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Clashing and converging : effects of the internet on the correspondence art network /Starbuck, Madelyn Kim, January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2003. / "May, 2003" Vita. Includes bibliographical references (leaves 471-477). Also available on the World Wide Web.
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Clashing and converging effects of the Internet on the correspondence art network /Starbuck, Madelyn Kim, January 2003 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references. Available also from UMI Company.
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Clashing and converging: effects of the Internet on the correspondence art networkStarbuck, Madelyn Kim 28 August 2008 (has links)
Not available / text
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Zero return: Directions in sound and image.Thompson, Nathan, School of Arts, UNSW January 2007 (has links)
This research project explores a direction in the formation of sound and image. In the creation of a series of 'moving paintings' I bring together pieces of moving image and sound using techniques derived from musique concr??te. I have coined the term 'moving painting' to describe these sound/image objects that have grown out of an attention to the form, activity, rhythm and texture of sound and image. This project develops from an understanding that sound and image can be constructed on their own terms as opposed to being organised by specific plot devices. This text offers a context for the formation of these moving paintings and outlines the systems of construction that bring them forth from noise. Firstly, I identify sound and its emergence from noise. Secondly, I address the formation of sound into music within a community. And lastly, I use these ideas to form systems for organising visual imagery. In doing this, I present a series of audiovisual works in which sound and image are woven together to form moving paintings.
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Zero return: Directions in sound and image.Thompson, Nathan, School of Arts, UNSW January 2007 (has links)
This research project explores a direction in the formation of sound and image. In the creation of a series of 'moving paintings' I bring together pieces of moving image and sound using techniques derived from musique concr??te. I have coined the term 'moving painting' to describe these sound/image objects that have grown out of an attention to the form, activity, rhythm and texture of sound and image. This project develops from an understanding that sound and image can be constructed on their own terms as opposed to being organised by specific plot devices. This text offers a context for the formation of these moving paintings and outlines the systems of construction that bring them forth from noise. Firstly, I identify sound and its emergence from noise. Secondly, I address the formation of sound into music within a community. And lastly, I use these ideas to form systems for organising visual imagery. In doing this, I present a series of audiovisual works in which sound and image are woven together to form moving paintings.
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