Thesis (M.A. (Dramatic Art))--University of the Witwatersrand, School of Dramatic Art, 1983.

Ce mémoire vise à comprendre et à analyser en détail, s'il y a, chez Schopenhauer, une possible forme de liberté. Nous examinerons en quoi la liberté ne peut être appliquée aux trois règnes du vivant (inorganique, organique, animal) que notre philosophe nous présente. Nous montrerons que l'homme entretient malgré tout un rapport particulier avec la liberté, puisqu'il possède, au contraire des autres vivants, une raison lui permettant la création de concepts ainsi que, d'autre part, la capacité d'imagination. Nous développerons l'importance du concept de Volonté et de la façon dont celle-ci détermine les actions humaines. Après ces considérations, il en ressortira que l'homme peut tout de même dans certains cas, par différents moyens et à des degrés divers, minimiser l'emprise qu'a la Volonté sur lui pour ainsi atteindre, à tout le moins, des moments de liberté. Schopenhauer développe trois voies possibles de libération : la contemplation esthétique, la pitié et l'ascèse. Le point fondamental de ce mémoire sera donc d'expliquer en détail chacune de ces voies ouvertes à l'homme.

Zugl.: Nantes, Univ., Diss. und Marburg, Univ., Diss.

Thesis (doctoral)--Friedrich-Alexander-Universität Erlangen-Nürnberg, 2003. / Includes bibliographical references (p. [203]-220).

Zugl.: Wien, Univ., Diss., 2004

Thesis (Ph.D.)--University of Melbourne, Dept. , 20. / Typescript (photocopy). Includes bibliographical references.

No description available.

published_or_final_version / Comparative Literature / Master / Master of Philosophy

Thesis (M.F.A.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-01

Na historiografia da Arquitetura Moderna, o arquiteto paulista Oswaldo Bratke é normalmente mencionado por sua produção residencial. Entre os seus projetos mais destacados, as casas por ele projetadas, ao longo dos anos 1950, no distrito do Morumbi, em São Paulo, foram reconhecidas, em âmbito nacional e internacional, como contribuições importantes à Arquitetura Moderna Brasileira. Contudo, é menos conhecido que tais residências estavam vinculadas ao modo como Bratke imaginou a ocupação daquela parcela da cidade, cujo desenvolvimento ocorreu, simultaneamente, com a participação ativa do arquiteto em planos específicos de urbanização para alguns bairros. No quadro historiográfico consolidado, o panorama da obra de Bratke já foi levantado nos trabalhos abrangentes de Camargo (1995, 2000) e Segawa e Dourado (1997; 2012 2. ed.). No entanto, esta dissertação considera que os projetos por ele realizados no Morumbi ainda merecem maior atenção, e busca discuti-los a partir de uma análise conjunta, que forneça subsídios para melhor entender suas relações e, sobretudo, as soluções adotadas na concepção das casas. Em síntese, o material elaborado neste estudo complementa a documentação que já existe, mas tem como objetivo principal contribuir para ampliar a compreensão da arquitetura moderna de Oswaldo Bratke. / In the history of Modern Architecture, the Paulista architect Oswaldo Bratke is generally mentioned by his residential works. Among his most highlighted projects, the houses designed by him, throughout the 1950s, in the district of Morumbi, in São Paulo, were recognized, nationally and internationally, as important contributions to Modern Brazilian Architecture. However, it is less known that such residences were linked to the way in which Bratke imagined the occupation of that part of the city, which has developed, simultaneouly, with the active participation of the architect in specific urbanization plans for some neighborhoods. In the consolidated historiographical field, the panorama of Bratke’s work has already been documented in the comprehensive researches and publications of Camargo (1995, 2000) and Segawa and Dourado (1997, 2012 2. ed.). However, this dissertation considers that Bratke’s designs to Morumbi still deserve more attention, and it seeks to discuss them from a joint analysis, which can provide subsidies to a better understanding of their relations and, above all, of the solutions adopted by him in the designs of the houses. In summary, the material elaborated in this study complements the documentation that already exists, but its main objective is to contribute to broadening the understanding of Bratke’s modern architecture.