Thesis--Cologne. / Includes bibliographical references (p. 274-297).

The diploma thesis as a whole deals with the topic of tracks in contemporary art. It is divided into three parts. Theoretical, didactic and practical part. In the theoretical part, I first define what a track means to me and I apply this definition when searching for tracks in the works of contemporary artists. The theoretical part of the work includes an interview with Patrik Proška, an artist creating some of his works in public space. In the didactic art project, created for high school students, the topic of tracks is viewed somewhat more freely. The main goal of the thematic unit is to lead students to think about tracks through their own artistic activity. Based on the experience gained, they should be able to think about the transience of the tracks, the meaning of our legacy and the consequences of our existence. I especially focus on the art area related to land arts and street art or graffiti. The practical part is the result of my reasoning about the tracks left in public space. I established my reasoning on the knowledge gained in the theoretical part. The result is a set of author's books that document my thoughts on the tracks found or created. I focused my attention mainly on the human desire to leave their tracks in the public space. KEY WORDS track, public space, art, land art,...

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A pesquisa propõe pensar a arte que se faz nas ruas em seus modos de criação e autoanálise, estabelecendo um diálogo com os diferentes artistas que ocupam a Rua da Praia, localizada na cidade de Porto Alegre (RS), a partir de alguns conhecimentos sobre arte na atualidade. Por meio dos depoimentos, em entrevistas, de estátua viva, bandas independentes, músicos solos, pintor de retratos e poetas errantes, busca-se compreender como o artista percebe a rua em relação ao que chamareide Galeria Urbana e quais são os motivos que cercam a escolha da rua como palco ou galeria. Para tanto, como metodologia e princípio de desenvolvimento para a pesquisa teórica, elabora-se uma cartografia, assumindo, assim, uma pesquisa em movimento, em que o caminhar do pesquisador articula conhecimentos. A fim compreender cartografia e sua investigação para a análise de dados, utilizou-se autores como Félix Guattari, Gilles Deleuze, Suely Rolnik e Virgínia Kastrup. Ademais, o entendimento de rua e da arte que dela se apropria dáse no diálogo com Raquel Rolnik, Vera Pallamin, Paola Jacques e com os artistas Márcio Petracco (Bluegrass Porto-alegrense), Welci Araújo, Abraham Ponce, Pablo Seearasta (Som Central) e com os músicos Marcelo da Luz, Pedro Ourique, Jean Kartabil, Lester Borges, da banda Cartas na Rua. Ao fim do percurso, além de perceber as questões que envolvem a escolha da rua como palco, bem como as paisagens que se criam por meio das falas dos artistas, discute-se as relações socioculturais que se atravessam nesse âmbito por intermédio da apropriação de espaços urbanos para as artes. / The research proposes to think about the art that is done in the streets in their modes of creation and self - analysis, establishing a dialogue between different artists that occupy Rua da Praia, in the city of Porto Alegre - RS, with some knowledge about art today. Through interviews with live statues, independent bands and solo musicians, portrait painters and wandering poets, one seeks to understand how the artist perceives the street in relation to what I will call an Urban Gallery and the motives surrounding the choice of Street as stage our gallery. As a methodology and development principle for theoretical research, a cartography is created, assuming a research in movement, in which the researcher's path articulates knowledge. For the understanding of cartography and its investigation for data analysis, authors such as Félix Guattari, Gilles Deleuze, Suely Rolnik and Virginia Kastrup are used. As well as for the understanding of the street and the art that appropriates it, dialogue with Raquel Rolnik, Vera Pallamin, Paola Jacques, and artists: MárcioPetracco (Bluegrass Porto-alegrense), WelciAraújo, Abraham Ponce, Pablo Seearasta (Som Central) and musics Marcelo da Luz, Pedro Ourique, Jean Kartabil, Lester Borges this band Cartas naRua.At the end of the course, in addition to perceiving the issues surrounding the choice of the street as a stage, and the landscapes that are created, through the artists' speeches, we discuss the sociocultural relations that are crossed through the appropriation of urban spaces for the Art.

published_or_final_version / Architecture / Master / Master of Architecture

A pesquisa propõe pensar a arte que se faz nas ruas em seus modos de criação e autoanálise, estabelecendo um diálogo com os diferentes artistas que ocupam a Rua da Praia, localizada na cidade de Porto Alegre (RS), a partir de alguns conhecimentos sobre arte na atualidade. Por meio dos depoimentos, em entrevistas, de estátua viva, bandas independentes, músicos solos, pintor de retratos e poetas errantes, busca-se compreender como o artista percebe a rua em relação ao que chamareide Galeria Urbana e quais são os motivos que cercam a escolha da rua como palco ou galeria. Para tanto, como metodologia e princípio de desenvolvimento para a pesquisa teórica, elabora-se uma cartografia, assumindo, assim, uma pesquisa em movimento, em que o caminhar do pesquisador articula conhecimentos. A fim compreender cartografia e sua investigação para a análise de dados, utilizou-se autores como Félix Guattari, Gilles Deleuze, Suely Rolnik e Virgínia Kastrup. Ademais, o entendimento de rua e da arte que dela se apropria dáse no diálogo com Raquel Rolnik, Vera Pallamin, Paola Jacques e com os artistas Márcio Petracco (Bluegrass Porto-alegrense), Welci Araújo, Abraham Ponce, Pablo Seearasta (Som Central) e com os músicos Marcelo da Luz, Pedro Ourique, Jean Kartabil, Lester Borges, da banda Cartas na Rua. Ao fim do percurso, além de perceber as questões que envolvem a escolha da rua como palco, bem como as paisagens que se criam por meio das falas dos artistas, discute-se as relações socioculturais que se atravessam nesse âmbito por intermédio da apropriação de espaços urbanos para as artes. / The research proposes to think about the art that is done in the streets in their modes of creation and self - analysis, establishing a dialogue between different artists that occupy Rua da Praia, in the city of Porto Alegre - RS, with some knowledge about art today. Through interviews with live statues, independent bands and solo musicians, portrait painters and wandering poets, one seeks to understand how the artist perceives the street in relation to what I will call an Urban Gallery and the motives surrounding the choice of Street as stage our gallery. As a methodology and development principle for theoretical research, a cartography is created, assuming a research in movement, in which the researcher's path articulates knowledge. For the understanding of cartography and its investigation for data analysis, authors such as Félix Guattari, Gilles Deleuze, Suely Rolnik and Virginia Kastrup are used. As well as for the understanding of the street and the art that appropriates it, dialogue with Raquel Rolnik, Vera Pallamin, Paola Jacques, and artists: MárcioPetracco (Bluegrass Porto-alegrense), WelciAraújo, Abraham Ponce, Pablo Seearasta (Som Central) and musics Marcelo da Luz, Pedro Ourique, Jean Kartabil, Lester Borges this band Cartas naRua.At the end of the course, in addition to perceiving the issues surrounding the choice of the street as a stage, and the landscapes that are created, through the artists' speeches, we discuss the sociocultural relations that are crossed through the appropriation of urban spaces for the Art.

A pesquisa propõe pensar a arte que se faz nas ruas em seus modos de criação e autoanálise, estabelecendo um diálogo com os diferentes artistas que ocupam a Rua da Praia, localizada na cidade de Porto Alegre (RS), a partir de alguns conhecimentos sobre arte na atualidade. Por meio dos depoimentos, em entrevistas, de estátua viva, bandas independentes, músicos solos, pintor de retratos e poetas errantes, busca-se compreender como o artista percebe a rua em relação ao que chamareide Galeria Urbana e quais são os motivos que cercam a escolha da rua como palco ou galeria. Para tanto, como metodologia e princípio de desenvolvimento para a pesquisa teórica, elabora-se uma cartografia, assumindo, assim, uma pesquisa em movimento, em que o caminhar do pesquisador articula conhecimentos. A fim compreender cartografia e sua investigação para a análise de dados, utilizou-se autores como Félix Guattari, Gilles Deleuze, Suely Rolnik e Virgínia Kastrup. Ademais, o entendimento de rua e da arte que dela se apropria dáse no diálogo com Raquel Rolnik, Vera Pallamin, Paola Jacques e com os artistas Márcio Petracco (Bluegrass Porto-alegrense), Welci Araújo, Abraham Ponce, Pablo Seearasta (Som Central) e com os músicos Marcelo da Luz, Pedro Ourique, Jean Kartabil, Lester Borges, da banda Cartas na Rua. Ao fim do percurso, além de perceber as questões que envolvem a escolha da rua como palco, bem como as paisagens que se criam por meio das falas dos artistas, discute-se as relações socioculturais que se atravessam nesse âmbito por intermédio da apropriação de espaços urbanos para as artes. / The research proposes to think about the art that is done in the streets in their modes of creation and self - analysis, establishing a dialogue between different artists that occupy Rua da Praia, in the city of Porto Alegre - RS, with some knowledge about art today. Through interviews with live statues, independent bands and solo musicians, portrait painters and wandering poets, one seeks to understand how the artist perceives the street in relation to what I will call an Urban Gallery and the motives surrounding the choice of Street as stage our gallery. As a methodology and development principle for theoretical research, a cartography is created, assuming a research in movement, in which the researcher's path articulates knowledge. For the understanding of cartography and its investigation for data analysis, authors such as Félix Guattari, Gilles Deleuze, Suely Rolnik and Virginia Kastrup are used. As well as for the understanding of the street and the art that appropriates it, dialogue with Raquel Rolnik, Vera Pallamin, Paola Jacques, and artists: MárcioPetracco (Bluegrass Porto-alegrense), WelciAraújo, Abraham Ponce, Pablo Seearasta (Som Central) and musics Marcelo da Luz, Pedro Ourique, Jean Kartabil, Lester Borges this band Cartas naRua.At the end of the course, in addition to perceiving the issues surrounding the choice of the street as a stage, and the landscapes that are created, through the artists' speeches, we discuss the sociocultural relations that are crossed through the appropriation of urban spaces for the Art.

Master's thesis is devoted to the phenomenon of Secret Walls, an illustrative contest with a distinctive conception. The aim of the theoretical part is to explain the basic bases and contexts of this live art battlement event and describe the means suitable for motivating pupils and students to work on their own work, which is based on and inspired by SW. In short, linking the elements of this immediate art event with teaching art. In the didactic part, the aim is to realize the individual stages of the thematic art series, which is focused on the development of drawing in the pupils of the second grade of primary school and verifies the described motivational elements in practice. The aim of the project is to revive the public space of the town of Rakovník through the Concetre Wall event and to convey an artistic experience for local residents. To motivate them to create their own free time and to point out the relaxing aspect of art. The focus of the work lies in the realization and detailed description of the thematic series of artistic tasks and in the realization of the artistic event in Rakovník. Furthermore, the thesis focuses on the verification of motivational elements for own free work used in the school environment and in public leisure time. Last but not least, definitions and...

published_or_final_version / Architecture / Master / Master of Architecture