Thesis (M.F.A.)--West Virginia University, 2004. / Title from document title page. Document formatted into pages; contains v, 35 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 35).

This thesis examines how blogging is being deployed to disrupt institutional hegemony in Malta. The island state is an example of a hyperlocal context that includes strong political, ecclesiastical and media institutions, advanced take-up of social technologies and a popular culture adjusting to the promise of modernity represented by EU membership. Popular discourse is dominated by political partisanship and advocacy journalism, with Malta being the only European country that permits political parties to directly own broadcasting stations. The primary evidence in this study is derived from an analysis of online texts during an organic crisis that eventually led to a national referendum to consider the introduction of divorce legislation in Malta. Using netnography supplemented by critical discourse analysis, the research identifies a set of strategies bloggers used to resist, challenge and disrupt the discourse of a hegemonic alliance that included the ruling political party, the Roman Catholic Church and their media. The empirical results indicate that blogging in Malta is contributing to the erosion of the Church’s hegemony. Subjects that were previously marginalised as alternative are increasingly finding an online outlet in blog posts, social media networks and commentary on newspaper portals. Nevertheless, a culture of social surveillance together with the natural barriers of size and the permeability of the social web facilitates the appropriation of blogging by political blocs, who remain vigilant to the opportunity of extending their influence in new media to disrupt horizontal networks of information exchange. Blogging is increasingly operating as a component of a hybrid media ecosystem that thrives on reflexive cycles of entertainment: the independent newspaper media, for long an active partner in the hegemonic set up in Malta, are being transformed and rendered more permeable at the same time as their power and influence are being eroded. The study concludes that a new episteme is more likely to emerge through the symbiosis of hybrid media and reflexive waves of networked individualism than systemic, organised attempts at online political disruption.

This thesis examines the new theatrical form of cyberformance (live performance by remote players using internet technologies) and contextualises it within the broader fields of networked performance, digital performance and theatre. Poststructuralist theories that contest the binary distinction between reality and representation provide the analytical foundation for the thesis. A critical reflexive methodological approach is undertaken in order to highlight three themes. First, the essential qualities and criteria of cyberformance are identified, and illustrated with examples from the early 1990s to the present day. Second, two cyberformance groups – the Plaintext Players and Avatar Body Collision – and UpStage, a purpose-built application for cyberformance, are examined in more detailed case studies. Third, the specifics of the cyberformance audience are explored and commonalities are identified between theatre and online culture. In conclusion, this thesis suggests that theatre and the internet have much to offer each other in this current global state of transition, and that cyberformance offers one means by which to facilitate the incorporation of new technologies into our lives.