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L'art français sous la révolution et l'empire Les doctrines. Les idées. Les genres ...Benoit, François, January 1897 (has links)
Thèse--Université de Paris. / "Index bibliographique": p. [441]-446.
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Art and the early Third Republic designs for social engineering in France (1876-1890) : a dissertation /Levin, Miriam Grundstein. January 1980 (has links)
Thesis (Ph. D.)--University of Massachusetts, 1980. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 323-340).
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Seismic states the changing system of support for contemporary art in China, 1978-1993 /DeBevoise, Jane. January 2009 (has links)
Thesis (Ph. D.)--University of Hong Kong, 2009. / Includes bibliographical references (leaves 309-358) Also available in print.
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Confrontation and complicity rethinking official art in contemporary China /Wang, Meiquin. January 2007 (has links)
Thesis (Ph. D.)--State University of New York at Binghamton, Department of Art History, 2007. / Includes bibliographical references.
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State arts agencies and state arts advocacy groups partners in the policy process /Hallett, Janelle M., January 2008 (has links)
Thesis (M.A.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 140-143).
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How can art change the meaning of the city? : an examination of an installation in a public setting, Compton Court, M.I.T.Shamash, Diane Alexandria. January 1981 (has links)
Thesis: M.S.V.S., Massachusetts Institute of Technology, Department of Architecture, 1981 / Includes bibliographical references (p. 90-9l). / In the last few years there has been a shift towards an interdisciplinary questioning of the urban environment, which has included planning, architecture, design and the fine arts. Although each discipline has approached the urban environment with a given set of assumptions based on its own history, a larger question has seemed to emerge: how can we make our cities more habitable, more social, more meaningful? Artists have sought definitions outside their own history including philosophical, sociological and scientific theories; planners and architects have also looked towards definitions of the urban environment which have included theories of perception and cognition. Sculptors are challenging the assigned role to public institutions, in terms of the work's symbology and meaning. Planners are questioning the value of their work based upon the lived perceptions of people on its streets. This shared questioning indicates the possibility of new directions for both environmental design and environmental art: sculpture, architecture, design; a joint history? / by Diane Alexandria Shamash. / M.S.V.S. / M.S.V.S. Massachusetts Institute of Technology, Department of Architecture
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Taide ja politiikka kansanedustuslaitoksen suhtautuminen taiteen edistämiseen Suomessa /Tuomikoski, Paula, January 1900 (has links)
Thesis--Helsinki. / Summary in English. Errata slip inserted. Includes bibliographical references (p. 299-314).
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Urban planning and arts development in Hong Kong /Chung, Oi-yee. January 2001 (has links)
Thesis (M. Sc.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 152-157).
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Seismic states: the changing system of support for contemporary art in China, 1978-1993DeBevoise, Jane. January 2009 (has links)
published_or_final_version / Humanities / Doctoral / Doctor of Philosophy
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Primacy of ideology? : the confiscation and exchange of "degenerate art" in the Third Reich /Khut, Chiew-Lee, January 2001 (has links) (PDF)
Thesis (M.A.)--University of Adelaide, Centre for European Studies and General Linguistics, 2001. / Bibliography: leaves 156-167.
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