Spelling suggestions: "subject:"rrt distory anda appreciation"" "subject:"rrt distory anda ppreciation""
1 |
With and without you: Re-visitations of art in the age of AIDSSmith, Royce W. Unknown Date (has links)
No description available.
|
2 |
The Art of Science of Exploration: a Study of Genre, Vision and Visual Representation in Nineteenth Century Journals and Reports of Australian Inland ExplorationHeckenberg, K. A. Unknown Date (has links)
No description available.
|
3 |
Reading rooms : domesticity, identity and belonging in the paintings of Bessie Davidson, Margaret Preston and Stella Bowen in Paris and London 1910s - 1930sDowney, Georgina January 2004 (has links)
This study explains how expatriate South Australian woman artists established both new lives and art careers in the modern metropoles of Paris and London in the early years of the twentieth century. It also argues that relocation to the modern metropole required new representational forms in their art practices. The interior view set in domestic, rather than public space was the particular form chosen by the women of this study to represent their experience of modern urban life.
|
4 |
Reading rooms : domesticity, identity and belonging in the paintings of Bessie Davidson, Margaret Preston and Stella Bowen in Paris and London 1910s - 1930sDowney, Georgina January 2004 (has links)
This study explains how expatriate South Australian woman artists established both new lives and art careers in the modern metropoles of Paris and London in the early years of the twentieth century. It also argues that relocation to the modern metropole required new representational forms in their art practices. The interior view set in domestic, rather than public space was the particular form chosen by the women of this study to represent their experience of modern urban life.
|
5 |
The art and science of exploration: A study of genre, vision and visual representation in nineteenth century journals and reports of Australian inland explorationHeckenberg, Kerry Unknown Date (has links)
No description available.
|
6 |
The art and science of exploration: A study of genre, vision and visual representation in nineteenth century journals and reports of Australian inland explorationHeckenberg, Kerry Unknown Date (has links)
No description available.
|
7 |
The art and science of exploration: A study of genre, vision and visual representation in nineteenth century journals and reports of Australian inland explorationHeckenberg, Kerry Unknown Date (has links)
No description available.
|
8 |
Dirty words: a study of urban text-based interventionsDodd, James January 2009 (has links)
This research extends upon interpretations of the use of text as a visual component in contemporary studio based practices. It continues my ongoing research trajectory into the use of text in art and the development of a practice that heavily reflects, and is influenced by urban and suburban experiences.
|
9 |
Negotiating public space : discourses of public artFazakerley, Ruth January 2008 (has links)
This thesis is concerned with placing public art within the broader modernist spatialisation of social relations. The research takes place around two related enquiries. The first emerges from questions raised by the art critic Rosalyn Deutsche with regard to the proposition that public art functions as both a profession and technology that attempts to pattern space so that docile and useful bodies are created by and deployed within it. Following such questions, this thesis seeks to scrutinise the ways in which discourses on public art might operate in enabling, maintaining or disrupting everyday practices and socio-spatial relations. Secondly, as a foray into methodologies of public art research, the thesis considers Foucauldian governmentality approaches in terms of what these might have to offer an investigation of public art. The thesis undertakes the analysis of a wide range of texts connected with three South Australian urban developments for which public art was separately proposed, designed, selected and installed. Attention is given principally to the Rundle Street Mall, a pedestrianised shopping street in the city-centre of Adelaide, examined at several moments throughout the period of its development (1972-1977) and later refurbishment (1996-2001). Also discussed are the Adelaide Festival Centre Plaza (1973-1977) and the Gateway to Adelaide (1996-2000), the latter project involving the reconstruction of a major traffic intersection on the outskirts of metropolitan Adelaide. Through these examples the thesis documents key debates in the history of Australian discourses concerning public art. In addition, this study brings attention to the relations between artwork and a proliferation of individuals, agencies, and other interests, highlighting the competitions over space, authority and expertise, and the often unexamined role that public art plays in maintaining or unsettling socio-spatial relations. Knowledge about public art, it is argued, is produced, transformed and deployed across a range of discursive sites (contemporary art, urban design, planning, transport and others) and becomes tied to specific problems of governing. / Thesis (PhD)--University of South Australia, 2008
|
10 |
Negotiating public space : discourses of public artFazakerley, Ruth January 2008 (has links)
This thesis is concerned with placing public art within the broader modernist spatialisation of social relations. The research takes place around two related enquiries. The first emerges from questions raised by the art critic Rosalyn Deutsche with regard to the proposition that public art functions as both a profession and technology that attempts to pattern space so that docile and useful bodies are created by and deployed within it. Following such questions, this thesis seeks to scrutinise the ways in which discourses on public art might operate in enabling, maintaining or disrupting everyday practices and socio-spatial relations. Secondly, as a foray into methodologies of public art research, the thesis considers Foucauldian governmentality approaches in terms of what these might have to offer an investigation of public art. The thesis undertakes the analysis of a wide range of texts connected with three South Australian urban developments for which public art was separately proposed, designed, selected and installed. Attention is given principally to the Rundle Street Mall, a pedestrianised shopping street in the city-centre of Adelaide, examined at several moments throughout the period of its development (1972-1977) and later refurbishment (1996-2001). Also discussed are the Adelaide Festival Centre Plaza (1973-1977) and the Gateway to Adelaide (1996-2000), the latter project involving the reconstruction of a major traffic intersection on the outskirts of metropolitan Adelaide. Through these examples the thesis documents key debates in the history of Australian discourses concerning public art. In addition, this study brings attention to the relations between artwork and a proliferation of individuals, agencies, and other interests, highlighting the competitions over space, authority and expertise, and the often unexamined role that public art plays in maintaining or unsettling socio-spatial relations. Knowledge about public art, it is argued, is produced, transformed and deployed across a range of discursive sites (contemporary art, urban design, planning, transport and others) and becomes tied to specific problems of governing. / Thesis (PhD)--University of South Australia, 2008
|
Page generated in 0.1596 seconds