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Art patronage and class identity in a border city : Cincinnati, 1828-1872 /Breidenbach, Paul, January 2001 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2001. / Vita. Includes bibliographical references (leaves 382-386).
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Künstler und Kardinäle : vom Mäzenatentum römischer Kardinalnepoten im 17. Jahrhundert /Karsten, Arne, January 2003 (has links)
Revision of the author's Thesis (doctoral)--Humboldt-Universität, Berlin, 2001. / Includes bibliographical references (p. [231]-248) and index.
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Female patronage and the language of art in the circle of Isabella d'Este in Mantua, c. 1470-1560Hickson, Sally. January 2003 (has links) (PDF)
Thesis (Ph.D.)--Queen's University, Kingston, Ontario, 2004. / Includes bibliographical references (leaves 288-309).
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Luca della Robbia as maiolica producer : artists and artisans in fifteenth-century Florence /LaTores, Alicia Marie. January 2009 (has links)
Thesis -- Departmental honors in Art History. / Bibliography: ℓ. 130-133.
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Patronage and production in the nineteenth-century Shanghai region Ren Xiong (1823-1857) and his sponsors /Erickson, Britta Lee. January 1996 (has links)
Thesis (Ph.D.)--Stanford University, 1996. / Adviser: Richard Vinograd. Includes bibliographical references.
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From a small centre: Joe Friday's contemporary art collection /Rose, Amy Dawn, January 1900 (has links)
Thesis (M.A.) - Carleton University, 2007. / Includes bibliographical references (p. 146-152). Also available in electronic format on the Internet.
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Approaches to fifteenth- and early sixteenth-century painting in DalmatiaReed, Laurel Elizabeth. January 2009 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2009. / Title from first page of PDF file (viewed July 7, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 378-402).
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Monastery and monarchy the foundation and patronage of Santa María la Real de Las Huelgas and Santa María la Real de Sigena /McKiernan González, Eileen Patricia. Holladay, Joan A., January 2005 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2005. / Supervisor: Joan A. Holladay. Vita. Includes bibliographical references.
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Hoc opus eximium : artistic patronage in the Ottonian empire /Nielsen, C. M. January 2002 (has links)
Thesis (Ph. D.)--University of Chicago, Department of Art History, August 2002. / Includes bibliographical references. Also available on the Internet.
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Tourists, art and airports : the Vancouver international airport as a site of cultural negotiationLeddy, Shannon C. 05 1900 (has links)
This work deals with the notion of hybridity; an ideal moment
of cultural negotiation which results, in the words of Homi
Bhabha, in the creation of a 'third space.' This theoretical
plateau is formed by two parties whose agendas, while
ostensibly conflicting, overlap enough so that each informs
the space but neither dominates it . In this case I examine a
specific site of hybridity, the "Arrivals Passengers Only"
area of the Vancouver International Airport. Here, the space
is informed by the presence of works, created by the Coast
Salish Musqueam people, in the Airport Terminal, created by
the Vancouver International Airport Authority.
While this sort of negotiation can be described using
positive and progressive terms, and the creation of a third
space represents a compelling ideal, I argue that the moment
of hybridity within the airport is ultimately undermined by
other areas of the building in which no negotiation has taken
place. The airport's role as a business necessitates
marketing strategies aimed mainly at tourists and other
business interests. Since virtually the entire building is
devoted to that market, the negotiated hybrid space becomes
hidden so that its potential impact is lost. Although
participating in the creation of a working model of culture
with the Musqueam people, the Airport ends up destabilising
that model and the space, the ‘third space,’ which contains it.
This particular example points to a site specific aspect
of contemporary North American culture by drawing on the local
community as a source for investigating that discourse. The
thesis, then, has two points of entry; the ephemeral discourse
of cultural negotiation and the locally grounded freeze-frame
view of one site in contemporary Vancouver.
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