This thesis acknowledges the current situation of political unrest in Hong Kong and examines the volatile horizons that began to emerge from late 2014, while also understanding those that came before. The thesis unpacks the relationships between art, architecture and society and their significance in relation to Hong Kong. Through highlighting and identifying the potential restrictions and examining and responding to the legacy and logic of Occupy Central, this thesis proposes an expansion of the space of possibilities for art in Hong Kong.The interweaving of diverse subjects are part of an intersectional methodology. The frequent changing of artists, locations and subjects have evolved out of the geopolitical situation that this author was embedded within and the architectural conditions under consideration in the research. By using techniques of close analysis and interviews, unpacking existing relationships, creating new temporary relationships (intersectionality) through exhibitions, reports, site visits and experimental curatorial strategies within the city, this thesis articulates the positions and subjectivities that can form around an artwork and its communities of production. This thesis navigates the haunted spaces concealed by ideological barriers, exposing varying sites of production and tensions through time and place. Research examines and proposes new ideas and approaches to art and art-working in Hong Kong while considering the marginalised, alienated and the xeno. Through highlighting a hitherto absent sense of commonality between the government and its subjects and exploring all corners of the political spectrum, the research critically examines the roots of ideological logic as expressed in the city-form and sets out to expand the space of possibilities.

楊秀英. / 附加書名頁題: Social pattern and art : the social pattern on contempory sculpture in Hong Kong. / 論文(藝術碩士) -- 香港中文大學硏究院藝術學部, 1995. / 參考文獻: leaves 56-59. / Yang Xiuying. / Chapter (一） --- 序論 --- p.1-2 / Chapter (二） --- 社會形態的形成及對藝術的影響 --- p.2 / Chapter (1) --- 文化方面 --- p.3-7 / Chapter (2) --- 宗敎方面 --- p.8-12 / Chapter (3) --- 政治方面 --- p.13-14 / Chapter (4) --- 科技方面 --- p.15-24 / Chapter (5) --- 經濟方面 --- p.25-26 / Chapter (6) --- 敎育方面 --- p.26-27 / Chapter (三） --- 社會形態與藝術互動的結果 --- p.27-28 / Chapter (1) --- 部落社會 --- p.28 / Chapter (2) --- 農業社會 --- p.28 / Chapter (3) --- 工業與科技社會 --- p.29 / Chapter (四） --- 社會形態如何影響香港當代雕塑創作 / Chapter ´þ --- 社會形態如何影響香港當代雕塑創作 --- p.3040 / Chapter (2) --- 結論 --- p.40-52 / Chapter (五） --- 附註 --- p.53-55 / Chapter (六） --- 參考書目 --- p.56-59

published_or_final_version / Architecture / Master / Master of Architecture

Chu Ching Sze Cynthia. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1999-2000, design report." / On double leaves. / Includes bibliographical references (p. 133-134). / Table of contents in English and Chinese. / Content 目錄 --- p.1-2 / Scenario 局面 --- p.3-8 / Introduction 引言 --- p.9-12 / Arts and Society 藝術與社會 --- p.13-22 / Chapter - --- Art and Museum / Chapter - --- Art and the Public / Chapter - --- Art and the Disables / Chapter - --- Art and Space / Hong Kong Arts background 香港藝術背景 --- p.23-31 / Problems/Deficiencies 問題 /不盡處 --- p.32-36 / Chapter - --- Messiness in Hong Kong / Chapter - --- Invalid education and limited interaction with the Public on Art / Chapter - --- Inadequate support for local young artists / Chapter - --- Inappropriate spatial quality of the traditional exhibition spaces / Future Opportunities 未來的機會 --- p.37 / Hypothesis 假設 --- p.38 / Issues 爭論 --- p.39 / Scope of Work 工作範圍 --- p.40 / Design Programme 設計程序 --- p.41-59 / Chapter i. --- Target Group Selection / Chapter - --- children / Chapter - --- youth and young adult / Chapter - --- working group / Chapter - --- elderly (retired people) / Comparison / Conclusion / Chapter ii. --- Site Selection / Chapter - --- Tsim Sha Tsui / Chapter - --- Mong Kok / Chapter - --- Causeway Bay / Comparison / Conclusion / Chapter iii. --- Proposed schedule of accommodation/activities / Site and Context 地點與背景 --- p.60-67 / Mong Kok District (Macro) / Chapter i. --- Brief Introduction / Chapter ii. --- District Background / Chapter iii. --- Image Analysis / Chapter iv. --- Zoning and Building Analysis / Chapter v. --- Traffic and Transport / Sai Young Choi Street South / Chapter i. --- Image and street Analysis / Chapter ii. --- Pedestrian Circulation / Chapter iv. --- Vehicular Circulation / Chapter v . --- Potential Locations for the development / Case Study 案件硏究 --- p.68-73 / Chapter - --- "Solomon R. Guggenheim Museum, New York" / Chapter - --- "the Guggenheim Museum, Bilbao" / Chapter - --- Music Videos in Architecture / Chapter - --- Mobile exhibition Pavilion / Interview 訪問 --- p.74-78 / Chapter - --- with artists / Chapter - --- with the Sai Yeung Choi Street Pedestrians / Content 目錄 --- p.80-81 / Conclusion from Part 1 第一部總結 --- p.82 / Design Outline 設計槪述 --- p.83 / Project Brief 項目略述 --- p.84-88 / Chapter - --- Site and Constraints / Chapter - --- Space Programmes / Chapter - --- Design Guidelines / Design Development設計變化及發展 --- p.89-94 / Chapter - --- Original Concept Layout / Chapter - --- Design Diagrams / Chapter - --- spatial relationship / Chapter - --- circulation / Chapter - --- envelope neighbourhood studies / Chapter - --- Design Sketches / Final Design Explaination 最終設計ˇئđ釋 --- p.95-119 / Chapter - --- Architectural Design / Chapter - --- Plans / Chapter - --- Elevation and Section / Chapter - --- Perspectives / Chapter - --- Illustration of internal spaces / Images of the Community- Artists Artspace 市區藝術空間 --- p.120 / Special Studies 特別研究 --- p.121-131 / Bibliography and Reference 參考書及 --- p.132-134 / Acknolegement 鳴謝 --- p.135