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Natality,care, art: A three-fold response to posthumanism’s figuration of the politicalIaneva, Mirra-Margarita January 2020 (has links)
No description available.
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Architectures of the limit, buildings of desire: a Lacanian approach to cinematic spaceKomar, Sierra January 2020 (has links)
No description available.
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A businessman's risk: the construction of venture capital at the center of U.S. high technologySauter, Molly January 2020 (has links)
No description available.
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Revolutionary Poster Women: Socialist Realism, Pop Art, and State Rhetoric on Femininity in Cuban Political Graphics, 1961–75González de Armas, Liuba January 2020 (has links)
No description available.
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Three traditions in the history painting of Angelica Kauffman: prudence, national pride, and (in)famous women in "Vortigern, King of Britain"," Enamoured with Rowena" and "Interview of Edgar and Elfrida"Masters, Saraphina January 2020 (has links)
No description available.
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There/then, here/now black women’s hair and dress in the French empireJoachim, Joana January 2020 (has links)
No description available.
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A Web of One's Own: Situating the queer child in digital rights discourseRajper, Saad January 2020 (has links)
No description available.
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Swell2012 October 1900 (has links)
Swell Art Exibition
In Gordon Snelgrove Gallery
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Swell2012 October 1900 (has links)
Swell Art Exibition
In Gordon Snelgrove Gallery
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Liminal messages the cartellino in Italian Renaissance painting /Rawlings, Kandice, January 2009 (has links)
Thesis (Ph. D.)--Rutgers University, 2009. / "Graduate Program in Art History." Includes bibliographical references (p. 247-275).
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