. January 2003 (has links)
published_or_final_version / abstract / toc / Fine Arts / Master / Master of Philosophy
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呂壽琨的藝術發展Chan, Flora Kay, 陳鳳姬 January 1991 (has links)
abstract / toc / Fine Arts / Master / Master of Philosophy
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The One2015 October 1900 (has links)
An exhibition thesis from Xiao Han, who presents large photographs as ‘stills’ from a fictitious movie set in late 20th century China, after the suppression of the Tiananmen Square Protest and the inauguration of the one-
Child policy. The artist plays multiple roles in sites that are specifically gendered, to expose the exceptional impact the population control laws had on women. Traumatized social and psychic perspectives emerge from the political turmoil, registering as uncanny absences and repressed delays.
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